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To me, this movie is perfection.

Strong and Moving!

Simply A Masterpiece

Awesome Movie

this movie had a heap of potential...that wasn't met. the story in its self is a seller but its execution was pathetic. instead of feeling sorry for kiran and considering her actions revoulutionary i walked out thinking that this movie was promoting murder over telling someone e.g. police. i feel this may have had o do with the fact that ash as pretty as she is isn't capable of getting in the skin of a character and making you feel with the character. i walked out considering kiran a weak woman when she probably wasn't in reality. kiran was a Punjabi girl and she was going to be a lawyer, she was obviously educated and intelligent so why portray her as so backward ?? only one scene really portrayed the kind of person kiran was (the scene before he threw her down the stairs) she told him what she felt. the personality of that scene should have been carried through the entire movie...but it wasn't. 5/10 purely for the story & the little effort

This ought to silence the critics! She gave you awe-inspiring performances in: Chokher Bali, Guru, Raincoat, Kandukondain Kandukondain, Devdas, Umrao Jaan, Hum Dil De Chuke Sanam just to mention a few. But if you still had your doubts about Aishwarya Rai's versatility as an actress then go watch her bring down the house in the thought provoking weep-fest known as Provoked. Add another feather to the woman's hat, she truly is a powerhouse performer finally coming into her own. Please ignore all the naysayers who have been detracting about her accent in the film, her character learnt English from a British woman, how else do you expect her to speak? I mean, come on people!In a nutshell (most people who went to see this already knew the story) Provoked is the journey of an emotionally, psychologically and physically battered woman from the depths of despair to the glory and grace of emancipation. Rai plays Kiranjit Ahluwalia, the virginal Punjabi mail-order-bride brought to London to wed Deepak Ahluwalia(played intensely well by the up-to-par Naveen Andrews). She is quick to discover that her fears have been confirmed when her initiation into abuse begins on her wedding night. We discover (albeit in flashback) that Kiranjit was skeptical about marrying this man she neither knew nor loved but was coerced by a band of family and friends to tie the knot which she reluctantly did. It isn't long until Deepak begins cheating on her, insulting her, beating her, raping her and you just think of anything remotely and grotesquely inhumane and I'm sure Deepak Ahluwalia does it to his wife. Truly despicable!The film itself begins with that very headlining scene I'm sure everybody shuddered to even conceive of when they first heard about the Kiranjit saga. "Asian wife sets husband ablaze while he sleeps." The camera quivers as it leads a pair of hands bearing a bucket and a lit candle in either hand walking towards an isolated room in a dimly lit house. We do not see anything of Kiranjit until she does the deed and Deepak begins to howl in horror, running Helter-Skelter eventually ending up on the front lawn where a neighbour runs out to his aid. This was the beginning of the end. Kiranjit, in a state of shock then walks over to a neighbouring stoop, in a daze sits there cuddling her two sons as she waits for the police to arrive. Provoked is very psychological, when we first meet Kiranjit, she is a woman of very little words, so the audience has to do the extra work of reading meaning into her gestures, expressions and angst. Her face implores the camera, beckoning, daring even for you put yourself in her shoes. Personally, I started crying five minutes into Provoked, and didn't stop until the very last words were spoken by Kiranjit at the end of the film. It is such a movie. Nobody should have to go through such hell.That said, I know that the film-maker's perspective is very controversial. The case itself was very controversial. There are several nuances in the film, several things that are hinted at but not directly attacked or addressed. It definitely is pointing the finger but I'm not going to take sides. Which is why I've told many people who've asked me how the film was, that it's not for everyone. I can see how Punjabi people would be offended by many elements in the film, many aspects of it. I can see why a film like this wouldn't be #1 at the box-office. It's bawdy, it's brilliant, it's gritty, it's raw, it's realistic and most importantly it DOES NOT glamorize the story it is telling.A series of catastrophic events(stemming from corrupt police officials, lazy barristers, evil mother-in-law and shady witnesses just to mention a few) eventually land Kiranjit in jail and it is there, in this new kind of hell that she truly is liberated. Rai plays Kiranjit to the pulp delicately enough as not to batter her. In the beginning, she barely spoke a word of English, so much so that in the flashback scenes whenever her husband spoke to her in English, she would always revert to speaking Punjabi in response. But in jail, she meets Veronica Scott(Played by the spectacular Miranda Richardson), her cell mate who becomes one of the best-friends and sort of a guardian angel who helps her find herself and achieve so much as an independent woman. Nandita Das (plays Radha Dalal) a fireball twenty-something leader of the Black sisters radicals hellbent springing Kiranjit from jail. Robbie Coltrane (Harry Potter's Hagrid) turns in a great performance as Kiranjit second barrister, Lord Edward Foster. Steve Mcfadden, Nicholas Irons and Raji James among others round out the stellar supporting cast. So many familiar faces! LOL.Provoked is rated "R" in its American theatrical release (for strong language, nudity, strong violence and thematic elements). I rate Provoked an A+

