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A Masterpiece!

Good films always raise compelling questions, whether the format is fiction or documentary fact.

It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

The action is set in Viet Nam. The French had been waging an impossible war against the communist Chinese and Vietnamese in a conflict that ended in defeat for France. This is before the American involvement in one of the most hated wars in recent history. Samuel Fuller, who started out as a reporter, saw firsthand what war was really like early in his life during WWII. After that, he became a writer for the movies and a director who, to this day, has inspired many of the current crop of creators with his sharp take on the world he lived. "China Gate", alas, does not add anything to his illustrious career, although no serious fan of Mr. Fuller will pass the opportunity to take a look at this 1957 film. The story centers around a conflict between a Eurasian born woman, Lucky Legs, the owner of a saloon that had married Johnny Brock, an American mercenary who is helping the French in their fight against their enemy as the story begins. Brock was a bigot, to put it mildly, and a man that obviously was not playing with a full deck. He abandoned Lucky after their son is born. He rejected the infant based on his Chinese looks. Lucky is recruited to guide a small team of men to the China Gate, where the communists have amassed war material that will help them fight the war. Lucky, being well known to her countrymen, had no trouble taking the patrol to their destination, leaving at each post bottles of her prized stash of French cognac, much appreciated by the fighting enemy.Unfortunately, the story does not ring true; it is sadly dated as it does not make much sense. The mere idea of outsmarting the guerrillas, by a small group of men just does not seem possible, but then again, this is the basis of many pictures where common sense does not count into the story, what matters is the action, the dead, the fabulous explosions and the heroism of a few.Gene Barry playing Brock shows no chemistry whatsoever with his co-star, Angie Dickinson, at the height of her youth and beauty. Nat King Cole, the inimitable singer makes a dramatic appearance and he steals the movie from more experienced actors. Lee Van Cleef shows up as Cham, the man who was also in love with Lucky. For Samuel Fuller fans only!

Sam Fuller's worst war film is worth watching-or at least scanning-for several reasons. The most obvious is the bizarre casting. Then there is the unpersuasive attempt to recreate Vietnam on a studio backlot,which would be duplicated with not much more success years later by Stanley Kubrick in Full Metal Jacket(1987). Finally,both the screw loose plotting and the rabid Red-baiting have become unintentionally comic with the passage of time. This was in fact Sam Fuller's first-ever film for a major Hollywood studio(Twentieth Century-Fox)and his first to be presented in full widescreen Cinemascope.A voice-over introduction sets a hyperbolic tone: "With the end of the Korean War,France was left alone to hold the hottest front in the world and became the barrier between Communism and the rape of Asia." Moments later,we learn that because the dirty Reds have put the Vietnamese town of Sun Toy under siege,a little boy's(Warren Hsieh)pet puppy is about to be eaten! Presumably because 1957,American audiences did not know much about the country or the war,Fuller spends most of the first act spinning out a fanciful interpretation of the situation,blaming many of the country's problems on the Chinese Communists and their massive underground ammunition bunker at China Gate. The French Legionaires decide it to blow it up,and call in explosives expert Sgt. Brock(Gene Barry). The only person who can lead them from Sun Toy to China Gate is Lucky Legs(Angie Dickinson in one of her first major roles),who is allegedly half-Chinese. She's also Brock's ex,and if that weren't enough,the kid with the puppy is their son! That's doubly hard to believe because the stars generate all the sexual chemistry of two wet paper towels. Not to mention in 1957,white actors or actresses were playing roles of minorities,whether Latino or Asian or Arabian were stereotypical then.After that's been established,the already pokey action stops cold for Goldie(Nat "King" Cole) to not only demonstrate his acting abilities but also sings the theme song. Then off they go,with a half dozen or so more Legionaires and a couple of boxes of highly explosive detonators. At every opportunity.one or more of these guys bears his tortured soul,and as they get closer to the Chicorns,it becomes apparent that our girl Lucky has been a sort of one-woman welcoming committee whose mission is to boost morale in every way that she can. All the guys know her because she makes regular visits to the Chinese to deliver cognac and sex,even though her main squeeze is the commander of China Gate,Maj. Cham(Lee Van Cleef),yet another half-Chinese who is in line for a promotion to Moscow.With only a few exceptions,the combat scenes are as phony as the rest. They were filmed on cheap-looking sets with little originality or energy. Nothing on screen comes as close to Fuller's better work in "The Steel Helmet",and "The Big Red One". Still,"China Gate" is instructive. It's a perfect example of Hollywood's attempt to turn every post-war conflict into another World War II. When the film does try to draw any distinctions,it still reduces the action to good guys versus bad guys. If a few Americans will just go over there and blow up stuff and shoot some guys,those benighted foreigners will see the error of their ways and everything will straighten itself out. That's a bit of oversimplification,but given the loopy politics of China Gate,it's not too far off the mark. It misses it.

This movie is wildly underrated and, contrary to the usual, often numbskull IMDb opinions here, one of Sam Fuller's most satisfying pictures from the 1950s. Angie Dickinson is very convincing as Eurasian Lucky Legs, an independent woman cast adrift and on her own trying to survive in French-controlled Viet-Nam. She is constantly judged and used by former lover, racist mercenary Gene Barry (who is also the father of her bastard son)for his own ends. Nat King Cole is fine as Barry's right-hand man, Goldie. One of the great things about the film is showing the irrationality of racism, a prime example being that racist Barry has nothing but warm feelings (if memory serves) for longtime comrade, Cole. Full of great insights (no matter how broadly painted) as well as super hardboiled bits (watch for Cole stepping on a spike at night in the jungle but unable to cry out due to proximity of enemy soldiers -- as well as what happens to self-sacrificing Angie at the end). Show me another war film as gutsy and as uncompromising from this time period (outside of Don Siegel's HELL IS FOR HEROES or Anthony Mann's MEN IN WAR). Plus - how can one not warm to a movie where Lee Van Cleef (!) plays the Viet Cong commander in charge of the ammo dump that Barry and cohorts must destroy?

I was 17 and had just fallen hard in love with Gayle. That night in 1957 when I saw China Gate I was not with Gayle but another. The haunting title track "China Gate" somehow was burned into my memory. I remember little of the movie, but Nat's melancholy rendition was so haunting that when I replay it over in my mind some of that lost-love feeling still tears at my heart 42 years later.