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Sick Product of a Sick System

Absolutely Fantastic

Absolutely brilliant

It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

needed special permission of production code to talk about drug smuggling made during Powell's 'tough guy' years opium trade set 1935"To The Ends Of The Earth" was a film made during the period after Dick Powell transitioned from the pretty-boy crooner in light-weight films to a more world-weary and middle aged leading man. I generally loved these films, as Powell's characters were often incredibly cynical...and he pulled it off very well. This one, while showing SOME of this new sort of Powell character, sadly, isn't up to the quality of his best performances of the era...though it is a decent time-passer.The film begins in the mid-1930s with an insanely graphic and troubling scene. Treasury Department Commissioner, Mike Barrows (Powell), is on a boat in the San Francisco area that is trailing a boat full of smugglers. In a sick and desperate act, the captain of the boat being pursued decides to have his men toss their illegal cargo overboard instead of being caught with it...and you see dozens of Chinese migrant workers chained together being tossed into the sea to their deaths! Barrows witnesses this and is horrified...and vows to see this captain apprehended. But they are now in international waters and the boat escapes.Later, there is a lead that the captain MIGHT be in China and so Barrows travels there to hunt for the scum-bag. However, it soon begins clear that these Chinese workers were not what he originally thought. They were, in fact, slave laborers used by folks in the narcotics trade to plant and harvest poppies and soon he finds himself investigating the heroin trade. While all this sounds very exciting, the film's pacing wasn't great and the story went to too many locations and had too many characters. Normally I don't see this as a problem but I found that the pacing and story were not especially well done. I think a lot of this was made more obvious because too often instead of DOING anything, the characters talked and talked and talked. Overall, not a bad film but one that was surprisingly flat at times.

I thoroughly enjoyed this picture and I had been looking for it for a long time. It's not often a motion picture can mesh all components into a first class entertainment production. This one is so completely absorbing from start to finish that I wished it wouldn't end. It was 110 minutes well spent.It is remarkable to note the metamorphosis in Dick Powells' career, from an effeminate tenor in "42nd Street" in the early '30's to a tough-talking, gravel-voiced film noir star, beginning in the mid '40's with "Murder, My Sweet", and "Cornered", culminating in this near-masterpiece.Can't find fault anywhere here. The story moves along at breakneck speed, and, as mentioned in my summary, if you get up to get a snack you will lose the thread of the story, so intricate and complex is the plot. If this were a book I would say I couldn't put it down.Whatever happened to good film-making? Movies get worse and worse, but thank God for TCM. This picture is a little outdated, but just go with it and take into consideration that it was made 60 years ago. Truly, they don't make 'em like this anymore.

The idea of drug trafficking and addiction as social threats didn't emerge until the post-war years – when marijuana and heroin no longer confined themselves to urban blacks and jazz musicians. Though the subject would seem a natural for film noir, the cycle as a whole ignored it, except for odd references (Jules Amthor drugging Philip Marlowe in Murder, My Sweet, for example). But in the late 1940s, two films took on the phenomenon directly: Port of New York and To The Ends of the Earth. Both films show the stridency that would soon come to be characteristic of the Red Scare films of the early 1950s. Port of New York, however, effectively explored its noirish milieu, while To The Ends of the Earth harks back to the international espionage pictures of wartime and the pre-war years.Treasury agent Dick Powell witnesses the mass death of Asian `slaves,' jettisoned overboard in chains from a Japanese freighter off the coast of San Francisco. Soon, in relentless pursuit of the opium poppy, Papaver somniferum, he circles the globe from Shanghai to Egypt to Cuba and finally to New York. His travels curiously intertwine with those of an American widow (Signe Hasso) and her young Chinese ward (Maylia). He uncovers a ruthless (`fanatical' is the preferred adjective) worldwide conspiracy to grow, distribute and sell opium, ultimately refined into heroin. The case doesn't crack until his ocean liner begins entry into New York harbor.It's a good-bad movie. One of the burdens the noir cycle occasionally had to shoulder was paying homage to various principalities and duchies of the U.S. Government, generally J. Edgar Hoover's Federal Bureau of Investigation (as in Call Northside 777) or the Treasury Department (as in T-Men). Here, it's the Narcotics Bureau headed by Harry Anslinger, who graces the movie with his presence in three cameos. The requisite tone of reverence is anathema to noir, and Powell's voice-over narration drones on and on, a powerful opiate in itself.But the nuts and bolts of the drug trade operated by a global cartel retain surprising interest, and the movie's pace picks up as it progresses, right up to a fairly shocking twist at the end. Many of its attitudes and assumptions show their age, but To The Ends of the Earth ultimately delivers its product.

I have been looking for this picture since I first saw it when it was released in 1948. It impressed me then with the world wide scope of its story of opium smuggling and I had been anxious to see it again. I had thought about it many times over the years and knew that it was not on video and did not know where I would find it. By accident I found it listed in the movies on Movie Plex. It apparently had been show previously as there were 21 votes for it so at least 21 others had seen it. Seeing it the second time after all these years was just as enjoyable as the first time.