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Such a frustrating disappointment

Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.

It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.

One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.

I know that the occasional African American could be as fair as Jeanne Crain, and I know that Jeanne did a great job in her role, but I think the story would have been notably more believable, if a dark-skinned Caucasian, such as Linda Darnell, Yvonne de Carlo, or Ava Gardner, had been given the role of Pinky. In fact, Yvonne later did play such a woman, in "Band of Angles". Her character had been raised as a Kentucky southern belle. But, upon her father's death, it was revealed that she had a small amount of negro inheritance, should be considered African American, and therefore could be sold as a slave to cover her father's remaining debts. There are 2 obvious villains in Ms. Wooley and her maid Rozelia. That would include Ms. Wooley's lawyer in the contested will trial. But, in a sense, Pinky's white Boston boyfriend is also a villain, in that he wants her to hide the fact that she has some African ancestry, and be his wife in a white society. This conflicts with her desire to follow the wishes of her benefactor: the white Miss Em, who left her decaying mansion and surrounding land to Pinky, with the hope that she would do something important with it. Pinky has a dream(later realized)of turning the property into a combo medical clinic and nursery school: an odd combination. Several doctors are connected with this clinic.Along with the 3 lead women, there are a couple of male heros in this story. First, is Judge Walker, who served as Pinky's council at the trial over the legitimacy of Miss Em's will. Despite the absence of his key witness, due to conflicting obligations, he did well enough to convince the judge, who also deserves credit for standing up to popular prejudice in making his decision.Several incidents are meant to illustrate the point that whether Pinky was considered white or negro much affected how she was treated. In the altercation between Pinky and African American Rozelia, the police assumed she was white, and thus assumed that Rozelia was at fault. When they were told otherwise, they arrested both Pinky and Rozelia. ...When Pinky was walking home after dark, 2 drunk men in a car came by and assumed she was white, offering a ride. But when they surmised she must be an African American, they tried to rape her...When Ms. Wooley and Pinky were in a store, Pinky finished first, but Ms. Wooley objected that, as a white person, she should be waited on first.Jeanne received a nomination for best actress, and both Ethel Barrymore, and Ethel Waters received a nomination for best supporting actress, for playing Ms. Em, and Dicy(Pinky's grandmother), respectively.

John Ford is said to have directed part of this but, as it developed, he and Ethel Waters couldn't stand one another and Ford turned the helm over to Elia Kazan. (It doesn't look typical of the work of either man.) Basically, the eponymous character is a registered nurse who has left her job in Boston and returned to her childhood home in the African-American neighborhood of a rural Southern town. She lives with her black grandmother although Pinky herself couldn't look more "white" if she'd been Jeanne Crain or somebody.At first, as Crain wanders about the little town, folks think she's white but when it is revealed that she has a black grandmother, Ethel Waters, she's treated with the amiable disdain blacks in the rural South had to get along with in 1949.The scene in which her True Colors are revealed is emblematic. Crain visits a black man in the seedier part of the colored neighborhood. Taking note of this, a young black woman is seized with jealousy. An altercation erupts. The redneck cops arrive and break up the fight, and when the black woman says something like, "She ain't nothing but a colored gal herself," the cops slap her around. The Head Cop turns to Crain and asks with a chuckle, "It ain't true, is it?" Upon finding that it IS, the cops slap CRAIN around! It's interesting, from a sociological point of view, that Jeanne Crain, despite her severe hair style, looks and acts as white as any of the good townsfolk. It's that drop of black blood that is the criterial attribute. Genetically she may be only one sixteenth African, but she's coded as "colored" by everyone who knows about it. This is known as "the social construction of reality." She's colored not because she's mostly of African descent but because everyone agrees that she's colored. The same is true of Halle Berry (half "white") and Barack Obama (our first "black" president).Jeanne Crain as Pinky demonstrates her range as an actress, which isn't much but isn't dismissable either. She's a beautiful woman and in "Leave Her To Heaven", a few years earlier, was radiant. But there she was cheerful and self contained, and here she's sullen and pouting -- and that's about it. Ethel Waters gets the job done. Ethel Barrymore does rather more than that, and the supporting players do a professional job.One thing that struck me is that, except for a couple of incidents, race really played little part in the story. An outsider from Boston disrupts the little town and insinuates herself into the good graces (and the will) of the town's richest dying old lady. The mansion and its contacts go to the damned Yankee nurse instead of the local folks who know tradition when they see it.No one should be ashamed of his or her participation in this production. It's the product of seasoned talent, except for Elia Kazan who was just getting started. It doesn't preach. There are no Big Speeches about racism. In fact, the retired judge who sees to it that Crain gets Barrymore's mansion leaves her, saying that the outcome of the trial contesting the will, though it has gotten Crain the crumbling mansion, will bring no advantages to the community. That thought is insightful and neatly expressed.The denouement is improbable in the extreme. It's unlikely that Pinky would decide to stay in that rude community, much less turn her old mansion into a school for children. And it's frankly IMPOSSIBLE that when her white doctor boyfriend from Boston arrives, eager for marriage, she would throw him out and decide to stay with "her own kind." A NURSE -- rejecting an opportunity to marry a DOCTOR? The last shot has the camera descend on Crain's glowing face as she rings the bell for Em's School For Girls to start. A heavenly choir may be heard. She's found fulfillment. That happily sentimental shot could have come from John Ford, who sides with tradition even if nobody else does.

