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Overrated and overhyped

Awesome Movie

A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

This movie was really a surprise. Great story and excellent acting. I was expecting a so-so movie, but still wanted to see it after reading a few reviews. Well, I'm sure glad I did see it. I enjoyed this film very much. Adam Beach, Evan Adams and Irene Bedard were wonderful in this film. The characters were well developed and Sherman Alexie wrote the screenplay in such a way that you were involved in these people's lives. Thomas' character is presented as a nerd at the beginning of the movie, but you begin to understand his emotions and wisdom as the movie rolls on. Victor's character starts out as seeming arrogant and a bully, but evolves into someone you would want to be acquainted with. This movie was a pleasure to see.

I love this movie because it gives me ideas how the Native Americans think and live in the contemporary world. I like stories about fathers, friends, and forgiveness. I enjoy jokes between Thomas and Victor. "John Wayne's song" touched my heart.When I saw this movie, I focused on the lives and the thoughts of the Native Indians. Victor asked Thomas, "You watched 'Dances With Wolves' more than a hundred times." He meant that the movie didn't portray an Indian's life exactly. The auteurs said, "Dances With Wolves is not an Indian movie" (Reel Spirituality, 198). Movies are powerful because they show how people unknown live and think. Movies are sometimes dangerous because they produce stereotypes. The Native Americans are sometimes victims of stereotypes made by Hollywood movies.M*A*S*H was "meant to teach its contemporary viewers about the irrationality and inhumanity of the Vietnam War" (Reel Spirituality, 32), but Korea and the Korean people became victims of stereotypes the TV drama created.I liked "Smoke Signals" because this movie changed my prejudice against Indians. I thought they were "stoic and like warriors," but I found that they were like everybody else. And I felt for the Native Americans because they were put onto reservations. They are like one of the lost sheep.

The more you try to describe a movie like Smoke Signals the likelier it is that you'll kill it. The story basically is about a son who eventually reaches some understanding concerning his father, who left the family years ago. The discovery and acceptance by the resentful Victor Joseph of his father's own unhappiness plays out in a road trip Victor and his friend, Thomas Builds-the-Fire, take from the Coeur d'Alene Indian Reservation in Idaho where they live to Phoenix to pick up the father's ashes. This sort of story has been so often turgidly overplayed by film-makers searching for "truth" that it's a surprise to find just how touching and humorous Smoke Signals turns out to be. The story may be about a search of discovery, but it's played out against the friction of reservation life in a white world. The humor carries a lot of irony but the dialog and situations are so gentle and natural that the inherent messages don't slam us about. There's no victim card being played here, just some truths told with the kind of underplayed honesty that makes ethnic humor, delivered by those same ethnic people, work not just for them but for those in a white world who are overhearing. Victor Joseph (Adam Beach) is a big, good looking young man who barely gets along, plays basketball and carries a chip on his shoulder. Thomas Builds-the-Fire (Evan Adams) is a scrawny, glasses-wearing young man who tells stories and talks about almost everything. Thomas has been raised by his grandmother. A fire killed his parents and it was Victor's father, Arnold Joseph (Gary Farmer), who caught Thomas, just a baby, when Thomas was tossed from a second floor window. Arnold Joseph was a big man, quick to laugh and quick to hit, maybe not a drunk but close to it. He denied being a hero. One day, when Victor was about 12, Arnold Joseph picked up and left. Victor never forgave him. When word of Arnold's death reaches Victor's mother. Victor decides he must get the ashes, but he doesn't have enough money. "Hey Victor!" Thomas says, "I'm sorry 'bout your dad." "How'd you hear about it?" Victor asks. "I heard it on the wind," Thomas says, "I heard it from the birds. I felt it in the sunlight. And your mom was just in here cryin'." Thomas has some money in a jar and offers it if he can come along. Off they go, hitchhiking, taking a bus, walking. Along the way, while Victor wrestles with his feelings about the father who left him, screenwriter Sherman Alexie and director Chris Eyre give us the kind of edgy smiles that are rare nowadays. "You gotta look mean or people won't respect you," says Victor to Thomas on the bus to Phoenix. "White people will run all over you if you don't look mean. You gotta look like a warrior! You gotta look like you just came back from killing a buffalo!" "But our tribe never hunted buffalo -- we were fishermen," says Thomas. "What!" says Victor, "you want to look like you just came back from catching a fish? This ain't 'Dances With Salmon' you know!" Yes, they return to the reservations with the ashes. Victor winds up learning a lot about himself as well as about his father. He learns a good deal about what Thomas reaches for with all the stories Thomas tells. We learn a lot about the value of a quiet movie with a fine screenplay and skillful direction. We learn about fry bread. And as Thomas says, when the going gets tough, "Sometimes it's a good day to die, and sometimes it's a good day to have breakfast." All the actors do commendable jobs, but Evan Adams is a standout. When he closes his eyes and starts to spin one of Thomas' stories, you don't really want him to stop. Adams has the challenging job of bringing us to the movie's close, emotionally and thoughtfully. "Do we forgive our fathers in our age or in theirs, or in their deaths, saying it to them, or not saying it? If we forgive our fathers...what is left?" Smoke Signals is based on Sherman Alexie's book of stories, The Lone Ranger And Tonto Fistfight In Heaven.

I saw Smoke Signals in my American cultures class. Seeing it from that point of view may have heightened my enjoyment of the film, but on its own merits it is still a fine film.Two young men, Victor Joseph and Thomas Builds-the-Fire, who grew up on a reservation together, set out to obtain the cremated ashes of Victor's estranged father, Arnold. These two are very engaging and fun to watch, thanks in no little part to the inspired performances by their actors. Like in any good film, their journey develops into something greater than picking something up. The ride director Chris Eyre takes us on is enjoyable and does not overstay its welcome.The entire cast and crew of Smoke Signals is Native American, giving it an interesting perspective, similar to movies like Thunderheart and Dances with Wolves. The audience is presented with contemporary life on the reservation, simply as it is. We get not just caricatures, but what feels like real people interacting with each other, living their lives. That alone merits a viewing of this film.Smoke Signals is a very solid, entertaining film that should be watched by anyone who wants to be aware of cultures in the United States or at the very least entertained.