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Touches You

Sadly Over-hyped

Good story, Not enough for a whole film

The movie's not perfect, but it sticks the landing of its message. It was engaging - thrilling at times - and I personally thought it was a great time.

Westerns have never been a favourite genre of mine unless one is really exceptional or unique. So it should come as no surprise what ends up becoming my favourite John Wayne movie was his foray into Cary Grant-esque style comedy, something much more up my alley. The Duke isn't a favourite actor of mine yet I've always found to be strangely charismatic and engaging; although coming from Ireland, John Wayne is the one classic actor most people have not only heard off but have seen a movie from. Trouble Along The Way shows he was capable of a larger range than he's given credit for although judging from the movie's success audiences much preferred seeing him doing his usual stick of westerns and war movies. It's apparent the studio must have put a lot into this movie hoping for it to be a big success, employing a top director and top cast, plus it feels like this role was written for Wayne. Despite the film being a chance of pace for him, the role still feels like a very John Wayne character; very American, very macho and very much an individualist. The movie's plot revolves around two things I'm not a fan off, sports and religion. I am informed the subplot involving the economics of college football (not to be confused with the sport of soccer, which in Europe is also called football, go figure) is more relevant today in a world where the financing of college athletics has gone out of control than it was in 1953. As for religion, although I am an atheist and staunchly anti-religious I can still enjoy movies about religion. Trouble Along The Way manages to express religious themes but never feels like I'm being preached towards. The movie even takes advantage of its religious based plot with some great religious jokes ("Couldn't have booked one protestant school for a breather").Charles Coburn's role as Father Burke is an archetypal representation of Catholic clergy in old Hollywood films as an entirely trustworthy figure of respect such as Spencer Tracy in Boy's Town and Pat O'Brien in Angels With Dirty Faces. This being an attempt to appease the legion of decency; have a film condemned by the legion and you lose out on box office intake. I've always found this representation of clergy in classic Hollywood films fascinating as it provides a complete contrast to the media reports of today of priests molesting young boys. Trouble Along The Way provides Coburn with one of his best roles and a showcase as to why he's one of Hollywood's finest character actors.You can believe Wayne's daughter played by Sherry Jackson really would be the daughter of a John Wayne character. Most movie kids get on my nerves, so whenever one does manage to impress me I have to give a special shout out. I just wish Donna Reed could have had more screen time. In fact my reason for watching this film was my enjoying of the other Wayne-Reed pairing They Were Expendable. Her character could easily have been a real "love to hate" role as a heartless social worker but brings sympathy to the role partially due to the character's surprising back story.The other thing I must address which makes me wonder if John Wayne had much input into the film's production is the speech Charles Coburn gives at the end of the film in which he discusses Steve's unethical practices when assembling a football team in which Coburn states "He did it in his way, perhaps the only way". Accompany this with the statement Steve makes when he's been caught out that "I don't regret what I did" makes me ask the question is this in any way referencing (and possibly defending) Wayne's then recent involvement in the Hollywood Blacklist, or am I just looking into it too much?From the outset I was expecting Trouble Along The Way to be some light, enjoyable fare; but to my surprise it proved to be a film with deep and complex story and characters. At nearly two hours it may seem lengthy for a comedy but the length is justified as there is so much going in the plot but never feels overbearing. The film is brave enough to leave questions unanswered. It's not a depressing ending but unlike other light-hearted Hollywood films of the time it doesn't wrap everything in a neat bow. At the end of film the main characters have to learn to let go of something important in their lives. It's disheartening seeing Sherry being taken away from her loving father to live with her mother and having to drop her tomboyish lifestyle in order to be integrate with other kids her age, but I guess the movie is just telling us that life is tough and you don't always get what you want.

This 1953 film was released before the chaos of betting on football, recruiting college players with offers of cars, money, other gifts....before most Catholic churches were in no threat of financial peril....it's just a 'Nostradamus' of film making. That's why I gave it an '8.' The script is splendid! John Wayne, who has been criticized by some film critics (those who wear armor) as a grade 'B' actor was very well-cast and believable; but, it was Sherry Jackson who stole the show. I remember her from 'Make Room For Daddy' aka 'The Danny Thomas Show.' In our subject film, the rest of her body had not caught up with her butt, but as she aged, she was beautiful. In this film, she only had to be precocious, not attractive, as she did very well.There were many good one-liners in this film, which I saw just yesterday on TCM, but I can't recall any. I guess I'll watch it again and take notes this time.Donna Reed and Charles Coburn were also fantastic. Had the film been made today, there would have been some sensuality between Wayne and Reed, but Mom always told me John Wayne only kissed his horse. I was eleven then.

This is a big departure for John Wayne, as this is a sort of family film. No dead Commies, Indians or Western bandits in the film at all. Instead, Wayne plays a college football coach who has a history of doing ANYTHING he needs to do to win. However, this time a small Catholic college has hired him. The school has almost no money and in fact is on the verge of being closed. So, how does Wayne take their horrible program to champions in practically no time? To make all this more complicated, Wayne is involved in a custody dispute with a a vindictive ex-wife who seems to have no maternal instincts whatsoever. Social Worker, Donna Reed, has been sent to investigate Wayne's parenting of his 11 year-old and the Duke handles this intrusion into his life pretty much like you'd expect--he has complete contempt for the process. So, the film is basically Wayne trying to create a winning team AND keep full custody of his daughter.In an interesting idea, the glue that holds this film together is Charles Coburn's character, a kindly Catholic priest who is in charge of the college. He's perfectly suited to the role and he offers a contrast to Wayne and his "win at all costs" notions.Overall, the film is well worth seeing because it is so different and tough to predict. Also, Wayne, Coburn and Reed all work well together--much of this is due to their talents, but the writers also did a nice job as well. However, one problem some might have with the film is that by the end of the film, everything is NOT all wrapped up neatly. Instead, the ball is rolling towards completion, but there are still many unanswered questions, such as will he keep custody and will Wayne and Reed become romantic. I didn't mind this lack of clarity and thought the film was a nice change of pace. Deep? No, but interesting and a good time-passer.

The quote "Winning isn't everything, it's the only thing" was actually a quote made by John Wayne in this 1953 film, "Trouble Along The Way". John Wayne does a fine job playing a college football coach, Steve Williams, who get's incorrectly caught up in a recruiting scandal. Sherry Jackson plays his daughter who idolizes him and demonstrates her excellent acting ability. I'm not a big football fan, but really enjoyed this film. Not only for the nostalgic look at the days when college football was fun and not the principal business of the university, but for the ethics that were around during that period of time.Wayne makes the statement in the film many years before Vince Lombardi is credited with it.