Watch Age Of Kill For Free

Don't listen to the Hype. It's awful

It's entirely possible that sending the audience out feeling lousy was intentional

Fanciful, disturbing, and wildly original, it announces the arrival of a fresh, bold voice in American cinema.

Ok... Let's be honest. It cannot be the best movie but is quite enjoyable. The movie has the potential to develop a great plot for future movies

Let me begin by saying I really don't delight in rubbishing the work of anyone who's had the guts to make a movie. In this case, however, I feel the need to stick my head out of the trench.I'll start with the hero: Martin Kemp isn't a bad actor, but I suspect he got the role because he looks more like an action hero than the others. And the antagonist, well, despite the voice-changer, I recognised Phil Davis' voice within two lines of dialogue - which left me asking "how is he in two places at once?" throughout almost the entire film. I only thank the director for not making it Dexter Fletcher or I may have left the film to fulfil a subconscious desire for a Big Mac (that's not a reflection of Dexter's acting - it's just I'm reliably informed he does the V/O for McD's TV ads).There are several glaring errors with the concept of Sam Blake being ex-special forces, not least that he chooses to take down a target from a multi-story car park, in the middle of the day. He is then so surprised by the appearance of Mr and Mrs Average, returning to their car, he completely loses his composure, makes a big scene and wheel-spins out of the building leaving two frightened and confused eyewitnesses and - more importantly - his spent cartridge case (or evidence, as forensic services like to call it).But the biggest fail, in my opinion, was him walking into a battle-cruiser (boozer) carrying his lo-tech sniper rifle (albeit in a flight case), following his mark into the karzy (toilets) and going through a very prolonged punch-up with him; in black ops terms, the equivalent of strapping a large number of pots, pans, bells and cymbals to your kit before commencing a covert op. After he's finally managed to neutralise the target, he comes back out of the bogs (toilets) and is recognised by one of the customers. He immediately pulls out a Glock (never heard of a silencer, Mr Green Beret?) and leaves the nuclear sub (pub) with no sign of the big black gun case with which he had arrived - presumably a bit of a handicap for a crack-shot sniper with several target left on his to-do list.It's not all bad. Nick Moran provides a very convincing right-wing anti-immigration activist and, despite the hole in the plot described previously, Phil Davis gives us a very convincing baddie. I wish I had more good things to say, but I really don't. Sorry.

Review: My expectations for this movie wasn't that high because the critics gave it a bad write up and after watching it, I must admit, it is pretty poor. The acting isn't that great and the storyline was awful. Its about a special ops agent who is blackmailed to take out various people because the baddie is holding his daughter. Another lady is also performing various acts because her uncle is being held by the baddie so they go around killing random people to save there loved ones. I was quite impressed with Martin Kemp in the Krays but his acting in this film was pretty poor. There is some intensity throughout the movie because he has a time scale to take out his victims but the action is terrible and I wasn't that interested in any of the characters. There are a couple of twists, which were also pretty poor, but Martin Kemp does have the potential to become a good actor. He just needs to pick a decent film. Anyway, the concept wouldn't have been that bad if it was made in America but from a UK point of view, the script needed a lot of work and there wasn't any depth to any of the characters. In all, it's just another movie from the UK which is a big disappointment. Round-Up: At 53 years old, Martin Kemps claim to fame has to be his role in the Krays and Eastenders. He also had a promising career as a guitarist in Spandau Ballet so his career has had its ups and downs. After suffering with a major illness, his career was put on hold and he hasn't been able to come back into the spotlight. That's not to say that he is a bad actor because I do like his performance in the Krays but after making some bad choices, I really can't see him hitting the fame that he hit earlier on in his career. The film was made by a Welsh, 34 year old director, Neil Jones, who has only made 9 small films in his career. He had quite a good cast to work with on this project but he really didn't get the best out of the actors. For such an intense storyline, I wasn't really that convinced by the actors, from an emotional point of view, which can only been blamed on the director. On the plus side, it is quite short and it's non-stop from the beginning to end so it doesn't drag.I recommend this movie to people who are into their intense action/thrillers about a special ops agent who is blackmailed to take-out various people. 2/10

So after leaving Spandau Ballet, Martin Kemp had such an illustrious career in the military, he becomes a secret sniper for the government, but after a job goes awry in Spain, his operation is cancelled, and his group are all sent on their way.But not long after, Martin has a call from someone who needs some cough sweets, letting him know that his daughter has been kidnapped, and he must kill six people in twelve hours, or else.But something else is going on, involving Nick Moran, which could lead to a monumental terrorist attack on London.If I didn't have such low expectations for this movie, I don't think I would have enjoyed it half as much as I did, but I enjoyed it for all the wrong reasons. My faith in the British film industry has been on the wane just lately, especially after seeing the truly abysmal Assassin (especially when the director adds you as a friend on Facebook to give you a dressing down because of your review), and once respected actors being in rubbish for a quick buck.But if you can take away the fact that some of the acting is insufferable, it's ridiculously funny to see Kemp run around the streets of London in broad daylight, getting away with literal murder.The plot is totally incoherent, and anyone, and I mean anyone, would recognise the Jigsaw type voice on the end of every sinister phone call......and it's supposed to be a big twist at the end?Actors, and TV presenters who were quite well known in the nineties show up to add some gravitas to the proceedings, but when these are former MTV presenter Donna Air, and the bad guy form Passenger 57, it's even more bonkers than you first thought.So all in all, it's complete rubbish, but it's watchable for all the astonishingly wooden acting, Kemp running around as the nicest angry guy around, and of course, the promise of a sequel, which I hope will happen, because I need to know where the makers will go with the concept.It's a cliché for sure, but file this under 'so bad it's unintentionally funny'

There's a merit on presenting heavy theme with simplicity, Age of Kill opens up with intriguing premise of a sniper forced to do a terrorist's bidding. It is a good start for a film which unfortunately becomes needlessly complicated later on. Using too many subplots revolving around abundance of tired characters, most of whom are far from likable, the film becomes too tedious and chaotic for audience to invest on.The initial set-up works pretty well, introduction for its protagonist is focused with minimal interruption. However, the film strangely shifts into myriads of other perspectives which are not only hampering the main plot, but seem out of place, especially when it also puts restriction of following an inflexible timeline.There is viewpoint of the police inspector following the killing spree, but the female chief role is overbearing. It may be to establish an empowering authority figure, yet the actress delivers the personality with shallow unfriendly delivery. As the sniper makes his way through the victim list, he meets an escort who deals with the same problem. This woman is almost shoehorned with barely any buildup, although she becomes a strange supporting character later. There's plenty of info skimped to accommodate the large cast.As though it's not complex enough, the movie also throws in religion and political elements at second half. The actual plot becomes heavily muddled with extremely preachy undertone, so much so the development relies on luck and blatant convenient to finish the story. Much of the twists are abrupt, negating the action storyline for the sake of vague propaganda. Furthermore, none of the character or script is enough to hold any interest.It has a bit of action aspects, but most likely won't keep audience invested through the overly complicated story. There's no satisfying conclusion to be had, considering the movie stacks subplots on top of another until it becomes a messy pile of narrative.