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Memorable, crazy movie

Great Film overall

Don't listen to the Hype. It's awful

It's easily one of the freshest, sharpest and most enjoyable films of this year.

While some of the issues explored in this have elements that can cause cringing, I don't consider this a horror movie. This is more of a drama with some paranormal and uncomfortable aspects. It's not a bad movie. I just didn't get the "horror" I thought I was going to see.

I loved this movie and that is more than I can say for 99% of the horror/supernatural movies I have seen on Netflix. Last Kind Words is the kind of movie that leaves you feeling a little dead inside when it's over(pun intended) but in a way that is both stunning and haunting. The story is simple yet effective and allows this movie to entertain and scare without having to be cliché, overly gory, or loaded with special effects. I went into this movie expecting very little and got way more than I bargained for. I will not sit here and tell you this is the best movie I have ever seen or even that of its genre but I can tell you if you watch this movie you will not be disappointed.

At first I thought the movie seemed silly, but it quickly proved otherwise. It is a very haunting love story. Very well done. Alexia Fast has a great handle on the accent. The progression is slow. It isn't chock full of action, but it doesn't need to be. It's a walk through the supernatural, not running from explosions and jumping through glass. It's nothing like the Blair witch clones or the paranormal activity clones. It's no slasher. I won't go into any details, but I was pleased to see a film that was more haunting, less gore and fright. This film is actually believable, akin to many family or campfire tales of the past. It's a wonderful expression of how history can haunt a land. I'm from Kentucky, and stories like this are spot-on. It is really difficult to discuss without completely spoiling the plot. Excellent watch. I will no doubt recommend to friends and family, and certainly watch again.

Image Entertainment always gives independent filmmakers an outlet to get their projects out to the masses. Many of these movies fall into the extremely competitive genre of horror and suffer from collapsing into the realm of cliché. "Last Kind Words" is one of the rare exceptions to this unfortunate trend.17-year-old Eli (Spencer Daniels) and his family move to the Kentucky backwoods after the father (Clay Wilcox) loses his job. He decides to work on the secluded farm of a childhood friend and recluse (Brad Dourif). Upon exploring the woods near his new home, he meets a girl named Amanda (Alexia Fast) and feels an instant connection to her. His journeys also expose him to a dark secret the dead want restitution for from beyond the grave.It's always a treat when you put in a movie expecting nothing more than a one-dimensional horror yarn but you get so much more. Looking at the cover of "Last Kind Words," you'd think it was just another typical angry ghost flick. Instead, Director / Screenwriter Kevin Barker and Storywriter Amy Riherd Miller fashioned a touching feature that takes a coming-of-age tale and gives it more depth by combining it with an old- fashioned Southern Gothic ghost story. It keeps the viewer's interest and slowly leads them to the answers to their own queries without losing any potency along the way.The acting in independent or low-budget films can be questionable at times. That's not the case with "Last Kind Words." You can tell every actor in the movie was dedicated to the film and put their best foot forward. Brad Dourif completely embraces his role as the enigmatic hermit and landowner. Spencer Daniels commands every scene he's in. You can see the emotional depth he invested in the role in his eyes. Alexia Fast is passionate as the character of the mysterious and tragic Amanda.I have a hard time using the term "horror movie" to describe "Last Kind Words." There's so much more to it than the usual jump scares we're used to getting these days. While the film does provide adequate thrills and chills, they're accompanied and spread throughout a grievous tale of isolationism, selfishness, loss, and the quest for closure.