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I don't have all the words right now but this film is a work of art.

Fresh and Exciting

One of the worst ways to make a cult movie is to set out to make a cult movie.

This is a dark and sometimes deeply uncomfortable drama

As the movie started I didn't think I'd make it through the whole thing: disturbing images, religion, 17th century. Nothing I'm particularly interested in (I downloaded the movie to watch Vanessa Redgrave, and oh she should have won 20 awards for this movie! So should Oliver Reed!!). Turns out it's an epic, powerful, and in some degrees heart-warming dramatic masterpiece. As a classic Ken Russell movie, it's packed with "fun":orgies, dances, dark humors. The lines are witty, the characters are vivid, the emotions are fiery. To my surprise it is also very relatable: it's about how the system deceives and tortures the people, it's about a man who stands for the truth. The executor scene brought tears to my eyes, and I had to take a few deep breathes afterwards to cool down. Ken Russell once proved that he does not only make "music video" movies, he's truly great story teller, and oh what a story!

I loved this film, greatly enjoyed itIt's got a good story, beautiful sets, great dialogue, amazing acting by the majority of the actors, especially by leads Oliver Reed and Vanessa Redgrave. It's the kind of film that draws in and doesn't let go until its inevitable endingHaving said that, what surprises me most about this film is that it almost escaped my radar. It doesn't pop up in any of the disturbing movie sites I've seen or lists I've read of similar matter. If it wasn't for this random guy I came across surfing YT that briefly recommended this film to his viewers, I fear I would have never seen it, in my entire life, and that, to me, would've been a shame; yep, this film is that goodThough the moment the torture starts on Oliver's Grandier the movie slowly but surely descends into such savagery that may only appeal to psychos and very open-minded people (I'm one of the latter) from that point on. I mean, what was the point of seeing his blistering face as he burns to death? And his genitals getting crushed moments before this scene takes place. The only reason: to shock the audience, should've made do without it. It's not really a complaint, though, I'm open- minded, but it does make you feel like you're watching a completely different movie Still, the movie's solid, well made and enjoyable. It's actually funny, some of the stuff I found in this movie could compete with and even surpass that of Cannibal Holocaust's brutality. Yet CH's widely known, due to said brutality, and The Devils has almost sunk into oblivion, except to those that already know where it is!So try and become one of these and take a look at this powerful movieJaime A. De la Garza https://www.amazon.com/author/jaimeadlagarza

Let's get one thing out of the way, I adore Ken Russell. Something about his aesthetic is totally in sync with my world view. From WOMEN IN LOVE to WHORE, Russell always impresses. His rambunctious, over the top, more is more style should be ideal for THE DEVILS. Unfortunately, the film simply grows tiresome. You get what Russell is up to--group think, religious hysteria, sexual repression, etc... It takes about 30 minutes to get the point but the film goes on for another 90 piling on the atrocities and turning up the craziness. THE DEVILS feels like a madcap Hammer Horror which is a huge compliment. THE DEVILS also looks amazing with a white brick set that is totally modern and nothing to do with 17th century France, and yet it never feels as obvious as the film. Bravo Vanessa Redgrave for a no-holds-bar performance. She is spectacular and displays a restraint at moments that you wish the film had.

The Devils is, admittedly like Ken Russell's style itself, is not for all tastes, it is one of those films that you will be transfixed by straightaway or be repulsed by it. With me, it was the former and while Russell's style was a quite unique one to begin with The Devils is most likely unlike anything you've seen before. It is an incredibly well-made film, the sets are simply spectacular and the photography is both beautiful and harrowing. Peter Maxwell Davies' music score is hypnotic and haunting, it has a genuine eeriness but doesn't overbear things. The story is a ceaselessly compelling one, a lot of it is incredibly shocking(with the most disturbing torture scenes on film) yet with the fascinating imagery and the different themes the film has it is overwhelming in how stunning it is. With Russell's direction, this is not restrained Russell(if you want restrained look to his biographies on Elgar and Delius) but hard-hitting and somewhat eccentric Russell, but there is much more focus and atmosphere than there was with Lisztomania, a fairly similar directing style but The Devils is so much more structured and cinematic and less music-video-like and tasteless(at times). Nonetheless he does a great job directing, it has his style all over it but he handles it in a gripping and intelligent way. Oliver Reed gives a career-best performance, while Vanessa Redgrave is deeply touching and somewhat grotesque in appearance(the character that is not her) and Gemma Jones is entrancing. Overall, The Devils is one of Russell's best and most fascinating films but it is very easy to see why it caused so much controversy at the time of release(it was very different for the time and the audience weren't prepared to be that shocked, the same treatment happened with Witchfinder General with Vincent Price as well). 10/10 Bethany Cox