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I like the storyline of this show,it attract me so much

Such a frustrating disappointment

Absolutely Fantastic

I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.

(Flash Review)Why was this a special feature on the Three Billboard DVD? It was deranged. Taking place on a train, two unrelated passengers have had a significant loss in their family. Along comes some demented and highly irritating Irish young man. He hassles the mourning mother enough that she does something highly rash! The train is stopped to investigate the event. Later we learn the police are after this annoying young man. Cue bloodbath. This film had no redeeming value.

After seeing 'In Bruges', I got curious of the other film Martin McDonagh had made. This short film is also a dark comedy and tries to make fun of death, suicide and the loss of a loved one. This is of course really hard and not easy to do. It sometimes fails as well at some points, but overall it kinda succeeds. Yet another movie of Martin McDonagh I am not sure what to make of it... strange... but if you like dark twisted humour, then this film is definitely for you.I am not sure if the Oscar was really deserved, but it keeps me thinking at least... 7/10

After a man's wife dies he takes a train back home. On that train he meets a young couple who are also grieving and a young man who doesn't seem to give a damn about other people's emotions. The story is relatively simple, four people on a train, each one has something in common. Someone in their lives has just died, each one deals with it differently. The young kid doesn't seem to give a damn, the couple cry and try to isolate themselves and the man seems to be relatively at ease, clearly hiding his true pain. Gleeson is the man in this role and he is the one who seems to be observing all the emotions on this train. Rúaidhrí Conroy is the motor mouth kid who has a really thick Irish accent, it's almost hard to tell what he is saying. The film belongs to these two characters and they are vastly different from one another. The scenery outside is beautiful and showcases Ireland's cottage, farmland area. It's definitely a place I want to visit one day in my life. The setting of the film is entirely on a train, save for the opening and closing scenes. Despite the film being almost all dialogue, the movement of the train actually kept some tension up. Who is this kid and why he is so psycho. For a short that is 30 minutes, it does its job. Well written, well directed and acted. The film looks nice and is quite the dark comedy. The monologue about the cow is both random and hilarious. The director, McDonagh, went on to direct In Bruges, an even darker comedy. You can see the similarities in the characters and the themes. Both films are shot in the same style, with a soft focus and of course star Brendan Gleeson.This short went on to win an Oscar, I haven't seen the other films nominated so I can't say that this film deserved the win, but it is well done. It does what most films can't do and that is tell a consistent story with interesting characters.

Morose middle-aged Donnelly (a typically terrific performance by the always great Brendan Gleeson) takes a long and grueling train ride home following the tragic sudden death of his wife. Donnelly encounters both a young couple whose baby has just passed away and a brash, rowdy, irrepressibly snotty punk kid (splendidly played with deliciously malicious glee and gusto by Ruaidhri Conroy) who antagonizes his fellow hapless passengers with his incessant coarse language and blithely rude, callous and offensive behavior. Writer/director Martin McDonagh, an acclaimed Irish playwright, deftly mines a fresh, startling and often uproariously twisted line in black-as-coal gallows humor in this offbeat and inspired meditation on death, grief and loss. This is hardcore merrily macabre black humor that's as dark as the best chocolate and every bit as tasty (the exploding cow gag is especially gut-busting!). Moreover, the performances are across-the-board fantastic (Conroy in particular is simply amazing), the photography of the lush Irish countryside is breathtakingly beautiful, and the story offers a wondrous wealth of delightfully warped and shocking surprises. Overall, this stupendous Oscar-winning short film qualifies as 30 sublimely nasty and frequently flat-out sidesplitting minutes worth of pure black comedy gold.