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Comedian
A look at the work of two stand-up comics, Jerry Seinfeld and a lesser-known newcomer, detailing the effort and frustration behind putting together a successful act and career while living a life on the road.
Release : | 2002 |
Rating : | 6.9 |
Studio : | Bridgnorth Films, |
Crew : | Director, Editor, |
Cast : | Jerry Seinfeld Orny Adams Greg Giraldo Jim Norton Allan Havey |
Genre : | Comedy Documentary |
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Cast List
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Reviews
Excellent, Without a doubt!!
A movie that not only functions as a solid scarefest but a razor-sharp satire.
The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one
The film never slows down or bores, plunging from one harrowing sequence to the next.
Jerry Seinfeld is the major headliner here after leaving his hit comedy series, Seinfeld, after 9 seasons on the air. He returns to the stage to be a stand up comic. This documentary uncovers the lives of stand up comedians like Jerry Seinfeld and Jay Leno who doesn't touch his Tonight Show salary. Leno would rather be a comic than be rich in reality. He works a 150 shows and the Tonight Show as well. Chris Rock is surprising when he reveals his admiration for Bill Cosby's live show of 2 hours and 20 minutes on stage without intermission. We find Orny Adams to be a little arrogant but an up and coming comic. Jerry Seinfeld has returned home to the stage of stand up comedy where you spend nights at the comedy clubs in New York City, Los Angeles, and even West Orange, New Jersey. Stand up comics spend every moment trying to perfect the craft of delivering the jokes, telling stories, and delivering the punchlines all for laughs from the audience.
While the box promises hilarious comedy, the video it holds delivers a solid documentary about what it takes to be a class act in stand-up comedy, both as an up-and-comer and as someone trying reinvent himself.Orny Adams is in need of serious mental health help. He consistently goes to pieces and is tortured by his inner demons.Jerry Seinfeld, on the other hand, shows how someone with a basic sense of self-esteem and a rewarding personal life deals with the nerve-wracking ordeal that is "creating a compelling live show." The picture documents this process carefully and gives good insights for performers in all genre. It's not a laugh riot, and it's -just- compelling enough to watch the whole way through, but it's not something one needs to see twice.
Follow the construction of this film closely and you will see that it is much more than a documentary of stand-up comedy. Notice, for example, how the ending is a beginning. The final word, "thanks" is precisely the advice given to Orny--the anti-Jerry of this story. Notice the film move directly into the credits, accompanied by Susannah McCorkle's heart-wrenching version "Waters of March", itself Jobim's testimony, from the perspective of early Autumn, that life is a journey. The photos that rotate under the credits, like an iPhoto photo album, are close-up studies of scenes that any comic would immediately recognize as "Comedy Club". Preceding this was Steely Dan's "Deacon's Blues" a song about a suburban New York kid who dreams of leaving the suburbs for the exciting life of show business in the city. Indeed, the choice of soundtrack numbers is worthy of Woody Allen. This movie is worth watching a few times to see how adeptly the film-makers juxtaposed Jerry and Orny in order to make this tale of rebirth. This is very, very good film-making. I only give it 9 out of 10 stars because throughout the film the dialog recording is not as clean and clear as my old ears require. Perhaps this would have been an impossibility, given the documentary nature of this film. Nevertheless, I had to go back and watch it with "English for the hearing impaired" selection in order to catch the dialog.
It plays at the end credits. After hearing it on the DVD I immediately sought it out, but the version I have -- Susannah McCorkle's "The Waters of March", as noted in Imdb's data -- is not nearly the same or as good. Same artist, yes, but I suppose there were different takes? The one in the credits has a wonderful arrangement and some Spanish-sung parts.If someone knows the recording this exact version can be found on, I would appreciate a heads up.