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The Josephine Baker Story
Biography of the African-American who became a major performer in the Paris cabarets of the 1920s and 1930s. The film follows her life beginning as a struggling performer in 1917 St. Louis, her frustrations leading to her move to France, and follows to her death in 1975. Written by John Sacksteder
Release : | 1991 |
Rating : | 7.1 |
Studio : | HBO Films, |
Crew : | Production Design, Director of Photography, |
Cast : | Lynn Whitfield Rubén Blades David Dukes Louis Gossett Jr. Craig T. Nelson |
Genre : | Drama History Music Romance TV Movie |
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the audience applauded
Nice effects though.
Don't Believe the Hype
Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.
In continuing to review African-Americans in film in chronological order for Black History Month, we're now at 1991 with HBO's biographical movie, The Josephine Baker Story. Before going on with my comment, I'd like to mention that star Lynn Whitfield is a native of the city I now live in, Baton Rouge, La. As the title indicates, this TV film chronicles the life and career of Ms. Baker, who rose from poverty in St. Louis to become the toast of France. In between, she tries and fails to integrate the U.S. (at least outside of her shows) and adopts lots of multicultural children to the consternation of her second husband. That husband-band leader Jo Boullion-was played by the late David Dukes who I remember first seeing as the man who attempted rape on Edith Bunker on "All in the Family". Other familiar faces that appeared here were Kene Holliday-who I remember as Baker on "Carter Country"-as musician Sidney Bechet, Louis Gossett Jr. as army leader Sidney Williams, Ruben Blades as Count Giuseppe Pepito Abatino-Baker's first husband, and Craig T. Nelson-who I first saw in Poltergeist-as columnist Walter Winchell who contributes to Baker's decline in the U.S. I'd also like to note Vivian Bonnell as Jo's mother, Mayah McCoy as Baker at 8, and Ainslie Currie as Baker at 13. All these performances and especially Ms. Whitfield's are excellent throughout. The director was the late Brian Gibson who briefly married Lynn and later guided Angela Bassett and Laurence Fishburne to Oscar nominations as Tina and Ike Turner in What's Love Got to Do with It. Like that movie, this one ends with real-life documentary footage. It's of Ms. Baker's funeral with her adopted kids attending. While I'm sure some liberties were taken in the depiction of Josephine Baker's life, the story flows so smoothly that one doesn't notice where those spots might be unless some viewers had read some of the books about her. So on that note, I highly recommend The Josephine Baker Story.
I remember many years ago reading Josephine Baker's biography, and looking hungrily at the photographs, trying to learn a little more about the woman who had used every ounce of energy and talent she had to serve her purposes-and how noble those purposes were. She could have lived a very comfortable life resting on her laurels, without taking the chances and responsibilities she took, but she did not. This movie does her justice, and it is truly a feast for the eyes and ears, as well as food for thought. Lynn Whitfield's performance is amazing, moving, exciting. It brings Glamor of mythic proportions into the living rooms of people, most of whom would never see something comparable today. It also brings twinges of embarrassment to me as an American, seeing the shameful racist treatment Josephine received in her own country, which she bore in a regally proud way. I had one thought as I was watching her in all her splendor and fame waiting for food that was not to be served to her at the Stork Club: How many of the racists who treated her so awfully were foolish or liars enough to call themselves Christians?
I enjoyed this movie but felt there was one major problem that prevented it from being an even better film. Even though Baker was VERY famous for her semi-nude dancing in France in the early 20th Century, showing these nude dances in the film make this a poor choice to show kids. And, the problem is, this is EXACTLY the audience that could really benefit from learning about Miss Baker. In other words, how can kids learn about a great African-American if their parents tell them they can't see the film because of its "high boobie quotient"? If they had used a few photographic techniques, they could have made this a PG movie and appropriate for all.Apart from this, the movie is very competently made. The acting and direction are fine. Give it a try and then try to get a copy of ZOU ZOU--a film actually starring Josephine Baker. Then, you can compare the bio with the real lady.
Josephine Baker (Lynn Whitfield) grew up in poverty and, at a very young age, displayed her talents on Vaudeville. Unhappy with the treatment of African Americans in the 1920's in her homeland, she travels to France and makes it big as an exotic dancer and singer. Loved by the Europeans, Josephine's manager/boyfriend (Rubin Blades) decides to have her return to Broadway. She fails miserably. Yet, Josephine remains a strong, outspoken person who soon takes her show on the road and turns heads. She also finds time to try to elevate the treatment of African Americans and to do acts of charitable worth. But, will Josephine ever be truly happy?This is a brief look at a complex woman. Her indomitable spirit is brought to life in Whitfield's strong performance. Josephine is remembered for her scandalous costumes and risque dancing yet, as this movie proves, she had much more to contribute to humanity. The performance by Blades is also top-notch. As for the costumes, they are revealing yet always stunning. In summary, this movie deserves an audience and one wider than the African-American community. On the next trip to the video store or library, give it a try. Viewers will be entertained as well as enlightened by Baker's admirable life story.