Watch The Irony of Fate. The Sequel For Free

You won't be disappointed!

Pretty Good

An old-fashioned movie made with new-fashioned finesse.

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

We know, that the original "Irony of Fate" is legendary in Russia. This sequel (or independent movie, decide for yourselves) is known firstly because of the original. But anyway, it's great. It looks beautiful, it's rather easy to watch and it tells the story that will never ever get old: that true love lives forever. There are good old characters we all know, and the new ones; places are the same but time had changed - almost everything changed but love between Jenya & Nadya is still alive. Isn't it true love story you need? If it's 20th December and if you want to create the New Year mood for yourself - you just have to watch the movie because it creates amazing atmosphere. All these New Year trees and fireworks, the Kremlin charms beating - it all is so great. After watching it, I can't wait for the New Year and Christmas holidays

This production (I cannot bring myself to call it a movie, because it isn't) pretends to be a sequel to the beloved New Year romantic comedy the Irony of Fate (Ирония Судьбы). In fact, it is nothing more than a shameless attempt to cash in on the huge and well-deserved popularity of the original, which remains one of the favorites of the Russian-language audiences even after more than 30 years. This "sequel" brings together most of the original actors who appeared in the Eldar Ryazanov's masterpiece. As you might well imagine, the original actors are by now in their seventies - which is by no means a bar to being a good actor (just take a pick at any of Jack Lemmon's late movies!), provided that you do not try to play the same role you had 30 years ago. Unfortunately, the movie director Timur Bekmambetov (Тимур Бекмамбетов) completely lacks the ability to capitalize on the strengths of his actors; he is also clueless in the basic principles of scene composition, and is incapable of pulling off the most basic of physical jokes. In addition to that, the script lacks a coherent plot or basic believability. The production quality is also terrible - I've seen some home movies with more professional scene lighting, for example. Altogether, this is an extremely bad movie - avoid it at all costs, even if you have to pay to be let off watching it.

If you liked the first movie you will definitely like this one... It's worth to be watched.. sure better after seeing the first part... some things never get old... this one won't also... :-) the old actors are all there... the mood is there... its funny.. its romantic.. music is fantastic.. it brings good and nice feelings.. memories.. really do not agree with the Canadian critic above that "If there is one lesson that could be drawn from this movie, it is this: do not touch old Soviet classics! Does anyone really think it is possible to produce a sequel to a movie thirty years after it came out on the screens? " sure its possible.. anything is possible..Come on man.. what do you know about the feeling of old soviet movies..? am not from Russia.. still.. if you know the language and are able to enjoy a good movie.. you will definitely enjoy this one..

If there is one lesson that could be drawn from this movie, it is this: do not touch old Soviet classics! Does anyone really think it is possible to produce a sequel to a movie thirty years after it came out on the screens? Since the old "Irony of Fate" was made, it has become one of the most venerated Soviet cultural icons. And icons are better be left alone. I'm not sure if any director would be able to make a successful "Irony of Fate-2", but what we are offered by Bekmambetov is at best a third-rate production. Bekmambetov may be a decent thriller-movie director (see his Daywatch and Nightwatch) but he is extremely weak as a maker of romantic comedies, which is what "Irony-2" was purported to be. The plot details are not developed at all (thus, we do not learn anything about Kostya's or Nadya's occupations or previous lives); the advertising of Toyota Camry is too obvious not to be noticed; and the acting, with the possible exception of Bezrukov (Irakliy) is one-dimensional and unconvincing. The old actors (Myagkov, Brylska) look tired, lost and emotionless, as if trying to understand what it is really they are doing in this movie. Special effects (such as the one with the Aurora) may be fitting in a fantasy thriller but they look out of place in a romantic comedy. In short, this is another proof that there is little worth seeing in post-Soviet cinema.