Watch Bloody Moon For Free

People are voting emotionally.

Clever, believable, and super fun to watch. It totally has replay value.

The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

This film presents quite a simplistic story line, hot foreign girls attending a language school and partying & getting into trouble. One by one everyone seems to die, the film doesn't really dull out which is pretty surprising. Lots of kills, and good ones, you really get a good look at it. That being said, the budget was low and take it as it is. I was entertained by the inventiveness of this picture.

BLOODY MOON is an interesting film for sure. For one, it's directed by Jess Franco, who was notorious for making several porno movies. So what would a slasher movie directed by him be like? Miguel is a disfigured man who killed a young woman at an all-girls language school five years prior. His sister Manuela, who runs the school, takes him under her wing once he is released from the mental institution. Soon, students at the school begin getting killed off in gruesome ways. Is Miguel up to his old tricks again? Or is it someone else? BLOODY MOON ranks alongside 1982's PIECES as an absolutely hilarious foreign horror movie. While PIECES was notorious for its hilarious WTF moments, BLOODY MOON remains hysterical for the horrible dialogue. I could basically list every line in this film, but some of my favorites are, "I want you to melt in my arms!" and "Honestly! How gruesome! That's a bit far-fetched!" Make those lines horrendously dubbed and you have an idea what the BLOODY MOON experience is like.The other strong suit of BLOODY MOON is the gory, violent, and often hilarious murders. There's the infamous decapitation via giant buzz saw, but it comes across as more funny than shocking. For one, it has to be one of the most obvious cases where an actress is replaced by a dummy, and the girl doesn't realize anything is fishy until the killer ties her to the moving rock! There's also the killer stabbing a girl in the back with a knife (and the tip exiting through her nipple!).However, BLOODY MOON fails to really deliver on other levels. The score is awful because it mainly consists of this really, REALLY annoying guitar twanging during every scene. Aside from the two murders I already listed, the others fail to stand out in any way. The characters aren't likable or memorable, and it also fails to end on any sort of bang.All in all, BLOODY MOON is a fun watch mainly for that one fantastic buzz saw kill and the dialogue you'll find yourself quoting for weeks. Everything else is just bad. Only worth a purchase if it's cheap. Otherwise, just rent it.

I have a pretty good feeling that BLOODY MOON will appeal to Jesús Franco's non-fans rather than his most appreciative cult audience. I mean compare this relatively straight-forward slasher flick to something like MACUMBA sexual, for instance. Two very different kinds of films. Franco has admitted in a very engrossing interview(..his often always are)that BLOODY MOON was a not a particularly fond experience because he had to direct the script he was given(..which may be cause for celebration for those who hate his challenging style of film-making which doesn't operate within a certain linear way)..due to the fact that is was written by the executive producer who wanted no changes if Franco desired to try something different. It's mostly a gore-effects film anyway modeled after the violent films popular of that time. I prefer to call BLOODY MOON a Spanish version of the Italian giallo because of the European setting, the sinister truth behind the killings(..very identifiable to the conclusions of many Italian giallo thrillers with it's being ties to murders based on greed and desire for wealth), and the lasciviousness of the characters populating the locale.And, I often felt I was indeed watching an Italian giallo, much in the same way as BLUE EYES OF THE BROKEN DOLL. Lovely young girls attending a language school are being attacked by a killer in a ski mask, wearing black gloves. The "final girl", a student named Angela(..played by the gorgeous Olivia Pascal)attempts to warn others about a friend murdered in her bungalow(..the place where a scar-faced Miguel, played by Alexander Waechter, viciously stabbed a girl to death with a pair of scissors). Everyone considers her mad, but soon those she warns fall prey themselves to a psycho using an assortment of weapons to slaughter them such as a bandsaw(..that slices off the head of a girl who thinks she was being tied up, by rope no less, for sex games), tongs(..which grips around the neck of a girl, strangling her), and a knife(..which goes through one poor girl, out her breast nipple). You also see an act of retaliation result in one victim's chest cut into with a chainsaw and Angela uses a screwdriver to puncture the throat of her attacker. I think when one watches this, comparing it to Franco films of the past, they'll realize this isn't typical of his output..is that a bad thing?Miguel is released from an asylum and rejoins his sister Manuela(Nadja Gerganoff). Currently the language school is operating within the estate of a wealthy aunt who has already said quite bluntly that Manuela will be disinherited. Manuela has Alvaro(Christoph Moosbrugger)teaching the school's classes. The main portion of the story is devoted to Angela, though, and her fear for her life as Miguel is often peeping on her from the woods outside the bungalow and elsewhere. Obviously those who are familiar with slashers/gialli know that he's a red herring..it really shouldn't be too difficult to guess who actually is committing the heinous crimes. The dubbed dialogue for the characters are very reminiscent to gialli of the 70's..shockingly frank in regards to sex, and, at times quite vulgar. One trait of Franco's that remain's intact, nudity, just not as much as you'd expect. Pascal doesn't get nude, quite unusual as most female leads in Franco's work often remain barely clothed for the duration of the film's screen time.

Although technically poor, ineptly scripted and badly acted, this American style slasher from Spanish horror auteur Jess Franco is actually pretty entertaining, thanks to plenty of two of the most important ingredients of the genre: gratuitous gore and female nudity.The silly plot sees Miguel (Alexander Waechter), a disfigured killer, released into the care of his sister Manuela (Nadja Gerganoff) after five years of rehabilitation, and returning to the exact place where he killed his victim: a language school at which every student appears to be an attractive female twenty-something. Not long after his arrival, someone begins to whittle down the numbers attending the school, using a variety of nasty implements. Is Miguel carrying on from where he left off, or has someone else taken over as the school's resident murderer?Franco directs with his usual lack of finesse, but includes plenty of sleaze 'n' cheese to ensure that, this time, I didn't doze off halfway through his film. There are some excellent 80s disco moments for fans of dodgy dance scenes (the best being a roller disco/rock 'n' roll scene accompanied by the worst song ever); a smattering of incestual behaviour between Miguel and Manuela; several red herrings and multiple suspects to throw viewers off the scent; and a spot of real-life animal death (a poor snake loses his head to a pair of shears).And let's not forget about the gore, which is fairly frequent and always pretty vicious: Miguel's brutal scissor attack occurs only minutes into the film, and this is followed by several other bloody scenes that helped Bloody Moon secure a place on the notorious BBFC Video Nasties list. Gorehounds will not be disappointed by the film's two nastiest deaths: a knife attack which sees the blade exit the victim via her breast, and the graphic beheading of a another girl using a massive rotary stone-saw.The film is also good for some great unintentional laughs, and I defy anyone to keep a straight face as the film's heroine, Spanish student Angela (Olivia Pascal), narrowly escapes being crushed by a huge, cuboid polystyrene rock, and is scared witless as a door is opened painfully slowly by.... a cat!Not a good film, by any stretch of the imagination, but definitely a fun one if you like trashy Euro-horror. 6.5 out of 10, rounded up to 7 for IMDb.