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The White King
Djata is a care-free 12-year-old growing up in a brutal dictatorship shut off from the outside world. When the government imprisons his father, Peter, and Djata and his mother Hannah are labeled traitors, the boy will not rest until he sees his father again.
Release : | 2017 |
Rating : | 5.5 |
Studio : | Proton Cinema, Oiffy, |
Crew : | Art Direction, Production Design, |
Cast : | Lorenzo Allchurch Agyness Deyn Fiona Shaw Ross Partridge Jonathan Pryce |
Genre : | Drama Science Fiction |
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Touches You
Sorry, this movie sucks
SERIOUSLY. This is what the crap Hollywood still puts out?
As somebody who had not heard any of this before, it became a curious phenomenon to sit and watch a film and slowly have the realities begin to click into place.
Well, that would be simply a message of movie by me, and that would be explanation of very ending too.It had potential to be absolutely great - well not in sales, but there were some weak parts, some probably unnecessary scenes. Those who read the novel could say more, for sure. But I don't think that it is not good in/by self - so reading of novel to understand movie, as some reviewers here stated is really not necessary.If they wanted to make people thinking, asking questions after watching - they succeed. Although, I'm not sure that my questions are the same, what they had in mind:Why the title "The White King" ? Why were so many black people (pardon, Africans) in clearly Eastern European area ? There was nothing from racism issues in it. I count this as serious weakness - they just should not involve black people without going in racist problems at all.I think that directors were in love with Agyness - I can not blame them for it, she is so naturally beautiful, but that scene where she asked Djata to help her pulling down the dress - was it just to show her legs ? Because I don't see any other sense. Casting is very interesting - some well known actors, some new. All European (origin). Indeed Jonathan Pryce is biggest name, and he did good job in not big role.Ratings:Script: 6Direction: 9Camera: 10Agyness Deyn: 9Lorenzo Allchurch: 10
I tend to very much dislike this kind of film-- only because it is so realistically disturbing. This isn't science fiction; it is foresight of grim possibilities. Yet it is reasonably well done.The White King is a very dark tale of dystopian future in a Nazi-like society resulting from common people giving power to a militaristic totalitarian regime. Clues indicate the country was once free and open. No one expected what was it was capable of becoming. The story provides stern warning about what any government can become given blind trust and limitless authority.We are not told in the film where this takes place. But enough hints are provided to make one realize this is not Russia, Red China or other lands that have been despotic for centuries and continue so to this day. This was once a shining, "free" society that turned to darkness via a vocal / hysterical minority forcing their views on others until they had cowered everyone else into submission. The strong hint that this could be the United States or Australia presents an intentional cautionary tale to the audience.The movie's tale is summarized in the animated opening credits. The core of society is ethics, morality and the family unit. When these things are sidestepped, ignored, disrupted for personal-agenda beliefs, no matter how right that society thinks it may be, the freedom-of-beliefs which guarded that society fall one by one until the will of the minority becomes public opinion, hysteria, mass enforcement and finally dictatorship and totalitarianism. This lesson has been seen time and again throughout history. But now, today, we see modern first-world countries taking steps in the same direction, on a world-wide basis. Those who think "this would never happen here" fail to understand that is exactly what many Germans thought while Hitler crept into power. Reigns of terror begin with people's willingness to abandon their beliefs and standards in cowardly submission to those more vocal and repressive. This film portrays that from behind-the-scenes, and does so quite well. While it didn't strike me personally as being an exceptional film due to lack of high points and a considerably weak ending (thus the lower stars), the message it provides is clear: those who enforce their beliefs and opinions upon others pave the way for those who enslave.
This film is exquisite! Dystopia through the eyes of a child and the effect it has on him directly. The film moved me. The acting was spot on. The story was mature. AND the cinematography was vivid and lush. It also made my skin crawl as a citizen of a future dystopia=USA. The characters (and thoughtful ending) are what really resonate. Obviously this is for anyone who loves/likes the Hunger Games but this is smarter in many ways and more subtle...and more ambiguous...it the right way. This film makes me continue to love Jonathan Pryce very much. BUT Lorenzo Allchurch as Djata is a true discovery. He simmers and shines in this. His acting is superb and I could see him as the star of many Angry Young Man films in the future. Strong work by the Directors all around.
This is a heartfelt and touching story of a boy growing up in an unnamed totalitarian state. (I'm not an expert on this but was reminded of Stalinist propaganda). He and his mother try to find his father after he's taken away (as a clear dissident), trying to enlist his grandfather (a patriot of the regime) and finally appealing to the regime itself. It's also a coming of age story as the boy's eyes are opened gradually to the state he's living in.It's beautifully designed and shot and the boy and his mother (Agyness Deyn) give terrific performances. A first feature which has had time, love and attention poured into it and a lovely gem of a film - deserves to be widely seen.