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The Quiet Family
A family decides to buy a lodge in a remote hiking area. Their first customer commits suicide and the distraught family buries his body to avoid the bad publicity. But their luck gets worse, the bodies start piling up, and the family becomes frantic to rectify the situation.
Release : | 1998 |
Rating : | 7 |
Studio : | Myung Films, |
Crew : | Art Direction, Director of Photography, |
Cast : | Park In-hwan Na Moon-hee Choi Min-sik Song Kang-ho Lee Yoon-seong |
Genre : | Horror Comedy Thriller Crime |
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The Worst Film Ever
Good start, but then it gets ruined
There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes
Blistering performances.
I chanced upon this gem of a movie while Googling for Asian horror classics. By no stretch of imagination can this be described as a horror movie. It is a black comedy, which becomes truly hilarious as it progresses. Each character is unique, dead-pan and allegorical. The film is fast paced, suspenseful and full of sudden twists and turns, which leave the viewer baffled. The cast is perfect - from the landlord, to the landlady, the daughters, the son, uncle and the guests, which include a professional killer, an under-cover policeman, North Korean 'spies' and such-like, all of whom met bizarre ends, due to twists of fate. I do not blame North Korea, envying South Korea, for producing such gems :-)Highly recommended.
'The Quiet Family's' concept is better known in Miike's remake which is a shame because while the Japanese counterpart is a masterpiece in its own right the original movie needs not be compared; it stands as a pearl of dark comedy. The mood is full of suspense as the Kang family is visited by misfortune upon misfortune. Morbid humor sets the tone of a very tight story and some typical comic tropes are adapted to fit the overall feeling of stress as things get out of control. The cinematography is understated but highly competent with an emphasis on indoor scenes that add to the claustrophobia of the situation.Off beat and tense, the movie's aesthetics are close to the noir genre. It never degenerates into nonsense territory and much of its entertainment value resides on how believable the characters' reactions are. This quiet family systematically makes the wrong choice that of course leads to further complications but the entire insanity is understandable and made more hilarious for that. A grim fatalism pervades everything as if for all their mistakes the Kangs are indeed cursed.On top of the freak deaths, the scrambling for hiding dead bodies, the crossing the line into crime, the movie is true to its title: a portrait of a family that would rather live in peace. Their struggle for keeping their both their livelihood and quiet walks a very thin line as far as morals go but the family unit is so tightly knit that somehow overrides this. The finale brings this home in a simple and effective manner. Cleverly plotted and with solid performances all around, 'The Quiet Family' should be seen by anyone willing to be amused by something different.
The storyline: A Korean family bought a lodging hotel for bargain basement prices in a desolated location. Hotel guests were hard to come by but when the first guest finally arrived, he committed suicide. More guests started to show up... but things did not turn out the way they were hoping... A classic case of be careful what you wish for, because it may actually come true in unexpected ways...Think of this as Korean version of the "Addams Family". This movie is a showcase of dark humor while several parallel subplots are going on. I especially like the acting of the youngest daughter Mi-na, her looks and mannerism epitomize the dark humor of the entire movie.Not the funniest movie to come out from the Korea movie industry in recent years, but nonetheless quite enjoyable for those who like dark humor movies like Beetlejuice or Addams Family.
When a family reluctantly becomes proprietors of an inn deep in the woods, it seems doubtful anyone could find their way there. It doesn't help that the family ends up killing nearly all of their guests -- usually under cover of night (and the blackest possible humor). Imagine Hitchcock's "The Trouble with Harry" steered by a gruesomely dysfunctional family, and you have some idea of what this deadpan South Korean film offers. Still more evidence of that country's continuing film renaissance, and easily up to the standard of the best American films.