There were two reasons why I had decided to catch this film, and they are the beautiful Aishwarya Rai and composer extraordinaire A. R. Rahman. Provoked is based on the true story of Kiranjit Ahluwalia, whose autobiographical book "Circle of Light" forms the basis of this movie. However, its textbook delivery style resulted in a film that's quite plain, despite its powerful potential in examining domestic violence against women.Rai plays the protagonist Kiranjit, a Punjabi woman instructed by culture and social norms to be the dutiful wife to Deepak Ahluwalia (Naveen Andrews), who whisks her off to London. Kiranjit doesn't know what she's in for as it's an arranged marriage, and soon enough the true colours of her spouse start to show - the drinking, the womanizing, and the verbal, physical, emotional abuses. For 10 years she tolerated and suffered, until one night she snapped and gave her husband his just desserts. We're talking about the law here, and so she gets sent to the slammer.Then on it's split down a few paths. Along one path, iIt's like Prison on Fire, where glimpses of the harsh realities of the world inside with criminals start to harden Kiranjit to fend for herself, along with the making of new friends and "sisters". On another path, the courtroom drama which was pivotal, given that it's a landmark case which debated upon the fine definition of provocation, somehow got delivered quite blandly, no doubt because attention was drawn toward the very British courtroom with its wigs and polite legal language. And finally, the path of melodrama and flashbacks, used ad nauseam here in telling the abuse that Kiranjit had to endure. I'm gonna be biased here to say that Aishwarya Rai's performance is probably the best thing in the movie. As in Mistress of Spice, those eyes can speak a thousand words with just a flicker, a movement, or a blink. And she can do unglam too, sans thick makeup and making prison garb fashionable. As an abused woman, you can't help but feel sorry for her, and very much root for her to get herself out of her plight, using whatever means possible. Nothing too breakthrough, but she's as effective as can be.Unfortunately, bad acting plagued most of the supporting cast. Naveen Andrews as the husband Deepak only managed to look snarling, but is never menacing enough, and the rest seemed to have been sleepwalking, in part being let down by the lack of meat in these roles, being in true one dimensional fashion. Only Miranda Richardson's fellow jailbird and cellmate Veronica Scott offered some balance in the acting department opposite Rai.Veteran director Jag Muhdhra seemed to have a bad outing trying to polish the film into the gem it should be, and certain scenes were badly edited that they seemed to be pasted side by side without much thought to gel them together smoothly. It seemed to have dwelled too much in the beginning, and felt hurried toward the end. It also lacked details of the rationale, and failed to pound deeper into the heart of the subject. Rather, what we got was a brief introduction and explanation of the topic, followed by a very quick, superficial resolution, leaving us wanting more. A. R. Rahman's score seemed to have disappeared into the background at times, though when it's on, you can always ensure a treat for the ears.Perhaps that's the point, of enticing the audience to pick up the book to read first hand the plight of someone being abused, and the challenges faced in being a mother from within a cell, battling innate customs and expectations to come out from within a shell and into the open, not only to try and save oneself, but to be a beacon of hope for many others in the same boat.Straight to the point, no frills storytelling, recommended for the curious and for those who want a launching point into a hot subject of abusive relationships.

The movie is based on a true story which was the first reason i saw this film. Aishwarya Rai has performed well in the role of Kiran. The story educates one of the atrocities that can happen to a woman and her fight to claim the justice that is initially denied to her cause she was ashamed to discuss the abuse that she suffered.The movie looks like a low budget movie and the screenplay or the camera-work may not fascinate you. The movie is based on facts and stays true to its original content. See the movie for its content and the message it wants to convey to the society.