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Waste of time

It's fun, it's light, [but] it has a hard time when its tries to get heavy.

The first must-see film of the year.

It’s sentimental, ridiculously long and only occasionally funny

When I rented this, I had no idea what to expect. In my opinion, it is a brilliant deadpan surreal comedy. Daniel Day Lewis's fierce quest to spread dental hygiene consciousness in Patagonia is utterly absurd but told as if it is the most natural and ordinary thing in the world. From his confrontation with a bandit who comes to him to have a tooth pulled to his theological debate with an elderly monk who refuses treatment, every inane adventure is told with complete conviction. After he learns that pandas have trumped dentistry, he must face despair, self-doubt, and self-loathing. Daniel Day Lewis is an astonishing actor--he is a complete chameleon who becomes whoever he acts. He is always different; consider My Beautiful Laundrette, a Room with a View, My Left Foot, In the Name of the Father, The Unbearable Lightness of Being--each role is utterly unlike the other. In Eversmile, New Jersey, you can see what Daniel Day Lewis might have been like in a Monty Python movie. Finally, the footage of Patagonia is bleak and stunning. That alone would be enough to make the movie worth seeing.

This movie is an astounding achievement. Light-hearted, ironic, farcical, profound. 15 years after first watching it, I still love this film. Daniel Day Lewis' performance is mesmerizing. Mirjana Jokovic keeps up with him all the way. If only more movies could be so well cast. Fergus O'Connell (Lewis) fights a religious war against dental disease, reveres the great traveling dentists of the past, dedicates himself, mind, body, and soul, at every turn, to bringing his good news to everyone. But the world is filled with evil, misunderstanding, and corruption. His ideas threaten the dentist-sun theory of another practitioner. He is harassed and then seduced by evildoers. On a bad day, his lofty ideals fail him as he reacts with irrational fury to the mockery of the ignorant masses. Priests and thugs are equally blessed as he walks among them, bringing them all to dental salvation. In the end he comes up with a bizarre remarkable answer to the world's problems.This movie is low-budget, art-house, and deceptively straight-laced. It is all things which it isn't.

Played with a deadpan sincerity, this charming, gentle, dreamlike film may not strike the casual viewer as anything special at first. But Fergus O'Connell stands in the great picaresque tradition of Don Quijote: a man intensely focussed on doing good in a world that urgently needs it, baffled by that world's failure to acknowledge the need, and so devoted to his cause that he ignores that world's reality in favor of the surreal world that we see here through his idealistic eyes. Witty, sophisticated in its understanding of its literary roots, and brilliantly played by a perfect cast, this is one that you shouldn't miss. Unfortunate problems with the sound--from the endless winds in Patagonia--and other troubles kept it from theatrical release in the U.S. But Day-Lewis, as always, deserves an Oscar for this characterization. At least.

Well, it is indeed about a traveling dentist, and it is played totally straight in spite of its amazing plot. So I found myself at the end of the film asking whether the film-makers and cast could possibly be serious or if it was a clever dry comedy. Was it a spoof of other too serious films about a man with a mission who falls into depression when others fail to see his vision, or was it honestly trying to be one of those serious films? Well, I have no answer to these questions, so my review divides here. Comedy - cute spoof of some the sort of movies Day-Lewis might well be in from time to time. Drama - stupid movie about a traveling dentist in Patagonia.