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Slow pace in the most part of the movie.

The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

It really made me laugh, but for some moments I was tearing up because I could relate so much.

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

As a keen, passionate football fan who arrived on the scene way after the 'golden age' of football hooliganism, this particular genre of film really appeals to me.Awaydays is totally different to the laddish, almost comedic 'Football Factory' and the attempted honourable, noble portrayal of football hooliganism in 'Green Street' - Awaydays offers a negative, gloomy, dangerous view of a by-gone era, and refreshingly so.I thought the complicated bromance between the two main characters was acted extremely well, very believable. However, the running time of the film didn't allow for the complexity of their relationship to develop properly.The two other factors that really bugged me about this film were the fight scenes; a group of teenagers easily turning over gangs of fully grown men, and a fellow member of the gang killing the leader for no real reason - without any repercussions. The two were having a disagreement throughout the film over one of them selling heroin to other members of the 'firm', but the sub-plot was far too thin to make such a drastic action relevant.Overall, an interesting film offering a different insight into the 'casual' culture. The mood may be more in touch with the reality of that particular lifestyle, but a few major drawbacks prevent Awaydays from pulling off its intended significance and impact.

Another year, another film about football, and the cult that is hooliganism.This time, they have Stephen Graham in a del-boy jacket and cool moustache and a quite good soundtrack to try and sell the film. It all fails miserably.It's the everyday story of a young lad who is bored with life, is at a football match and sees some violence and wants in, and starts to ignore his family in favour of the football (or rather the fighting).it's your typically clichéd movie. and the one that stands out the most is the fact that the one who lets him into the group 'Elvis', is rejected by Carty halfway through.In the films favour though, it's realistically filmed, Bell is very good in his role,and Stephen Graham may as well change his name to Robert Carlyle, as now he will always be remembered for his role in 'this is england' as Carlyle is for Trainspotting.the story doesn't really go anywhere, we just see Carty sink deeper an deeper into the abyss, all the while not realising that Elvis is blatantly in love with him.there really hasn't been a good 'Firm' movie since Clarks TV drama 'the firm', and this is just another nail in the football movie coffin.give me when Saturday comes any-day

There seems to be some ill-will towards this tidy little parable and I cannot understand why.Maybe the Joy Division fanboys feel the material is misplaced but I contend the great soundtrack is only used to set time and place and does not work in reverse like some latter day music vid.Nor is it a 'hooligan' movie.My own reaction was that this is a terrific effort, both from a committed cast and production side who nail the period in perfect British bleakness.The football hooliganism feels like it is intended - a fantastical sideshow and not the main thrust of the film which centres around a lower middle-class lad's attempt for acceptance by a pack of working-class hooligans and the unrequited homosexual love between him and the pack's coolest member.Carty, said middle-class lad, ultimately is a tourist, and the film conveys this superbly while whipping us along for the ride.Pay little attention to those attempting to fold this boisterous creation into a pigeon hole; it stands on its own as a potent reflection of a sentimentally grim time in British culture.Entertaining, admirable and bittersweet. Watch it.

STAR RATING: ***** Saturday Night **** Friday Night *** Friday Morning ** Sunday Night * Monday Morning After the death of his mother, Paul (Nicky Bell) is looking for some direction in his life and thinks he's found it with 'the pack', a gang of football hooligans in late '70s Merseyside with a distinctive dress sense and tribal mentality. However, an encounter with former top boy Elvis (Liam Boyle) gives him an alternate view of them and the possibility of moving his life in a more positive direction. Elvis's dream is to escape to Berlin and lead a more fulfilling life and this is a direction Paul sees...but circumstances beyond his control drag him down with those around him and see his life thrown into chaos.As morally dubious as they are, 'hooligan' films certainly have their own cult following in the UK, although this dramatization of a late 70s Merseyside gang has received limited exposure. It's an admirable piece, without any funding from any of the big London studios (ah), and it's not translated particularly badly into a film. But that doesn't mean it works.The performances from the two lead actors are fine, as well as supporting actors such as man of the moment Stephen Graham in a smaller role, but who manages to have presence even with this. And it's an engaging piece of human drama, that manages to sweep you along with enough substance and depth to keep you hooked. But it's all lost on some weird art-house trip with itself, with slow, lingering close up shots of Boyle's bare chest and symbolism with red paint flowing between fingers representing blood, all done to a haunting Joy Division soundtrack. While it's stuck in this rut, the story becomes less engaging, the characters lose their depth and the film generally becomes a bit of a mess. Hardly a failure, but still a bit of a shame. **