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Purely Joyful Movie!

Fresh and Exciting

The film makes a home in your brain and the only cure is to see it again.

Although I seem to have had higher expectations than I thought, the movie is super entertaining.

It's the prohibition era in Chicago. Guy Gisborne (Peter Falk) with the help of the Sheriff takes over after assassinating Big Jim. Robbo (Frank Sinatra) was Big Jim's friend and refuses to go along. Will (Sammy Davis Jr.) is Robbo's right hand man in the north side. Pool hustler John (Dean Martin) is new in town and Allen A. Dale (Bing Crosby) is the director of an orphanage for boys. Gisborne starts a war with Robbo. Marian (Barbara Rush) is Big Jim's secret daughter and tries to hire Robbo to avenge his father's murder.This film is more notable for what happened behind the scenes. The music is old fashion Rat Pack. It's great for fans of their style but none of it is really catchy. There is little energy and considering the circumstances, it's perfectly understandable. The camera style is rather pedestrian and the whole movie lacks pace.

Like we've taken the Robin Hood legend and changed the bows and arrows to machine guns! ... Like with songs yet! ... Like WILD! . In prohibition-era from 1920s Chicago, the racketeer marshal (Victor Buono) along with a mobster named Guy Gisborne , a corrupt(Peter Falk) who controls the south side , knock off the ringleader Big Jim (Edward G Robinson). Everyone falls in line behind Guy except the do-good gangster Robbo (Frank Sinatra) who rules north side in his last go-round . Robbo wishes to keep his own territory with a ¨Robbo project foundation¨ and his particular business . A pool-playing man from Indiana named Little John (Dean Martin)and the director of a boys' orphanage named Alen Dale (Bing Crosby) unite forces with Robbo and Will (Sammy Davis Jr). When he gives some money to the orphanage, he turns the toast of the town as a hood like Robin Hood and people shout ¨Chicago loves Robin¨. As Robbo along with his friends creates the ¨Robin Hood foundation¨ and a ¨Free soup kitchen¨ . Meanwhile, Guy schemes to get rid of Robbo, and Big Jim's heretofore unknown daughter named Marian (Barbara Rush) turns up and goes after from dudes attempting to encounter an ally in her quest to run the whole show. Later on , Robbo is detained and newspapers publicize : Robbo held for sheriff murder¨ .This is an amusing musical comedy with some Hollywood major stars reunited by Frank ¨Robbo¨ Sinatra and incarnating Robin and his merry men in modern times , including usual names as Little John , Will Scarlett , Marian and Guy Gisborne . It's a ¨Rat Pack¨ version of 1920's Chicago with Frank Sinatra and his boys as do-good mobsters in their last outing . Fine musical numbers with beautiful songs by Nelson Riddle as ¨Bang, Bang¨ , ¨Mister Booze¨, ¨Don't be a do-baddler¨ and ¨My kind of town¨ with Dean Martin, Bing Crosby and Frank Sinatra singing and dancing and dressed in smoking , besides another sensational show including Crosby dancing with children . This is a typical Rat Pack vehicle such as ¨ Ocean's eleven(1960) ¨, ¨ Four for Texas (63)¨ and finally ¨Cannoball run II (1984)¨ with the sympathetic trio Frank Sinatra-Sammy Davis Jr-Dean Martin . The motion picture is professionally constructed by Gordon Douglas. This is one of various and mediocre works of his long career as filmmaker. He was a Hollywood veteran director, directing early movies (Little rascals, Spanky), expert on Western (Chuka,Rio Conchos, Yellowstone Kelly, Only the valiant ), and usually worked for Frank Sinatra in various films (Lady in Cement, Tony Rome,The detective, Robin and the 7 Hoods). Rating : Passable and acceptable , 5,5 . This is a nice musical entertainment and to be liked for Frank Sinatra fans.

To begin with, I recall catching the opening sequence of this one as a kid on a now-defunct Sicilian TV channel Considered the best of the Rat Pack films, this is a slick, likable and witty transposition of the Robin Hood legend to gangland Chicago. A generally bright outing, it loses steam towards the end, emerging as being decidedly overlong.The stars are in their element – Frank Sinatra is Robin (called Robbo and clearly relishing the role, it’s hard not to be reminded of the star’s real-life mob connections), Dean Martin is Little John (their famous initial confrontation takes place over a game of pool!), Sammy Davis Jr. (who does a fair imitation of James Cagney) is Will Scarlett and Bing Crosby turns up half-way through as Allen A. Dale (this proved to be his last musical role). As for the villains, Peter Falk is wonderful as Guy Gisbourne (though he seemed stuck in gangster types during this time in his career) and heavy-set cocoa-drinking Victor Buono is the new Sheriff. However, I think it was a mistake to present Marian (Barbara Rush) as a femme fatale; appropriately, then, Edward G. Robinson (an icon of the gangster genre) cameos as Big Jim – the Richard the Lionheart figure. There are also notable bits by Hans Conried (as Robbo’s put-upon architect), Allen Jenkins (as a disgruntled partner of Falk’s) and Sig Ruman (as a leading citizen).Though OCEAN’S 11 (1960) did provide a title tune sung by Davis, this is the only Rat Pack musical of the lot. Sinatra’s “My Kind Of Town” was nominated for an Oscar – but other songs are actually more memorably presented: Davis’ own energetic destruction (at the rhythm of a tap dance) of Falk’s gambling joint; “Style”, a momentous collaboration between Sinatra, Martin and Crosby (three of the best-loved crooners ever); and Crosby’s show-stopping “Mr. Booze” (at one point, to divert a police raid organized by rival Falk, Robin’s gang turns the joint into an impromptu temperance meeting!). With this in mind, the film has definite black comedy touches – particularly in the cornerstone-laying motif. However, the Christmasy finale in which the tables are once again turned in favor of Robbo and Rush is reformed (off-screen) by Crosby feels rushed.Some trivia connected to the film: a kidnapping scene was dropped for hitting too close to home – Sinatra’s own kid had just been abducted and eventually ransomed for $250,000!; on the day JFK was shot dead, the scene of Robinson’s funeral was being filmed!; apparently, Sinatra’s old musical pal Gene Kelly was originally involved in the production as a dance director but left during its early stages after disagreeing with Sinatra (who also served here as producer) over the number of dance routines to be incorporated into the film.

Although Bing Crosby has an important role and is by far the best performer in the film, we're often forced to sit through some exceedingly dry stretches of tedious Falk-Sinatra-Martin-Rush (what a charmless lady!) dialogue between his welcome appearances. There are even long, weary passages between songs, then three or four will come at once.Basically, "Robin and the Seven Hoods" can aptly be described as a heavy-handed spoof, encompassing little in the way of wit or style in either writing or direction. And as for the players, only Crosby exudes just the right touch of seemingly effortless whimsy. Falk is especially elephantine, but the overbearingly pedestrian Barbara Rush just manages to pip Falk at the post for Bad Acting honors. The film would be greatly improved if both Falk and Rush were cut to the bone. 123 minutes is too long for this sort of derivative jest anyway. Still, it's nice to see some of our old favorites like Allen Jenkins and Jack La Rue.