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The White Cliffs of Dover

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The White Cliffs of Dover

American Susan travels with her father to England for a vacation. Invited to a society ball, Susan meets Sir John Ashwood and marries him after a whirlwind romance. However, she never quite adjusts to life as a new member of the British gentry. At the outbreak of World War I, John is sent to the trenches and never returns. When her son goes off to fight in World War II, Susan fears the same tragic fate may befall him too.

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Release : 1944
Rating : 7
Studio : Metro-Goldwyn-Mayer, 
Crew : Art Direction,  Art Direction, 
Cast : Irene Dunne Alan Marshal Roddy McDowall Frank Morgan Van Johnson
Genre : Drama Romance War

Cast List

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Reviews

Glimmerubro
2018/08/30

It is not deep, but it is fun to watch. It does have a bit more of an edge to it than other similar films.

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Kirandeep Yoder
2018/08/30

The joyful confection is coated in a sparkly gloss, bright enough to gleam from the darkest, most cynical corners.

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Allison Davies
2018/08/30

The film never slows down or bores, plunging from one harrowing sequence to the next.

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Freeman
2018/08/30

This film is so real. It treats its characters with so much care and sensitivity.

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nikolasaelg
2015/05/24

I am only giving a 5 due to the performance of Irene. But yet again through the years the projection of America as all there is to this world is ridiculous. As if any Scot or Englishman would actually accept the words mentioned in the film. Disgusting. On the other hand its more of a romance novel than a war movie as war is like a sidewalk into this film. The story line overall is nice but it should be filmed in a difference scene than use the theme of war to input this romance story. presenting the power of actors and words in the art of cinema is one thing, but using it as political brainwashing a propaganda is another. As a scene from the film America is a circus just like the band marches when war is announced by them.

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PudgyPandaMan
2008/07/05

I really liked this movie. Although much is predictable about the plot, I found the music, cinematography, the history, aristocracy etc. very enjoyable. This clearly is a propaganda piece, but you can't help but find yourself swept away in the patriotism willingly.It reminds us of how our great country was once heroes to the world. We were the great saviors of freedom. It is a little sad now, some 60+ years later, that our country has lost favorable opinion in the eyes of the world. The parade scenes where Irene Dunne's character watches the US troops arriving and marching through town can bring tears to your eyes.The characters are all quite endearing and believable. Dunne is quite sweet. Marshal is so dashing. As a woman, I can imagine myself being swept up in such a man at the onset of WWI ( as Dunne was) or WWII (which the viewers themselves were in the midst of).The intertwining of US & British history is a nice reminder that we are really made from the same beginnings in our country. Even though we eventually sought our freedom from the British, which is pointed out in the movie, it also points out our common heritage in being derived from Sir Walter Raleigh & the Mayflower. Our countries have been great allies over the past century. I'm sure there have been prejudices between yanks & Brits, as pointed out in the scene where Dunne breaks down over her future in-laws prejudices of Americans. But clearly the movie is designed to foster a common bond among the US & Britain, while acknowledging our differences.My absolute favorite scene is at the end. It is especially poignant - the dying son is relaying to his mother about an American soldier that said before he died : "God would never forgive us, neither England or America, if we break the faith with our dead again", that he would "really start to fight the day the war ended, for a good peace, a peace that would stick." Wow - what a message that must have truly resonated with the WWII audience, especially those who had also lived through WWI. I don't think my generation can relate to having been through 2 such costly wars back to back. Women who lost husbands in the first war were now faced with the loss of sons in the 2nd war, as Dunne's character was. What tremendous sacrifice was made by that generation! We should be forever grateful!

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mjdiii-1
2006/12/09

Keep the home fires burning. Emotional and reflective. We need to look back every fifty years or so to look for values. There are a lot of contemporary connections. Look for Roddy McDowell and Elizabeth Taylor. A good picture of the UK in the first half of the last century, even if only through the the eyes of the early forties. Although in large part a sentimental movie, somewhat in the mode of a soap opera, it deals with the larger issues of life on the home-front. It speaks to the twenty-first century where those of us with money have few participating in the military either personally or financially. Irene Dunne carries the action and supports the sentimentality without undue exaggeration. Some really spectacular patriotic sentiment. Look for the bit about the chess set. Compare Susan Dunn's (Irene Dunne's)father-in-law with the Major in Keeping Up Appearances. Frank Morgan offers a nice contrast to the English scene; one would like to visit Toliver, Rhode Island, which would have existed if it could.

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nycritic
2005/03/13

Irene Dunne stars as the American woman who is romanced by an Englishman (Alan Marshall), then loses him to the first World War and who decides to raise her son (Roddy McDowell) in England, only to have him go to war once he grows up (as Peter Lawford) and die in battle. A little too weepy at times, the movie tries to convey its message of the dangers of Germany in the scene where the two teenage boys proclaim an almost fervent admiration for their own country and that they most definitely have not lost the war (and their pride) yet.A salute to the British and American soldiers who fought World War II, THE WHITE CLIFFS OF DOVER features a massive cast of established actors and rising stars: Gladys Cooper, Van Johnson, Dame May Witty, an uncredited June Lockhart, Peter Lawford, and Elizabeth Taylor. A good movie that only was Oscar nominated in technical categories that has Irene Dunne aptly playing her role as if Greer Garson would have; it's a shame that she never received a recognition for her body of work and here her work makes watching the movie worth the effort even if it goes on for a little too much.

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