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The Assassination of Trotsky
A Stalinist assassin tracks exiled revolutionary Leon Trotsky to Mexico in 1940.
Release : | 1972 |
Rating : | 5.7 |
Studio : | Cinétel, Dino de Laurentiis Cinematografica, Josef Shaftel Productions, |
Crew : | Art Direction, Production Design, |
Cast : | Richard Burton Alain Delon Romy Schneider Valentina Cortese Duilio Del Prete |
Genre : | Drama History Thriller |
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Must See Movie...
A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.
It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.
Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.
a film of controversies. because it could be better. or because it uses , in not the most inspired manner, good actors. for atmosphere. for realistic details of story. for the status of history lesson, useful for understand the essence of a life and struggle and cruel idealism. Richard Burton is not the best option for the role of Trotsky. but , not surprising, he does a decent job. Alain Delon seems be on the thin ice. but his performance, version of empty soul character, is far to be bad. Romy Schneider is herself one of the virtues of film, only for her presence. "The Assassination of Trotsky" is one of films who has all opportunities to be easily criticized. if you ignore its message. because, more than a historical film, it is a warning. and, maybe, this must be the start point for see it.
This film has a reputation as a terrible film which I find greatly undeserved. It is average in the sense there are better films and there are worse. I found the film to be fairly static. The story is slow moving and the character of the assassin is never really delineated. Alain Delon is the true lead of the film, with Burton's Trotsky more a secondary character. I thought Burton did a fine job as Trotsky, the only think slightly bothering me is that Burton was physically imposing and that's not how I picture Trotsky. I picture him as more of a bookish intellectual of less than physically imposing attributes. (I do not know the actual physical attributes of Trotsky.) In any case, Romy Schneider is very lovely and sexy and the camera also treats Delon well, even if we do not have any clear insight to his motivation. In the end, I'm not sure what the purpose of this film was and that is its greatest failure. But, while the film did not succeed, there is nothing memorably bad about it. So my rating falls plum in the middle.
If you get it into your head that the great Russian revolutionary Leon Trotsky was in fact a boozy Welsh actor, then you might be able to sit through this mess. Otherwise, be prepared for a puzzler --- it's not terrible, it's just incoherent. Director Joseph Losey tosses history to the wind in favor of an underdeveloped story that introduces a lot of characters but doesn't say who they are or why they're in Mexico. Characters just keep meeting in the half ruins of Mexico City. It's beautifully photographed but has a heavily edited feel to it. Many scenes end very abruptly.As the assassin, Alain Delon pouts a lot and wears sunglasses. Romy Schneider plays a character that was, at least historically, a disillusioned Trotskyite from Brooklyn! Schneider is stunning but not very well utilized here. And for some reason, she shouts every other line. It's never explained why or how she got hooked up with Delon, but it's just as well...the script offers no motivation for any character. As Trotsky, Richard Burton dons a very fake looking van dyke mustache and round glasses and spouts revolutionary thought into a Dictaphone. Classy Valentina Cortese has virtually no lines as Mrs. Trotsky so why she was cast is anyone's guess.There's probably a truly compelling story to be told about the last days of Trotsky, but this isn't it.
The subject matter was the only saving factor for this movie, but the quality was hardly befitting of such a story and man. Historiographically the movie stayed true to facts or that is, the facts accepted by Nicholas Mosley, the screenwriter. Mosley had published a book of the same title the same year as the production of this movie. They claim in the opening scene to portray the facts as closely as possible and those that are ambiguous they leave open, but the assassination of Trotsky is surrounded by mystery and speculation. I've come to understand that the only piece of hard evidence agreed upon by all, is that Trotsky died at the end.Disappointingly the movie tends to leave out or vaguely use interesting details related to the incident, which makes the movie somewhat confusing to those who have no previous knowledge of the event. And that would be my advice, that one should look into the topic independently after seeing this movie in order to better grasp such a historically significant event. In terms of acting and plot I don't believe the movie pays it justice.