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Sadly Over-hyped

Absolutely brilliant

Although I seem to have had higher expectations than I thought, the movie is super entertaining.

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

For those who watch this for a zombie flick, this will be a disappointment. That is not what this film is about.This is a movie of subtext. It is a statement on multi-culturalism and the demand to conform to social norms. The Zombies can represent any modern stereotype - from homosexuals to immigrants, or people with HIV or disabilities.It is a statement about society's respect for the individual. We want to think of ourselves as socially permissive; accepting of differences; PC.But the more people just want to be left alone, the more our fear-driven prejudices emerge. The climax of the movie is a wake-up call to audience of just how much we, through the course of the movie, have judged the characters, based solely on stereotypes.This isn't a Zombie flick; it is a human flick, with zombies.

An often entertaining movie with plot holes, contradictions, continuity errors and characters doing things from out of the blue. Various elements are also left unexplained. Watch ZA: Zombies Anonymous instead. It has a similar sense of dark humor and depicts the zombies in similar way (with intelligence and the ability to function in society. while being a much better put together film.While this movie is entertaining and it's mockumentry style intriguing, it is very sloppy, especially towards the end. Only watch if you can ignore major flaws.

What a splendid documentary! Finally, a Fair And Balanced look at the plight of The Un-Dead. Grace Lee's, American ZOMBIE treats the viewer to a never seen before look at 'a day in the life' in a variety of High Functioning Zombies in contemporary Los Angeles. 'The Creatures of the Night' are people too, and are lobbying for their rights, and demanding recognition from mainstream society! The film gallantly demonstrates how, ZAG (Zombie Activist Group) tirelessly champions the rights of this over-looked and ignored marginalized community. If you like documentaries that fearlessly seek out the truth, you can't pass this up. There ain't no 'sizzle' in this spectacular film, it's all 'red, red meat'.

The craftsmanship is topnotch, the performances solid, the writing sound. There are some astute observations here and there about life after death- and life before death. Like the risen dead in THEY CAME BACK, the undead in American ZOMBIE aren't just mindless, flesh-eating zombies (not that there's anything wrong with mindless, flesh-eating zombies) (check out my black and white comic, CAPE FEAR COMICS, available from comiXpress, which is dedicated to George A. Romero himself, and you'll see whereof I speak). The socio-political ramifications of the dead rising from their graves is explored (sometimes hilariously, sometimes more sublimely), but it's the superb film-making that makes this one worthy of a nice, long look.