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Citizen Jane: Battle for the City
Writer and urban activist Jane Jacobs fights to save historic New York City during the ruthless redevelopment era of urban planner Robert Moses in the 1960s.
Release : | 2017 |
Rating : | 7 |
Studio : | Altimeter Films, JustFilms / Ford Foundation, |
Crew : | Director of Photography, Director of Photography, |
Cast : | Marisa Tomei Vincent D'Onofrio |
Genre : | Documentary |
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To me, this movie is perfection.
People are voting emotionally.
One of my all time favorites.
A waste of 90 minutes of my life
Writer/Journalist/Urban Activist: Jane Jacobs is the main subject of this documentary as it focuses on her battles against rapid redevelopment headed by urban planner Robert Moses in her home city of New York during the 1950s and 1960s.This film ably conveys Jacobs' intelligence in various ways: her unusual yet fascinating observations on how cities truly work (there is order within the 'chaos'); and her abilities to organize activist responses to proposals that negate city living. Her views and philosophies are expressed in various ways. They include audio and televised footage as well as the narration (by Marisa Tomei) from Jacobs' book "The Death and Life of Great American Cities" (1961).The viewer could end up feeling a mixture of optimism as well as pessimism from the history exposed in this film. On the one hand, Jacobs' victories (with much help) give hope. But there is despair after viewing the chronicling of "slum" neighbourhoods with vibrant communities being destroyed and replaced with housing projects that caused more problems than they solved. One feels grief not only for the loss of vibrant communities but also for the historical buildings that were destroyed - and replaced with bland ones.Jacobs moved to Toronto (where I've lived for over twenty years) in 1968 and was involved in a successful campaign to stop an expressway being built in the downtown area in the early 1970s. One can only wonder (and shudder) what she would think of the current state of this city since her passing in 2006 at the age of eighty-nine.She believed in progress as long as it mixed the old with the new and kept street life active. Downtown Toronto is losing many small shops, restaurants, and bars as they are being torn down for more and more massive glass condos. (It's strange to think that such blandness will be considered 'historical architecture' in the future.) During this process, sidewalks adjacent to the future condo sites have been reduced. So much for encouraging the street life so well lauded in this documentary. Also, in regard to condo buildings that have shops at ground level, they seem to have very little activity within them. (A similar point is made in "Citizen Jane" about parks near housing projects that were frequently empty.)Director Matt Tyrnauer has used the right mix of interviews, old footage, and music to make a fine film even for those of us who have minimal knowledge of urban issues. The footage of street life goes back to earlier decades - even as far back as the 1930s. The music by Jane Antonia Cornish has an edge that is usually used in thrillers. Perhaps, this is to imply that the monstrous mindset of the 50s and 60s has an equally evil grandchild (condo-ization aka vulgarization) in our current times that is taking over our lives today.....and we're all in that scary movie!In any case, this movie is encouraging me to read "The Death and Life of Great American Cities". From the quotes in this movie, the book still sounds relevant today - more than half a century since it was published.
Citizen Jane documents the battle between Urban Renewal and Urban Preservation, focusing specifically on post-WWII era New York City. It's painted as a classic David v Goliath story in which reporter/activist Jane Jacobs pits herself against the well-connected developer Robert Moses. It isn't a particularly suspenseful documentary - if you know anything about the current layout of Manhattan, you know the outcome - but it's still a highly educational piece that highlights many of the ongoing debates in the world of urban planning.Those living in small towns or rural areas may not get too much out of this doc, but anyone living in a major city will easily relate to its themes. If I have one complaint, it's that the filmmakers worked a little too hard to paint Moses as a villain. They touch a bit on his early idealism, but then lean into the portrayal of him as a greedy bully. Perhaps he was simply blind to the damage he was doing in his quest to re-build the slums and tenements? I suppose it's a compliment to say that this documentary left me wanting to know more.
Jane Jacobs and the successful battle to oppose Robert Moses' planned lower Manhattan expressway in the 1960s is the focus of this doc, but the film also raises general questions about the overreach of city planners who are too quick to tear buildings down and not very wise about the new buildings and highways that go in their place.It's a huge topic, so it was wise to focus here on Manhattan, where enough forms of political greed and poor planning took place to document the folly that went into projects that were completed, like the Cross-Bronx Expressway, along with some that weren't, like the prospect of bringing urban renewal to the West Village.Lots of footage Moses, Jacobs, and the wrecking ball and we'll put together from beginning to end.
I do not think this film did justice to the rich subject matter the filmmakers tackled. It was very vague and repetitive, with the same shots of buildings being torn down over and over again, and the same lines being repeated by the narrator several times over. Similarly vague lines are quoted from Jacobs' book. Unfortunately the parts they chose that were specific, such as the need to have 'eyes on the street' at all times of day, are not as relevant in the modern day, as there are so many forms of entertainment that people are not likely to sit on their porch or at their window looking out onto the street, even if it is active. They are more likely lying in bed writing a review on IMDb or watching Netflix. However, most of the exposition of Jacobs' ideas don't even rise to that level of specificity. As a result, the viewer barely knows more about Jane Jacobs' criticisms walking out of the movie than going in. The source of Robert Moses' power wasn't explained. Part of the film contains a smug attack on Le Corbusier only to correct itself latter when they said his ideas were misrepresented. They try to jawbone some feminism at moments but never really pursue the idea. The film gives the impression Jacobs won (in America, at least), but ignores that high rise apartments and condos are as popular as ever. The lively "street" that Jacobs defended is not present in these new developments. Communities have migrated online. So did Le Corb win in the end after all?Given the high reviews this received, I expected better. It did show Jacobs' beginnings as a journalist. And there were a few interesting clips of Moses justifying himself. The note he wrote after reading Death and Life was interesting. It shows he did in fact read the book. However, both her and Moses deserve a better documentary.