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I don't have all the words right now but this film is a work of art.

Admirable film.

The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

Blistering performances.

Though there certainly are enough fight scenes to call this a boxing film, it is more of a slowly evolving study of some interesting, but loser-type characters. Do not expect "Rocky" and you just might enjoy "Homeboy". Eric Clapton's music adds immeasurably, and the acting is solid. Christopher Walken and Mickey Rourke carry the movie. The love interest, Debra Feuer, is quite unremarkable. I liked it, some may think it is too slow moving, but that is sometimes a price worth paying, for strong character development. There is a message here to believe in yourself, no matter what the odds against you. Recommended. - MERK

There are two things going for this movie: the weird but entertaining way in which Rourke (pre-Elephant Man phase) plays the borderline retarded boxer, and the very pleasant, suitable, somewhat bluesy music score. (Eric Clapton can be useful only when he plays other people's music.) The story, allegedly written by Rourke(?!), is all over the place. There isn't much plot here; mainly a series of scenes of how a strange cowboy-looking boxer from another dimension interacts with other people. Fairly original.The girl's (love interest) character is simple enough, Rourke's is weird, as mentioned, while Walken's makes less sense. The movie seemed to be heading toward a simultaneous double-death finale, but I guess the producers or the movie company must have insisted (?) Rourke survive the boxing bout so as to avoid a tearjerker ending. The movie has that typical ugly late 80s look.Overall, the first half is stronger than the second - which drifts a little more into clichés. I like the way the world is occasionally shown through Rourke's very blurred vision and impaired hearing.If Rourke really did write this, then I guess he isn't quite as thick as I thought he was.

A lot can be written about the derailing of Mickey Rourke's career... But when reflecting on the the reasons he achieved such recognition to begin with... One has to review Homeboy. The man had real talent as an actor and it is a shame that he is more remembered for phoned in performances than the highlights. Homeboy is one of the highlights. A very complete method performance that regardless of commercial stereotypes stays true to the characters created and the world they're in.This is a real picture of a fighter way past his prime who gets a second chance at inspiration. But this is not the Rocky world where a theme song and a jog around the park give the character new life. This is a real character at the bottom of the bucket trying to reach up. And the mistakes of a lifetime are not easily overcome in this film.Also Alan Parker's longtime cinematographer Michael Serensin makes his directing debut. Sadly it also ends his directing career. But the screen is always wonderfully alive under his direction both gritty and flashy in unison.The support cast is wonderfully strong including one of the best minor support roles Christopher Walken has ever delivered.I highly recommend this film for fans of smaller unconventional character dramas. If you want stereotypes... watch something else.

In homeboy which Mick wrote, he plays a 2nd rate boxer who'll never run with the big boys because he is undisciplined and a alcoholic. Soon Mick befriends Wesley(Walken) a thief and falls in love with a beautiful carnival owner Ruby (Feuer). Homeboy is a dreary little gem with quirky performances from the leads and also shows that Mick has a soft side. A must for all Mick fans. Check it out!