What was fascinating and groundbreaking in 1949 is now a bit old fashioned when it comes to the film Pinky. Like Guess Who's Coming To Dinner a generation later, 20th Century Fox and director Elia Kazan went as far as they could and not hurt the box office.Remember after all even with 'message' pictures, people have to come to the theater to see and get the message. If it were done 20 years later someone like Lena Horne would have been cast in the part of Pinky. It was the kind of role that Lena wanted to do at MGM, but they wouldn't give her, they wouldn't be that bold. Still I can't fault Jeanne Crain's performance which got her an Oscar nomination for Best Actress. She lost the Oscar sweepstakes to Olivia DeHavilland for The Heiress.Crain as Pinky has come home to her southern town after many years of living in the north and passing for white with her light features. As she puts she started when a train conductor escorted to the white section of a train she was riding on back when she left to go to nursing school. Of course the news that she's done that is shocking to her grandmother Ethel Waters who raised her. It's also a culture shock to Crain to come home and relearn segregated ways after living in the north. When Sammy Davis, Jr. wrote his autobiography Yes I Can he said he learned about racism for the first time in the army. Working in show business with his dad and uncle where he was a child performer like Michael Jackson was with his brothers he was insulated from the realities of the outside world. Show business was a cocoon for Davis just as passing was for Crain's Pinky character. She has some nasty incidents including one with Nina Mae McKinney who resents what she sees as high toned ways.Still Crain through her grandmother accepts a position to be a nurse companion to grand dame Ethel Barrymore who owns quite a bit of property. Her family is the local gentry there and Barrymore is dying. When Barrymore dies she leaves her estate, house and land to Crain and that gets her blood relatives led by Norma Varden all bent out of joint and ready to contest the will.Which sets the film up for a trial similar to the one in To Kill A Mockingbird although this is a civil matter. The result of which you'll have to see the film for.Besides those already mentioned look for sterling performances by Basil Ruysdael as Crain's attorney, William Lundigan as a white doctor who has fallen for Pinky, and Griff Barnett as a sympathetic doctor.The two Ethels, Barrymore and Waters, both received Oscar nominations for Best Supporting Actress. And as luck would have it Celeste Holm and Elsa Lanchester were also nominated in that same category for Come To The Stable. So with two double nominees for two pictures, Mercedes McCambridge went right up the middle and won for her performance in All The King's Men. Made easier of course by the fact that Mercedes was also in the Best Picture of 1949.Pinky is both old fashioned and groundbreaking. We'd never see casting like this again, but at the same time we can applaud the courage and daring it took for 20th Century Fox to make this film and for Jeanne Crain who got her career role out of it.

I feel that the user reviews were articulate and genuine but the casting improper. Jeanne Crain is too fair to portray a black woman. A better choice would have been Jennifer Jones. It is not only skin color, but features. As beautiful as Halle Berry is, for example, she is not as white as Jeanne Crain. The grouchy relative of Ms. Em even said: "Why, she's whiter than me."The film is good but the one thing that left me disappointed was this one factor. I know women who have no black heritage in their ancestory yet they have a darker complexion and broader features than Ms. Crain.Trite point? Probably, but it distracted me from the essence of the film.