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The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

The film never slows down or bores, plunging from one harrowing sequence to the next.

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

I can imagine the frustration of Hollywood producers trying to transmute a rich and reputed mythos into money by using the same old recipes that work for any other concept and failing miserably in the case of Lovecraft. But they have to try.Such an attempt is this adaptation of the short story with the same name. They start with the wise and nutty professor and his sexy assistant, join forces with an unbeliever and proceed through bad CGI to make him believe before he can use the knowledge that he already had to defeat the monster that had no chance to win in the first place. Yeah, the script is a mess, especially considering that The Dunwich Horror is one of the more classically good vs evil Lovecraft stories.However, that doesn't mean the film cannot be entertaining. As a nod to the 1970 version, Dean Stockwell plays again for the good team, while Jeffrey Combs is a really convincing Wilbur. The horror of the possible opening of the portal to the Old Ones is rendered well, yet everything else is cheesy in a "let's make some money" way that disgusts me. Yog-Sothoth take all money grabbing Hollywood people! I hated the entire useless romantic liaison added, as well as the "team" aspect that never existed in the original material and was put here only to standardize the story to something the public is used to.Bottom line: in the end, the Lovecraft aspect of the film is minimal, even if they kept the general plot of the story. It is the soul that they couldn't grasp. And it is strange, too, as Lovecraft is usually tending to the needs of the superego, distressed by "unnatural" events or beings; it should be easy to put that into a movie. I just don't think they get it! You need to make your viewers feel dirty inside for watching the film. That's the actual point of Lovecraft stuff!

Excellent story, being based on Lovecraft's Dunwich Horror, poorly Executed.The actors' incredulity I can excuse, being caught up in what must have been clear to them was a travesty. The effects and dramatic music I cannot excuse. Why keep blacking out the light at every suspenseful moment, like a child playing with a light switch? Why have special effects expected in a film from the 1950's in a film from 2009 instead of CGI? Low budget I guess.Horrific rather than horrifying best describes this movie. It is a shame, hardly redeemed by giving it a new title other than the story it was based on, because the original would make an excellent remake in the right hands. This could not hold a torch to the 1970's version.

Initially I was kind of excited to see that Jeffrey Combs was in the movie, so it was with some anticipation that I sat down to watch it. And I am a huge fan of H. P. Lovecraft's work and all the Lovecraftian work that followed in his wake. This movie, however, was somewhat of a lukewarm attempt, to be bluntly honest.The story does stay fairly close to the story of the Whateley's as Lovecraft initially built it up, but at the same time there is a bit too much other loose ends thrown into the frame. Ends that are never really seen through and come full circle. In that way, there is a lot of things going on in the movie, too many things in my opinion, and most of these things doesn't really get to be concluded."The Dunwich Horror" suffered from a fairly weak acting crew, with most performances being mediocre to look at. Had they managed to put more enthusiastic people into the movie, it would have come out with a more vibrant and appealing result. And the dialogue didn't really help lift up the movie, because it was halting and at times embarrassing to witness.What did work for the movie was Jeffrey Combs, of course. As always it is nice to see him in a Lovecraft-inspired movie. And his name is usually associated with such. Unfortunately, his character wasn't given enough on-screen time. "The Dunwich Horror" is not one of Comb's more impressive performances, but being a fan of his, I just had to sit through this movie. And aside from Combs, then the core essence of the Whateley's was also pretty nicely interpreted.There was a bit too much name-dropping in the movie, with lots of references to places, people and such in the Lovecraft-created Cthulhu mythos. But most of this was irrelevant, and seemed to be put in there only to impress the really hardcore Lovecraft fans, people who are familiar with these names. To other people, it is just a bunch of random and pointless facts. The reference to (August) Derleth was, however, a bit surprising.As for the effects and CGIs in "The Dunwich Horror", well, they were low-budget, and it was showing clearly. Hats off to them for their effort, just a shame that they didn't have a bigger budget for these effects. There were some shots where Yog Sothoth actually looked rather nice. So the effects weren't all bad. The storms that ravaged the buildings, well that is a whole other story. You have to see that to believe it!In my honest opinion, then this adaption (or interpretation) of "The Dunwich Horror" is not really one of the better Lovecraft-based pieces of work around. Sadly, most of these movies are B-movies and often fail to leave impressions in the viewers. This is one such movie, which is a shame, because it had potential. Had they trimmed down the plot-lines and put in some more whole-hearted actors, the outcome would have been much better and would have had a chance to actually become noteworthy.

Someday, H.P. Lovecraft might get a big-budget adaptation, but until then, it's B-movies all the way and this is as "B" as you can get, and I actually admire it for not trying to be more than that. Unfortunately, except for some good effects late in the film, there's not much here worth recommending. The 1970 film of the same title was mostly just inspired by the Lovecraft story; this version sticks a bit more closely to the original tale about the awful Whateley family and their blasphemous breeding of human woman and the demonic monster Yog-Sothoth in an attempt at opening up a portal for the horrific Old Ones to return to Earth. Wilbur Whateley (Re-Animator's Jeffrey Combs) is a drooling backwoods idiot (supposedly a 10-year-old who has aged 40 years physically) looking for a missing page in the evil book The Necronomicon which will allow him to finish the rite of re-entry.What's been added to this version is a romantic lead couple, played by Griff Furst and Sarah Lieving, who are helping a Miskatonic University professor (Dean Stockwell) find the missing page before Combs does. There's lots of Lovecraft name-dropping; in addition to Miskatonic University and the Necronomicon, we meet Alhazred the Mad Arab, the author of that evil book, and Olaus Wormius, a decadent Necronomicon scholar. The decent opening sequence is right out of The Exorcist, there are nice effects in the climactic scene involving Yog-Sothoth's appearance, and an effective brief shot of an ancient Lovecraftian landscape. Furst, who sometimes looks like Peter Sarsgaard or the early Mickey Rourke, is good, but the rest of the cast is mediocre, including Stockwell (who played Wilbur in the 1970 film) who practically sleepwalks through his part. Very bad dialogue doesn't help anyone, and why they felt the need to transport Lovecraft's New England towns to the Bayou is beyond me--the change adds nothing interesting.