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Pretty Good

Beautiful, moving film.

Blistering performances.

This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.

This film I feel is another under the radar gem, it was really popular for it's time but as time went on it's became forgotten. This film is also a childhood relic of mine, it was one of the first films that actually got me into the Japanese anime genre, if you can believe that. When I saw this film it just blew me away from the animation style, music used, context, it wasn't anything I've ever seen before. Watching it now I still think the film holds up, especially in animation.It's also one of the only anime anthologies out there which are unfortunately really scarce, the only other one I can think of is "Memories" but that's a different story. This film to me is sort of "Fantasia" for the 90's which is cool, because like "Fantasia" it was basically anthology of animation shorts correlating with music pieces, and that's exactly what this film does. You could say this plays also similar to Issac Assmov's sci-fi anthologies since his stories always had to do with humans coexisting with robots or robots acting and becoming human.The animation I think is great, each of them have different styles that fit the context, I still think it looks really good despite how many years it's been. The music is great, I feel most of the scores used are memorable.There are many stories but I'll just talk about three that are my favorites.Starlight Angel: This is basically a fairy tale but in sci-fi form which is great because it's a combo of two genres I love. It's a typical story of the right guy saving a beautiful girl but it's really in the execution that makes it stand out. I really like the amusement park, it's practically Disneyland of the future. I like the character designs which are beautiful, even in there expressions of emotion which are just fantastic, despite not hearing what their saying we understand exactly what their dialog perfectly from their expressions; in a way it just goes to show you don't always need verbal dialog to deliver perfect dialog. The score is just beautiful, it's my favorite in the film because it has an adventurous and romantic quality to it.Deprive: This is another great one, it's also in a way another fairy tale if you want to think of it that way, once again right guy saving the woman he loves from evil. Though this one it's more of an shonan actioneer approach but it is fraking awesome. I really love the action sequences and the choreography is spot on, it's just awesome just seeing the protagonist knock the crap out of a lot of evil robots that are cool looking their all unique in design, let alone practically bigger than him like seeing him jump on a bunch of robots practically stomping on them like Gomba's from the video game "Super Mario Bros". In a way this story is sort of an anime version of pulp comic book hero "Magnus Robot Fighter" since the protagonist sort of is like Magnus, armed with super strength and martial arts to trash the robots, seeing this story makes me wonder why the hell an anime/animated series of that comic book franchise hasn't been made yet.A Tale of Two Robots: This one is my absolute favorite, it is just fraking hilarious. It's basically mecha anime but in the 18th century which is awesome . I really like the designs of each of the mecha are unique, my favorite one is the one from the Japaneze side which looks awesome, it's practically a giant walking Bogotá. I even like how they operate from the physics and technology they had access to in that century it feels right and makes this sort of a steam punk tale since that genre was always about old technology advanced further. I really like the fights which are fun, however it's really more both character factions that really drive the tale because both the characters that command the mecha are total nitwits. It's just hilarious how both are so determined to take out the other, showing how indifferent both are.Well that's all I have to say, Robot Carnival like any Carnival is a variety of fun.Rating: 4 stars

I wasn't a die-hard anime fan back then as an 18-year old young man, but I happened upon this movie on VHS at an independent video shop after moving from another state. It was placed semi-obscurely at the bottom rack of the animation section but the strange cover artwork case of the VHS edition made an impression on me.So I rented the videocassette to pop it into the VCR. I was mildly impressed with all of the 'weird' shorts except one short that is so lyrical and surreal it moved me like no anime ever did (except for Spirited Away years later which I admit to having seen 7 times in theatres). That short is called, if I remember correctly, "Cloud".Independent video shop have since 'closed' (sold its business to a competitor) a few years later and I never had a chance to see the movie again since it's out of print.Cloud segment is one of the most haunting films (short or feature-length) I've ever seen. Even though I remember *nothing* about the movie, I still recall the Cloud segment.It's an unforgettable experience witnessing the aesthetically mind-bending short sitting in the darkened living room in the basement on the sunny afternoon day.The black & white animation...background...strange but haunting ending. I barely remember what the story is about (must be silent) but I understood what it *is* about -- loneliness and requiem for love.I think it must be seen on the large screen to experience the full effect of emotional tranquility. One of the best examples of surrealist & moving cinema on the meditation of loneliness and love as conveyed by sublime emotional transcendence, animated or not, and one that stamps indelibly in the memory base of the human brain when the viewer is still youthful as a child or adolescent.Cloud short is an incredibly transcendent work of art in cinema that make for an utterly unforgettable visual experience. One that have the honor of magnificent art among the grandest 2-D dimension paintings of the 17th century Naples and Golden Age of Dutch Art in conveying profound emotions through the magic of artistic motion picture in silence.

This remains one of the best Anime feature films I've ever seen, and, in a stroke of great luck, was also the first Anime feature film I ever saw. While a little (well, a lot) on the artsy side at times, Robot Carnival is a great example of the reckless imagination and superb craftsmanship that Japanese animation at its best is known for. Unfortunately, it's also an example of a kind of film that is becoming very rare in the anime world today. Robot Carnival mops the floor with the ever spreading hordes of Dating Game adaptations/Merchandizing tie-ins that are never the less dominating the industry. Robot Carnival ought to be one of the most well known Anime in the world, not the obscure relic of hardcore geeks that it seems in danger of becoming. If you see a copy of this, buy it on the spot and see what animated film making ought to be.

Like all anthology films, some of the segments are better than others, but there are enough good ones to make this film worthwhile for animation fans.The framing sequence which opens and closes the film is nicely animated, certainly one of the most original ways I've seen for a film to present it's title. The great Katsuhiro Otomo (Akira) contributed to this sequence, you can really see his touch. Two of the segments, "Starlight Angel" and "Deprive" are pretty typical sci-fi action anime, albeit nicely animated. A lot of anime fans complain about the "Cloud" segment, I find it kind of interesting, like a piece of animated art. My favorite segment in the film is probably a tie between "A Tale of Two Robots, Chapter 3: Foreign Invasion", which made me think a little of Wild Wild West (a lot better, of course), and "Nitemare".I think having all but two of the film's 8 segments (I'm counting the opening and closing as one segment) dialog-free was an interesting choice, it allows the viewer to concentrate on the images, and precludes needless exposition. I really liked Aeon Flux a lot better before it became a regular series and added dialog. Of course, it also makes an English-dubbed version of the film more tolerable.Some of the music for this film is by the great composer Joe Hisashi, the regular composer for both Hayao Miyazaki and Takeshi Kitano. I think the opening and closing themes are by Hisashi, as well as the music for the "Presence" segment.This is one of the first anime films I saw when I knew or cared it was anime, I think it's a really good introduction to the genre. Also a worthwhile film for anyone interested in animation in general.