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The film may be flawed, but its message is not.

The best films of this genre always show a path and provide a takeaway for being a better person.

Just intense enough to provide a much-needed diversion, just lightweight enough to make you forget about it soon after it’s over. It’s not exactly “good,” per se, but it does what it sets out to do in terms of putting us on edge, which makes it … successful?

Worth seeing just to witness how winsome it is.

So many reviews I read attempt to bring this film in perspective versus Ms. Rowlings Potter films. It isn't necessary. Ms. Rowlings is a wonderful storyteller. Just enjoy the story and revel in her imagination for a couple of hours. Isn't loosing yourself what movie going is supposed to be about? As an added bonus, I feel certain that after seeing this film you will be looking forward to seeing the next installment. Ms. Rowlings will keep Warner Bros. in the money for years to come.The bad guys are bad. The good guys are good. There are children being children and adults being adults. It doesn't matter in Ms. Rowlings world if you are magical or muggle the traits within these groups stay the same. Children with hopes, desires, and fears. Adults with responsibilities. And young adults growing out of childhood and into adulthood trying to bridge the divide.One group trying to subjugate another. Another group trying to free those being suppressed. It's all so easy to relate to in our own lives whether you are a child, an adult, or one in-between. At least there are no zombies :)

I've read other comments here which say it's also like "Traffic." Ditto that for me as well. Don't know who these writers are (Colin Greene and Robert Ozn) but they are truly awesome. Tight plotting, terse cop-talk tied to characterization and impassioned issue oriented story-line without preaching. Love the way the writers tie the diverse story lines together at the very end. I never guessed how it was all related and they really knew how to keep me hooked. Jeff Daniels gives a very cool,understated performance. Love Portia DeRossi, very sexy without trying. And of course James Spader is always fascinating to watch - wish he had more to do in this flick. I saw this in Europe on a DVD. How come this thing is not out in the USA?!

Spotted this DVD on eBay and bought it on the cheap from someone in the UK. Watched it last night and all I can say is what a great surprise! This is a really well done political thriller in the tradition of Traffic. Daniels, Spader, de Rossi, and especially Clifton Collins do some terrific acting. The direction is tight, the story is interesting, the political angle is provocative, the Mexican sets are authentic. All in all a very good film for what was obviously a smallish budget. Why this movie isn't on video in the US (was it ever shown in a theater?) is beyond me. Especially considering all the crap that IS on video. Does anyone know what happened to this movie?

Finally - an action/thriller flick that rocked me with a bona fide mystery! I hate "spoiler" reviews so I can't get into too much story. Needless to say, it's a top notch thinking man's action film. Jeff Daniels plays a Human Rights Watch type whose been demoted and sent to Tijuana because he punched out a journalist. This ain't no Greenpeace bleeding heart. He is one p***ed off and tortured tough son of a bitch. But Daniels never swaggers. He plays it with such subtlety and finesse, you know you're witnessing the kind of performance only given by actors who have the trust and confidence in their skills borne of years of experience. Clifton Collins is a Mexican homicide detective afflicted with the job of aiding Daniels in his investigation of a peasant massacre on the US/Mexican border. Collins has the same temperature of Latin fire as Al Pacino. His characterization is so convincing, it didn't even dawn on me until I saw the credits that this is the same actor who played Frankie Flowers the gay, sadistic assassin in "Traffic." He is an entirely different being - a star to watch. Spader mesmerizes by virtue of his edgy intelligence. He can ask for a drink of water and you are compelled to wonder about what he really wants. Portia De Rossi gives a gutsy performance as Daniels US government adversary, though it took me a while to get used to her playing a true hard ass. No Ally McBeal here.The writing was first rate. Maybe the bottom line best thing about the movie. I don't know who the writing team is - Colin Green and Robert Ozn - they don't have any other credits - I looked them up on imdb. It's kind of the best of old-school, 70s writing meets 21st century dialogue and pacing. I could picture these guys writing "The French Connection" as well as "Desperado." I do wonder, though, if the Ozn part of the team is the same (or related?) Ozn from the band Ebn-Ozn.It's by far the best thing Rowdy Herrington's ever directed. Miles above his Bruce Willis action flick - can't remember the name off the top of my head. He's very good with street action, makes it ring true without any tricks, never amping you up with manipulations or pyrotechnics. There's a moment where a union activist gets knee-capped, and I could feel the hammer drop. Cinematography and production values are filled with foreboding and dark secrets. At times, it's almost claustrophobic and creepy and then suddenly - there's sunlight.The only thing I'll give a 'fair' grade to was the music. It was sound design styled synth stuff, and for a film set in Tijuana, it didn't work for me. It wasn't bad, just the wrong color.