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Toot, Whistle, Plunk and Boom

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Toot, Whistle, Plunk and Boom

In this short subject (which mostly represents a departure from Disney's traditional approach to animation), a stuffy owl teacher lectures his feathered flock on the origins of Western musical instruments. Starting with cavepeople, whose crude implements could only "toot, whistle, plunk and boom," the owl explains how these beginnings led to the development of the four basic types of Western musical instruments: brass, woodwinds, strings, and percussion.

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Release : 1953
Rating : 7.1
Studio : Walt Disney Productions, 
Crew : Art Direction,  Director, 
Cast : Bill Thompson Gloria Wood Thurl Ravenscroft
Genre : Animation

Cast List

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Reviews

HeadlinesExotic
2018/08/30

Boring

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AshUnow
2018/08/30

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

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Philippa
2018/08/30

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

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Billy Ollie
2018/08/30

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

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MartinHafer
2009/09/18

As I said above, I really wanted to hate this film...but I couldn't. The reason I wanted to give this film a savage review is that it represents a style of animation that I hate--the very modern and minimalistic animation that came into vogue in the 1950s and lasted through the 70s. Up until films like TOOT WHISTLE PLUNK AND BOOK and films by (uggh) UPA Studios, animation had been very detailed and higher quality. Gorgeous backgrounds and high frame-rates were the norm in the 40s and into the 50s with studios like Looney Tunes, MGM and Disney. But, with the success of very simplistic UPA films like Gerald McBoing-Boing and Mr. Magoo (beating out traditional films for Oscars AND costing a fraction to make), Disney decided to experiment with this splashier but tremendously easy style of animation. So, for the style of this film and what it represented, I wanted to hate the film.The problem is that although I disliked the art, I couldn't help but like the film--even though it was quite educational. In fact, now that I finished the film, I am still amazed because I usually watch animation to have fun--not learn things! But, I found that I enjoyed the learning.The film is about the basic parts of music and how all instruments fall within four broad categories--those that go 'toot', those that whistle, those that are plucked ('plunk') and those that are struck ('boom'). This may seem silly, but it really did make sense and made me understand and appreciate music a lot more. In particular, I learned why horns are all curvy and how a trumpet works--and that's really cool.Overall, a great film to teach anyone (not just kids) about the fundamentals of music AND it does it in a way that isn't boring. Who would have thought this was possible?!

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theowinthrop
2007/01/25

In the late 1940s and early 1950s Walt Disney began to expand his studio's work from entertainment to teaching. In this area he is best recalled for his wonderful short nature films about subjects like deserts and animals. But he also, occasionally turned to the use of his cartoons to get his message across. TOOT, WHISTLE, PLUNK, and BOOM was one of his best examples of this (in fact, it was recognized for it's unique excellence by copping the best short film - cartoon Oscar in 1953). Disney used this cartoon to trace the development of musical instruments from the dawn of human history to the present (1953). Since the subject is music related all of the dialog is sung or spoke - sung. The setting is a classroom for young animals, and the teacher (who rushes into class late at the start) is an owl. He starts by showing four cavemen figures: one is tooting a metal horn, one is playing with a wind instrument whistle, one is plucking his bow (from his bow and arrow) and one is beating time with his belly as a drum (the boom sound). We then watch each of these instruments grow up so to speak: the horn is brought to the attention of the Pharoah of Egypt who convinces the caveman to change it to a longer trumpet. Eventually the modern trumpet is developed when musicians learn that they can twist the size of the trumpet to be carried . We also get a view of the development of clarinets, harps and string instruments, and drums. There are some funny moments in the film, such as the birth of social dancing at the court of Pharoah, and the problems of strings for harp and violin players. But for all the changes and developments of the modern musical instruments, the instruments basics are never changed - a point that Disney's artists get across when they keep bringing the four original cavemen into music in other ages up to the present.

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Ron Oliver
2000/10/28

We join Professor Owl as he teaches his avian students about where all the music comes from - in other words, the whole TOOT WHISTLE PLUNK AND BOOM of the matter.This very engaging cartoon gives a lighthearted look at the origin of musical instruments. Using humor as the best tool to teach - in this instance zany cavemen bang home the lessons - it leaves the viewer with several pertinent facts from the fascinating world of musical history.TOOT WHISTLE PLUNK AND BOOM was the Disney Studio's first foray into stylized, or limited, animation. The result was very successful & the 1953 Oscar for best cartoon was the reward.

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Squonk
1998/12/29

If you think that Disney animators were only good at drawing cutesy animals in the 1950's then you need to see this film. The animation style is like nothing you've ever seen in a Disney film. While it does have its share of cute animals (the setting is a classroom full of birds), many of the characters are strange, geometric looking creations. I especially enjoyed the ancient Egyptian characters modeled after ancient Egyptian art. This is an educational short on the origins of music, but also works as a great comedy. The "Plunk" section is the best! It's a one joke bit, but it never gets old.

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