Watch Fear Is the Key For Free

It's no definitive masterpiece but it's damn close.

I don't have all the words right now but this film is a work of art.

It's entirely possible that sending the audience out feeling lousy was intentional

Unshakable, witty and deeply felt, the film will be paying emotional dividends for a long, long time.

Firstly I will say that this film definitely has an impact like the original 'Planet of Apes' with the late great Charlton Heston.However, with multiple viewing you will discover more and more about the lead character 'Talbot' - so believably played out by the under-rated talented actor Barry Newman, and the storyline will become even more engaging. I would simply recommend you either buy the DVD or await the Blue-Ray version when it comes out from the date I have posted this review.The supporting cast is very good, including Dolph Sweet, John Vernon, earliest appearance of Ben Kingsley (with some hair still) and the lovely Suzy Kendall.It is not until near the end of the film that you realise where the film is actually going with it's unique ending inside a mini-submarine (or Bath-Escape as it was called) called the Fathom. The car chase is well choreographed and in a Smokey and the Bandit style - even longer than the car chases in Bullitt and French Connection.Without going into too much detail, I have not read the book by the classic novelist Alistair MaClean, but if it is even better than the theatre adaptation of the story then maybe one day I will have to seek out the book, because this film, despite it's old age is a classic in my mind.Find it, and I guarantee you will like it a lot. It takes a bit of getting used to when seeing Barry Newman in a role like this, because he definitely has an 'un-likely' hero look about him. But the more you watch it, the more you will realise that he has the perfect face for the role.

This is a formula movie, make no mistake. It is an action-adventure, with a mystery, so I won't spill the plot. It begins with the same male hero we see in all movies made after 1940, a man so vicious and mean that the movie's idea is to turn your thinking around about the guy. And after the first few minutes you think "There is no way this guy could ever be anything but a punk", and they "getcha"! A very wonderful turnabout. The character in the movie is the key, and the screen writing, directing, and acting are superb. It maybe the only movie that you ever see that changes your mind about a character from the start, and maybe the best example of a movie which does so. What is extraordinary is that this movie has never resurfaced, and never got the credit it deserved. The end is one of the best Hollywood endings ever since "Charade".

The title is some kind of misnomer.I would rather call the film " Appearances are the key".The beginning of the film is triteness ,routine thriller : car chase,hostage-taking,fighting...But little by little we begin to realize that all that we are watching is like a trompe-l'oeil painting.Things are not what they seem.You've got to pay attention during the very first scene -a very tragic one,which is given a thoroughly neuter even inhuman treatment-,cause the answer to the questions you ask yourselves only comes at the end.The final sequences pack a real wallop ,particularly when we see the plane.This film was almost an anomaly in the seventies scene:to think that at the time the blockbusters were "dirty Harry" and "Shaft" .Talbot is finally much more human than the two superheroes."Fear is the key" has a contemporary feel ,but no remake needed.

FEAR IS THE KEY is one real gem of a B-movie. The plot is packed with twists from beginning to end, and the characters are not always what they seem. Good performances from everyone involved, though no big stars. Clint Eastwood's best and favorite nemesis, John Vernon(JOSEY WALES; THE UNCANNY) appears here as the archvillain, supported by an early hairy Ben Kingsley. This film is no less than a little masterpiece, with a strong though unpredictable story, and an energetic soundtrack courtesy of GET CARTER's Roy Budd. In the vein of THEY CAME TO ROB LAS VEGAS and Mario Bava's CANI ARRABBIATI. It's a man's world.