Watch Carry On Constable For Free
Carry On Constable
With a flu epidemic running rife, three new bumbling recruits are assigned to Inspector Mills police station. With help from Special Constable Gorse, they manage to totally wreck the operations of the police force and let plenty of criminals get away, even before they arrive at the station. They all have to prove themselves or else they'll be out of a job and Sergeant Wilkins will be transferred. Sub-plots include romances between Wilkins and Moon, Constable and Passworthy.
Release : | 1961 |
Rating : | 6.2 |
Studio : | Peter Rogers Productions, |
Crew : | Art Direction, Camera Operator, |
Cast : | Sid James Eric Barker Kenneth Connor Charles Hawtrey Kenneth Williams |
Genre : | Comedy |
Watch Trailer
Cast List
Related Movies
Reviews
I don't have all the words right now but this film is a work of art.
The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.
This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.
It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.
I've recently been working my way through these earlier, black-and-white CARRY ONS, finding them a breath of fresh air after the stale sauciness of the later entries. CARRY ON CONSTABLE, while proving less imaginative and well-made than some of the other entries made around the same time (such as NURSE and REGARDLESS) is still a fun little film.Sid James joins the series as a likable sergeant forever at the mercy of his stuffy superior (a wonderfully straight-laced Eric Barker). After a flu epidemic, he takes on five new recruits (Williams, Connor, Hawtrey, Phillips and Sims) who soon get into all manner of pratfalls. The cast are good, even if the jokes aren't (most of them are over obvious, such as the bit with the out-of-control police dog). Even the predictable ending lacks bite when compared to the genuine thrills that concluded the later CARRY ON CABBY.There's more of an emphasis on sweet romance here than crude gags, which is a pleasure. Williams plays the smug one, Hawtrey is accident prone and scene-stealing, as ever, while Sims plays it relatively straight and Phillips chases skirt wherever he can (Shirley Eaton memorably pops up out of the bathtub in one scene). Connor is unfortunately saddled with a superstitious character who ends up more irritating than amusing. There are better CARRY ON films out there, but compared to the ones being made a decade later this is pure class.
I enjoy the Carry on movies, they are entertaining, cheeky and witty and make my day when I need it. While a tad too short and rather basic and cookie-cutter in the story structure, this fourth entry known as Carry on Constable is an enjoyable one and lifted by the Carry on debut of regular Sid James, and he is funny as always. The rest of the cast are rock solid as well with Kenneth Williams and Joan Sims especially standing out. The writing is cheeky in alternative to smutty, a trait that plagued some of the later entries, and while not the original on the block the gags are equally amusing. The film looks good too with nice locations and the like, musically it is quite quirky and it is snappily directed. Overall, very enjoyable. 8/10 Bethany Cox
Joan Sims (The Last of the Blonde Bombshells) the gym teacher in Carry On teacher is here as a constable. Just out of the Academy and wanting to do a good job. Unfortunately, she has caught the eye of a fellow copper.Shirley Eaton from Goldfinger is also here looking as good as ever.The usual antics and sight gags with the normal Carry On gang; only this time in a police station. Bonus nudity that has not been in any of the other ones I have seen. Sorry, it bare butts on guys running to the shower.It is kind of cute, even if the formula stays pretty much the same, just in different locations.
This was the fourth of the Carry On series and although dated by the police uniforms is one of the best simply because all of the regulars are equally well used and for once Sid James is kept under control and used as a foil for some of the situations which works well with his expressive face. Kenneth Williams is still in the intellectual role which eventually gave way to the over-the-top persona in the later films. Leslie Phillips gels well with the others ( even better than he did in Carry On Teacher )If anything this film underuses the female stalwarts with Hattie Jacques and Joan Sims being love interests.