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Good concept, poorly executed.

Entertaining from beginning to end, it maintains the spirit of the franchise while establishing it's own seal with a fun cast

The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

There is nothing challenging in the screenplay of this film, and the decision seems to have been taken to create a movie of a kind of easy access. It tries to treat a terrible occurrence in everyday lives, in a normal, small town community in those very terms, without making anything sensational.The film deals with issues which are always relevant to so many people - loss, guilt, coping, addiction and, let me say kind of demonology perhaps in authority - in the most basic terms. Unlike similar kinds of films, this one never thinks it knows, never thinks it has to go beyond the fundamental realities of these situations in order to picture them well. For me, this leaves a lasting impression and means that I can think about these issues actually, much more easily than if I had not seen this film. That's a rare occurrence in movies, to me. Usually I find that my mind is vacuumed by the end of a film, whether or not it was said to "deal with" issues or treat issues for discussion or awareness in the audience.A nice, serious film which seems to present something of real life. Certainly of real life concerns, without patronising, feeling the need to suggest that life is more than life really is, nor getting lost in a fictional world of fantasies that have no real meaning for humans today.There are twists, and the elements develop which allow the viewer to make conclusions for himself / herself. This then becomes the essence of this movie beyond the lovely cinematography, the latter becoming as an echo the expression of the ongoing, inexplicable beauty in life, a backdrop to the pain, struggles and torture.Though the script is simple, with no pretensions or irrelevant ambitions, some viewers looking for something else may consider this a weakness in the film. For myself, it is a very strong point in a well crafted piece, from original idea, through very good, simple dramatic acting, to a full, beautiful, simple, understated presentation in the whole production.

The power of this film depends on your perspective. Have you raised a 3-year old? Have you experienced the death of a child? Most importantly, is the story believable and can you put yourself in to it?Unfortunately, few watching this film know it mirrors the real life story of Paul Wayment and his son Gage: The following are excerpts (Spoilers) from the real story found on pulitzer.org: "Six inches of snow covered the small body. Gage lay in a fetal position, his hands clenched, his eyes wide open. His pajama legs were up to knees; his feet had worn through his thin booties. His throat was blue. In his eyes were frozen tears." Paul Wayment's statement to the court: "If I could change places with my son, I would give up my life without question. But I can't. The life that I now live in is the hell that I alone created. The pain is incomprehensible. . . . The word 'sorry' does not even begin to express the feelings I now live with. . . . I admit full responsibility for my actions and will accept whatever punishment you deem appropriate." "They found his body (the father) on a sloping ridge next to a pair of binoculars, a Pepsi Big Gulp and a Winchester .243 hunting rifle. He'd picked a spot, surrounded by quaking aspens, that provided a view of the hills where they'd searched for Gage. Julie George imagined his final afternoon. He'd sat with the binoculars, surveying where Gage died. At sunset--he would have waited for his beloved dusk--he'd put down the binoculars and picked up the rifle." "At the courthouse that afternoon, (Judge) Hilder sat dazed in his chambers. Tears filled his eyes."http://www.pulitzer.org/works/2002-Feature-Writing Knowing the real story makes this film, Angel's Crest, much, much more powerful. It's too bad Angel's Crest wasn't made to be a true story with a follow up explanation at the end telling of the ongoing lives of the people involved.Those that have rated this film poorly or written unflattering reviews might want to watch it again after reading the true-life story.

All the great vistas and quality cinematography, can't make up for the lackluster production and direction of this film. Thomas Dekker looks more like he should be playing Gerard Way in the "My Chemical Romance" story, than a grease monkey in a hillbilly town. Then you have the textbook lesbian couple seen in almost all movies made in the past 10 years. Juxtaposed with the overtly religious mother with the alcoholic daughter, this story seems more like it's trying to please a film school students liberal teacher. No heroes, no anti-heroes. No moral, no point. Everyone seems to be in a rut here. No rhyme or reason. A better name for this would be "Shit Happens". Nice to see Mira Sorvino. I can't understand why she did this though. No opportunities for her to shine in this, but she plays her role well. Same goes for Jeremy Piven, though in his case he should fire his agent. He's a great actor, and plays his part well, but seems constrained by the script and/or director. Not bad, but not good either.

Watched the movie, which started with the innocent life of a small kid and ended with a heavy heart, an excellent film with a very good story and the negligence of I must say both of the mother and father. The effect of the death of the child on the entire town community was portrayed in the best possible manner. The story unfolded very naturally, and the response of the father once he saw his dead son was very emotional. The last scene in which the father is going for the trail with very heavy hearted back ground music was simply fantastic. The last scene of the father killing himself was the masterpiece. I recommend this movie as not a single second got wasted. Good job done by the entire cast to make such a fine movie.