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Wonderful Movie

In truth, there is barely enough story here to make a film.

The film's masterful storytelling did its job. The message was clear. No need to overdo.

It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

While there is plenty of Van Cleef time in "Barquero", and the Warren Oates factor is a plus, this talky western borders on boring. Almost the entire film takes place in one location, and the script just doesn't make a lot of sense. I mean if Oates would have at least tried to find a shallow river crossing, instead of obsessing about Van Cleef's barge, things might have moved along at a more tolerable pace. As it is, with all the shouting back and forth across the river, nothing really happens for long stretches. "Barquero" to me was somewhat of a disappointment, and in no way challenges Lee Van Cleef's performance in "The Big Gundown" or some of his other non Leone westerns. - MERK

After a massacre in a nearby town, outlaw Warren Oates and his gang flee towards Mexico. But there's a river in their way and they can only cross by ferry barge. The problem is the barge is operated by tough cuss Lee Van Cleef, who takes his barge to the other side of the river to prevent the bad guys using it. What follows is a stand-off between the violent outlaws and Van Cleef, who finds himself the reluctant protector of the villagers across the river.Unique, cynical western may not sound like much on paper but it's a treat. The cast is great. Lee Van Cleef's western résumé speaks for itself. If Steve McQueen is the King of Cool, it's only because Van Cleef turned down the title. Peckinpah favorite Warren Oates is completely crazy but undeniably fun to watch. He gets many of the film's best lines. Forrest Tucker is a hoot as Van Cleef's mountain man friend. Busty cigar-smoking Marie Gomez will no doubt make a few pulses race. Mariette Hartley and Kerwin Matthews are also enjoyable. The script is good and the action is exciting. It's an underrated gem; one of the better American westerns of the period.

Over the top, cheesy performances by the actors who are walking, talking caricatures of Western villains and heroes. Watching this movie was like watching a cartoon. So bad it's good, but very very good. The town slaughter was literally unbelievable, but so ultimately predictable it was perfect and sped the plot forward. The standoff at the river was simple good vs evil, with goodness and evil on both sides. Saw this on TV last night and couldn't turn it off. My wife wondered what I saw in it. I couldn't believe how brilliant the colors were and how clear the picture was after all these years. It was good to see Mariette Hartley in such a naughty role talking DIRECTLY into the camera about what qualities constitute the essence of a REAL WOMAN. Wow, wow, wow.

Barquero has really no excuse for not living up to its full potential. The inspired casting choice of piting genre stalwarts Lee Van Cleef and Warren Oates in opposite sides of the river against each other and the idea behind the film – a group of ragtag cut-throats led by Oates transporting rifles and silver after a successful raid at a nearby town to the Sonoran territory in Mexico and desperately in need to cross the river before the army gets them while Lee Van Cleef as the boatman holds the barq at the other bank and refuses to pick them up. That should have been enough to keep Barquero afloat and my terrible puns at bay (ahem).What really keeps the film down is the unpolished, roughly sketched script. The first and closing acts sustain interest through lengthy bouts of gunfighting but some kind of semi-compelling plot needs to be assembled for the middle act where sadly Barquero fails to kick the conflict into high gear, a hard feat to accomplish with a story that seems to invite conflict and could have gone into so many different places. Instead what we get by the end of act two is the good guys outwitting the bad and saving the hostage Warren Oates was keeping tied up and Oates half mad and desperate (as the army draws closer with every passing moment) shooting holes at the water and saying to his henchman "I shot the river". Not particularly endearing, don't you think? Forrest Tucker steals scenes in the role of ant-eating Mountain Phil while Van Cleef and Oates seem to be representing two different western archetypes – Van Cleef the romantic hero eclipsed by the coming modernization of the west, represented in the movie by a bunch of squatters he's called to protect, Oates the rough-hewn, murderous son of a bitch, the gritty and hardboiled aspect of the western, pioneered at the time by spaghetti westerns of whose villains he's somewhat reminiscent of.Definitely better seventies westerns to keep the genre aficionado occupied out there but it's worth a watch for its marquee value, Van Cleef and Oates a dream match made in heaven and both in pretty good shape.