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Brilliant and touching

Absolutely Fantastic

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

After catching landmark A Trip To The Moon,I found myself struggling to decide on what other work from Georges Méliès I should take a look at.Reading reviews from a fellow IMDber,I stumbled upon an excellent one for a Méliès movie I've not heard of before,which led to me getting ready to find out how devilish the tenant could be.The plot:Moving in to a new apartment with his bags,a man agrees on when to make the rent payment.Left on his own,the man pulls out furniture and his own family from the bag! Settling down in the apartment,the man suddenly remembers that the rent is overdue.View on the film:Displaying less of the literary ambitions of Moon,the screenplay by Méliès takes a minimalist approach in order to give the movie a clean setup which does not overshadow any of the visuals on offer.Mostly staying in one room, Méliès takes advantage of the minimal set-up to deliver constantly striking in-camera special effects,which still pack a punch of awe and wonder.Keeping events rolling in long takes, Méliès cleverly uses the dashes of smoke and ruby colours offered in colour tinting to cast a magic circle atmosphere over the tenant's devilish stay

If you compare this 1909 6-minute movie to Georges Méliès, you will see that they have basically nothing in common anymore. the reason was probably that film was developing so quickly into new directions that the old legends had trouble to keep up with the medium. First of all, this is not a one man show anymore like almost everything else he did. Actually Méliès own son plays a character here. And then there are the colors of course, probably the most innovative factor. Still, all of this did not really save this film. I was not too impressed watching this and certainly do not consider it among Méliès finest works. This was already almost at the end of Méliès career and when a couple years later sound became a factor, he did not go along with the new changes, but simply stopped making movies. But it's fine that way. he still left us an admirable body of work. Nonetheless, I do not consider "The Diabolic Tenant" among his most outstanding achievements.

This latter day George Méliès film is basically another of his trick shorts. In it a man moves into an unfurnished room and proceeds to decorate it with a selection of furniture and family members which he improbably pulls out of a small bag. Like all of the director's inventive shorts it's very well presented. And fully colour tinted as well, which is a great bonus. The special effects are simple yet effective and carefully rendered. Like other Méliès features it has a good sense of humour too. However, when you take into account the more elaborate narrative features that Méliès had already produced several years before, such as A Trip to the Moon and Kingdom of the Fairies, this does seem like quite regressive. Maybe it indicates why this famous innovator's career never really evolved any further, as he seemed to be essentially still making the same sort of films at a time of great change and evolution in the cinematic medium in general. A great shame, as he was easily the greatest presence in cinema in first decade of its existence. That said, this is still a very fun flick and one that is still a lot more fun to watch than most others from the time.

I've seen quite a few Melies film over the last couple of years - mostly in roughly chronological order - and watching them in this way drives home just how impossible he found it to adapt to the changing times. Like Emile Reynaud before him, Melies failed to evolve, and essentially ended up repeating the same story over and over by simply varying small details. He could easily have staged this film, in which the devilish tenant of the title produces the furniture for his new dwelling from a carpetbag, as a basic magic show, because there isn't really much of a story. Melies film career would pretty much be dead within another five years, which is a sad thing - had he been able to harness that incredible energy that is evident in every frame of this stencil-coloured film to develop all aspects of his filmmaking talents he might have gone on indefinitely...