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Royal Flash
Cowardly rogue Harry Flashman's (Malcolm McDowell) schemes to gain entry to the royal circles of 19th-century Europe go nowhere until he meets a pair of devious nobles with their own agenda. At their urging, Flashman agrees to re-create himself as a bogus Prussian nobleman to woo a beautiful duchess. But the half-baked plan quickly comes unraveled, and he's soon on the run from several new enemies who are all calling for the rapscallion's head.
Release : | 1975 |
Rating : | 6.3 |
Studio : | 20th Century Fox, Two Roads Productions, |
Crew : | Art Direction, Production Design, |
Cast : | Malcolm McDowell Alan Bates Florinda Bolkan Oliver Reed Tom Bell |
Genre : | Adventure Comedy Romance |
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Reviews
Surprisingly incoherent and boring
Simply A Masterpiece
I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.
A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.
I have been a Flashy fan since the first novel, and have read them all. So back when the movie came out, i was exited. It sounded so well. GMF doing the script, Lester directing and featuring a great cast. Reed, Bates, Macdowell and Ekland. It all sounded good. After all, Fraser and Lester had made the best musketeer adaption ever. Unfortunately they picked the weakest of the Flashman books. (To be fair it's a very enjoyable read, but compared to the others it comes out not quite up to standard). I guess they picked it because it could be made within a certain budget. No large battle scenes and it could be made in European locations. One can always debate whether MacDowell was the right choice. He certainly lacked the stature, but on the other hand he did project that natural insolence one would expect from Flashy. But they made it too silly in my opinion. Flashman may be a coward, but he is a trained soldier and should have shown more skill in sword fights. Parts of the movie works well though, just don't expect too much.
First and foremost- This movie is enormous fun.If you're a fan of the books (as I am - and if you're not then I heartily recommend them) then this film admirably captures the sense of fun and adventure that the books have. It has a lot of slap stick in it which doesn't necessarily translate well from the books, but it does capture a sense of (for lack of a better term) light-hearted love of fun that is pure seventies and just would not and could not be replicated now. Cinema just isn't in the right frame of mind for this anymore. It's either too serious or too dumb but it couldn't achieve this in it's wildest dreams in these morose joyless days.Malcolm McDowell is young and at the top of his game as his charismatic persona in "A Clockwork Orange". Olly Reed is pure, toe cringing (but love-him-really) badness as Otto Von Bismark. There's so much comedy but there are also scenes where your swashes will never be so buckled! Don't expect a Citizen Kane or anything even remotely close, just sit back and enjoy a classic "Saturday afternoon" romp (and never has a word been so well used) through a classic Flashman story- great baddies, exotic foreign locales and wenches ripe for Flash's advances! Enormous fun if you approach it in the right frame of mind- it will leave you shouting HUZZAR!
If you haven't read any of the Flashman series, go out and find one. Rollicking good read, with the protagonist being an absolutely selfish, cowardly, mean-spirited ass of a man who nonetheless finds himself considered a dashing hero by the public at large. Fraser does a good job of converting his book to the screen (writing Three Musketeers was probably good practice), re-teaming with Richard Lester. MacDowall is good as ol' Flashy, glossing over the fact that Harry is supposed to a large, strapping Brit, and not a skinny little guy like Malcolm. :)Enjoyable on its own merit, but I'd say read one of the other Flashy books and then see this.
Who else but that hate-to-love Malcolm McDowell could possibly do justice to one of literature's great scoundrels, Harry Flashman? In this George MacDonald Fraser spin-off of Thomas Hughes' classic Tom Brown's School Days, we are treated to some hilarious apocryphal tales involving such larger-than-life nineteenth-century figures as Otto von Bismarck and Lola Montez.This ripely visual Richard Lester production is sometimes a bit over the top, with gratuitous slapstick and audible guffaws and grunts. Nevertheless, on balance, a delightful romp, and a chance to see the wonderful Alastair Sim in one of his final appearances.