Watch Hurricane For Free

I like the storyline of this show,it attract me so much

Excellent but underrated film

Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

If you've been keeping up with my reviews, you'll know I hardly ever review horror or disaster flicks. Since I have such a soft spot in my heart for Mia Farrow, I've sat through both rather scary genres. While I've conveniently forgotten all the spooky parts of Rosemary's Baby, Hurricane will stay with me the rest of my life.In the film, Mia Farrow visits a tropical island Alava—the movie was made on location in Bora Bora—to reunite with her strict, unyielding, and cold father. Jason Robards plays the dad, and it's not hard at all to see him as mean-spirited and unlikable. Mia isn't happy about Jason's treatment of the native islanders, and when she falls in love with Dayton Ka'ne, a servant, Papa Bear isn't happy.Obviously, as given away by the title, a hurricane strikes the island. The special effects are incredible. If you're an East Coaster and have lived through hurricane season, you might not be as petrified by this film, but I'm a Californian, and this film scared the pants off of me. It's absolutely terrifying, especially because the buildup to the disaster is such an innocent, sweet love story.Next to the special effects, Nino Rote's beautiful score is the most famous part of the movie. It's romantic, tragic, and totally perfect for the film. If you like disaster movies and want to hear some beautiful music, go ahead and rent this one. But if you're afraid of water like I am, just listen to soundtrack.

Have you heard the old LP or CD score for this film? It is one of the most exquisite suites of film music ever created. Memorable and infinitely playable at home. Friends say: "what is that lovely music?" and you say: "the love theme from Hurricane, you know, with Mia Farrow." They do not understand and you just keep sashaying about as you serve a tray of crackers with pineapple chunks. Sadly though, HURRICANE was a monumental disaster of its own when released in 1979. Here in Sydney Australia it played the 900 seat ASCOT Theatre, built for My Fair Lady (alas that never screened there) but found huge success with 70mm spectaculars like SWEET CHARITY and RYANS DAUGHTER, two films that struggled overseas but ran for over 12 months each in Sydney. Perhaps that was the reason HURRICANE went in, after all, the Ascot also had a 60ft cinema-scope screen, and HURRICANE looked as spectacular as SOUTH PACIFIC meets THOROUGHLY MODERN MILLIE, given this film was set both in the 1920s and on Bora Bora. Within 2 weeks, the distributor sent another print to the theater. Gone was half an hour, and HURRICANE shrank from 120 mins to 90mins overnight. Other comments here complain about how boring it is, but really, it isn't, HURRICANE is quite exquisite, a bit silly, and a lot beautiful... then whoosh, mighty seas and winds that see our ukulele crossed lovers up a tree. Great special effects, a church squashed by a freighter in the middle of the storm, and that heavenly plunking and strumming. HURRICANE deserves re appraisal and a DVD release with extras, set and costume pix and clips, and maybe Mia Farrow and Timothy Bottoms hosting a chat. It was made with real heart and basically is a slow tropical drama with a mighty windy finale. But that music! Oh! so sublime.

HURRICANE is not a great film, but it sure IS entertaining. Some of the scenes and situations are ludicrous (Jason Robards has the hots for his daughter, Mia Farrow) and the dialogue is often hilarious. But if you stick around, you'll find that the production values are astonishing. Among the talents behind the camera are Jan Troell (THE EMIGRANTS, THE NEW LAND), who directed; Sven Nykvist (cinematographer for many of Ingmar Berman's later films) who filmed on location in the South Pacific; and Nino Rota, who wrote a lovely, haunting musical theme. The performances aren't so bad (considering the dialogue) and the special effects at the end show you why this was one of the most expensive films of its day.

The only thing I liked about this film is Dayton Ka'ne. Perfect. But Mia Farrow was badly chosen. Miscast. They should have chosen a much younger actress. Dayton Ka'ne was in another film, completed in 1979, "Beyond The Reef" (1981) (Also known as "Shark Boy of Bora Bora" and "Sea Killer"), produced by Dino De Laurentiis. I sure wish "Beyond the Reef" was available on VHS and DVD. It would have been nice if Dayton Ka'ne had a longer acting career.