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To me, this movie is perfection.

Although it has its amusing moments, in eneral the plot does not convince.

Yo, there's no way for me to review this film without saying, take your *insert ethnicity + "ass" here* to see this film,like now. You have to see it in order to know what you're really messing with.

It is encouraging that the film ends so strongly.Otherwise, it wouldn't have been a particularly memorable film

This was a terrific movie if you let it be what it is: a character-driven drama about a marriage challenged by an occurrence too frightening to be ignored. I watched it because I'm a Teresa Palmer fan, but it was Felicity Price (also co-screenwriter) who was the revelation. The opening montage of Cambodia captured the other-worldliness that tourists in Asia often experience but also the joy they brought with them to that experience; later reminders that introduced flashbacks also brought in the sense of menace that goes with encounters with the unfamiliar. The acting was great, the actions of the characters quite believable taken in context. Scenes with children have the potential to wreck otherwise good movies, but those here were excellent. I agree with reviewers who think the movie was slow-moving and there were times I wanted to move on to the next scene, but notwithstanding this it held my interest throughout.

I got through the movie, the acting was not horrible, but I absolutely hate when the movie keeps bouncing from past to present. Drives me nuts and I have to think the director thinks they are creative, I just think they are lazy and can't tell a decent story. That being said, all actors were believable, and the story did its job. This really shouldn't be necessary to say, but if you go somewhere new, it is not a good idea to get so blitzed out that you lose your sense of well being. Stay safe! Everyone wants to have fun, and Cambodia I have no doubt is beautiful and offers a lot of entertainment. I think anyone who watches anything on Asian cultures knows they delve into areas that are distasteful. It is not a place I would care to visit but if I did, I wouldn't be stupid about it.

I know I'm a bit biased when it comes to the savants behind the Aquarius Films and Blue-Tongue Films collective but I can't help it: these guys are just too damn good!Wish You Were Here is an emotional roller-coaster that explores the varying reactions of human beings when they are faced with turmoil. Felicity Price (co-writer with husband Kieran Darcy- Smith) plays Alice, a pregnant, formidable mother who discovers after returning from holiday in Cambodia that her husband, Dave(Joel Edgerton) had an affair whilst on the trip. It is the who rather than the how that causes the most drama as the "other woman" was Alice's younger, crazier sister Stef(Teresa Palmer). This love-triangle drama is framed by the wittingly suspenseful disappearance of Stef's new boyfriend, Jeremy(Antony Starr), who vanishes during their final days in Cambodia seemingly without a trace.Darcy-Smith (DS) and the crew behind WYWH play the audience brilliantly: from their calculating publicity strategy to play up the disappearance of Jeremy over the main drama revolving around Dave and Alice's strained relationship; to the eventual unfolding of the film's overall story which happens as if pages of a book had been torn from the spine and fluttered on the ground, only for the reader to read them in whatever order he found them. It is a brilliant way to tell films that turns the traditional circular narrative completely on its head. DS and Felicity Price have a delightful way of writing which encourages the audience to view the narrative from all points of view. When you believe you have sided with one character, something happens next to completely change your allegiance and before you know it, you're rooting for the other side.The cast of this film is also well selected however, I believe some characters (and their corresponding actors) were downplayed a little too much for instance, the character of Stef and our lack of ability to experience her pain and grief and the loss of her new love. Of course, this is all done within reason which the viewer discovers towards the end of the film when we find out that Jeremy and Stef were only new flames, not old embers like Alice and Dave which, whilst it sounds cruel to say, doesn't encourage the audience to feel as sympathetic for their romance being cut short considering it only lasted 6 weeks. Still, Teresa and Antony both give it their all despite their limited screen time which only adds to Joel Edgerton and Felicity Price's performances who play their characters effectively and with a great sense of knowledge about the inner workings of their characters' minds. Its very difficult to watch actors who are inwardly judging their own roles but there is none of that from these two leads. This may come down to Felicity's affiliation with the story from the writing stage but at lot more can be attributed to her as a great actress, as it can with Joel and his capabilities.

Great acting, that's what first comes to mind. Also, a refreshing sense of proper Aussie film-making (in the vein of 'Animal Kingdom' or 'Wolf Creek'). It's tense, very well lensed, fleshed out characters. As the personal drama in the family life unfolds, so does the mystery begin to unravel. The ending doesn't come as a shock, but as a carefully built up finale. Strongly recommended for everyone who's into thriller/drama with horror touches. It uses enough plot elements which aren't the most original, but the way the script blends all these elements into a coherent and well-paced story. A sense of permanent dread menaces the situations on-screen, but this is far from being a grim film. It balances out really well, as there are enough family subplots that lighten it up when the film becomes too tense.And, again, great performances from the actors.