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So much average

everything you have heard about this movie is true.

The film makes a home in your brain and the only cure is to see it again.

It’s sentimental, ridiculously long and only occasionally funny

When a madman kidnaps a young boy and rigs him with explosives, Ray defies his captain and takes matter into his own hands. Now he must beat the clock and save the innocent child. Countdown was mostly packed with WWE Wrestlers trying to act and beating up bad guys than being an actual good and entertaining flick but i will admit i do admire the fact that at least Kane tried a bit to do something different after those terrible 'See No Evil' flicks but i'm sorry Dolph Ziggler is no John Cena or even at least as amusing and cool as The Miz. (3/10)

Ray (Nick Nemeth) is an unorthodox Seattle detective who makes his own rules. He gets suspended by Lt. Julia Baker (Katharine Isabelle) while pending an investigation which will lead to his termination. While he laments over the loss of his son three years ago, he gets a call back concerning a child kidnapped by the Russian Mafia and has a bomb strapped to him demanding a $2 million $112. 35 ransom. They specifically want him. Ray is not reinstated and is tailed by Baker to report on any breaches of conduct. With the clock ticking on the boy, Ray goes very rogue and drags Baker into his antics.This is a modern day "Dirt Harry" type of story. Instead of a crazy guy, it is a Russian, and instead of a little girl being buried, it is a boy with a bomb, but you get the idea. Katharine Isabelle was excellent in her role providing a subtle sexuality and good chemistry with Nick Nemeth. Action with a good blend of humor and drama.This is a good film for those who like a vigilante cop film without any heavy thinking. Guide: F-word. No sex or nudity. Expected violence/killing.

"Turistas" director John Stockwell delivers an improbable but entertaining action thriller "Countdown" that qualifies as a genuine guilty pleasure. This WWF financed abduction opus concerns a mad Russian bomber who has strapped an explosives device to seven-year old child and demands a bundle of dough for his life. "Countdown" generates a sufficient amount of suspense and tension despite some uninspired performances. The derivative Richard ("Expendables 2") Wenk and Michael ("November Man") Finch screenplay manages to create some white-knuckled excitement as an iconoclast Seattle detective, Ray Fitzpatrick (Dolph Ziggler), scrambles against the clock—about five hours or so—to locate the adolescent against nerve racking odds. Stockwell proves himself a fair hand at staging the action with some competence. "Countdown" could have been twice as pulsating in the hands of a director like either "Bourne Supremacy" director Paul Greengrass or "Nightwatch" helmer Timur Bekmambetov. Make no mistake, Stockwell doesn't malinger, but "Countdown" should have been an exercise in white-hot mayhem. Indeed, towards the end, Stockwell succeeds in ratcheting up the pace. "Pound of Flesh" lenser Cliff Hokanson captures the action from evocative camera angles, while composer Claude Foisy accentuates the pace with a sizzling orchestral score. The cast struggles to convince us that they are the real thing. Given several years, Ziggler could develop into a capable actor. In the meantime, he handles the demands of the physical action with just enough verve to compensate for his superficial acting. Ziggler surpasses his pedestrian but attractive co-star Katharine Isabelle who isn't believable at all. Glenn 'Kane' Jacobs musters more credibility as Ray's superior. The opening scene is somewhat interesting because our audacious detective shoots his undercover partner to make a believer out of the arms dealer that he is trying to bust. Altogether, "Countdown" contains enough kick and tick to land somewhere between routine and above-average. The Seattle scenery is a feast for the eyes.

I'm sorry but the film was just horrible. I watched it the other day, and it felt like a 10 hour long film rather than a less than 2 hour one. The acting from the protagonist was so bad that I fell asleep several times watching it. Don't listen to the other reviewers.I have watched other WWE movies in the past, so the measuring stick for this movie wasn't that big going in and despite that, this movie couldn't reach the top of it. There are other wrestlers in WWE who could be great actors if given the chance, but the promotion is very corrupt and biased, so only the backstage favorites get that chance. I wish they would let someone that can act get an opportunity like this for once.