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Best movie of this year hands down!

It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

It is a whirlwind of delight --- attractive actors, stunning couture, spectacular sets and outrageous parties. It's a feast for the eyes. But what really makes this dramedy work is the acting.

This is Selander's first film for Producer Lyles and his best Western for years. Like all of Lyles' Westerns, the main fault is the pedestrian screenplay which features Andrews as the hired killer seeking revenge for the death of his wife at the hands of Bettger and Cabot. He finds them ensconced as sheriff and saloon owner respectively, from which positions they're bleeding the town dry. Thus Andrews can liberate the town as well as secure his revenge in a corpse-strewn finale. Jaeckel has a marvellous part as Bettger's sadistic deputy.Phil Hardy

An average and low-budgeted motion picture by prolific Lesley Selander , filled with presences of old Western-movie . Kansas 1879 , the life of sheriff Tom Rosser (Dana Andrews) , takes a turn when a bullet meant for him , from the gun of an outlaw called Lee Ring (Lyle Bettger) , kill's Rosser's spouse, Carol (Coleen Gray) , instead. Ring, had been sent by nasty Riley Condor (Bruce Cabot) , to kill Marshal Rosser . Two years later , the latter goes to Montana , supposedly to look over lands to but his agenda is to murder Condor and his gunslinging henchmen ; he then will use the law to eliminate him . Once there , he has to straighten out a few bad guys (Richard Jaeckel , Phil Carey , DeForest Kelley) led by Bruce Cabot . Rosser gets involved in shootouts , gun-play and betrayal . There he uncovers a land-grabbing plot led by the pillar of the community and Saloon owner . As Rosser is in town and Condor realizes that his hoodlums are no match for him , and he sets in motion a scheme to finish his power .This ordinary and sometimes laughable western is plenty of thrills , go riding , shootouts and suspense as the dreaded final showdown approaches and the protagonist realizes he must stand alone against impossible odds , as his fellow town people for help , nobody is willing to help him ; meanwhile he attempts to clear a dark issue . This routine Western has the customary story of a sheriff-for-hire who takes the law on his own hands and based on a story and screenplay by expert Frank Gruber. It begins as a slow-moving Western but follows to surprise us with dark characters and passable plot . This short runtime tale is almost ordinary , a pacifier comes to a town just in time to make sure its citizenry but later the events get worse . Although made in low budget by the producer A.C. Lyles , it has its good moments here and there . Acceptable acting by Dana Andrews as a town-taming gunman-for-hire who takes a dangerous job . Notable for the presence of old Western-movie veteran such as Pat O'Brien ,Lon Chaney Jr. , Bruce Cabot , Lyle Bettger , Richard Arlen , Richard Jaeckel , Philip Carey , Sonny Tufts , Coleen Gray , DeForest Kelley ,Don 'Red' Barry , Barton MacLane , Bob Steele , and James Brown . Atmospheric and colorful cinematography in Technicolor , though is necessary a remastering.This horse opera was realized in low-budget by producer A.C. Lyles and distributed by Paramount Pictures . Lyles produced a lot of Western in short or average budget such as ¨Black spurs¨(1965) , ¨Apache uprising¨(1966); ¨Johnny Reno¨ , ¨Waco¨ , ¨Red Tomahawk ¨and ¨Hostile guns¨(67) , among others ; many of them directed by R.G. Springsteen or Lesley Selander and starred by old glories such as Dana Andrews , Rory Calhoun , George Montgomery and Howard Keel . This quickie was middlingly directed by Lesley Selander , a craftsman working from the 30s . Selander is generally considered to be the most prolific director of feature Westerns of all time, with at least 107 to his credit between 1935 and 1967 . He realized his first feature in 1936, a horse opera , genre in which he would not only excel but one where he would spent much of the rest of his career . He began in this genre with series starred by Buck Jones and ¨Hopalong Cassidy¨ series starred by William Boyd such as ¨Silver on the sage¨ , ¨Three men from Texas¨ and ¨Wide open town¨. In Republic production he directed his better movies such as ¨Panhandle¨and ¨Stampede¨ starred by Rod Cameron and in RKO he directed Tim Holt in 20 films such as ¨Rio Grande patrol¨ and ¨Overland telegraph¨. He subsequently shot B-movies such as ¨Fort Vengeance¨, ¨Arrow in the desert¨, Shotgun¨, ¨Town tamer¨ and his last picture ¨Texas Kid¨. Although Selander couldn't be deemed an "A"-list director, his movies had a professionalism and a verve that many of those made by his fellow B directors lacked . He also filmed detective thrillers , action/adventure motion pictures and even a horror film or two . Rating : 5,5 . Acceptable and passable , though mediocre ; being of interest for star-watching only .

"The Town Tamer" was another of those nostalgic westerns produced by A.C. Lyles featuring a cast of recognizable performers from the past. Modestly budgeted and filmed in color and wide screen they gave many of the performers their last hurrahs.This one was directed by veteran "B" western director Lesley Selander and is the story of a veteran town tamer marshal Tom Rosser (Dana Andrews) who is hired by the railroad boss James Fell (Barton MacLane) to clean up a town that soon will have the railroad coming in.The town is under the control of gambler Riley Condor (Bruce Cabot) with whom Rosser has an axe to grind. The town marshal (Lyle Bettger) also has a past he wishes to hide. Rosser meets Susan Tavenner (Terry Moore) on the stagecoach into town and takes a liking to her. Unfortunately, she is married to a tin horn gambler (Deforest Kelley) who is also a wife beater in the employ of Condor.The town mayor/livery stable owner Charlie Leach (Lon Chaney Jr.) and doctor (Richard Arlen) are trying to raise a vigilante group to take back their town. Condor on the other hand has Deputy Johnny Honsinger (Richard Jaekel)and gunfighter Atkins (Phil Carey) and several allies lined up against them. Rosser not now being a lawman, wants to kill Condor "in his own way".In addition to those mentioned above, several other veteran performers are in the cast. Pat O'Brien, in an all too brief appearance, plays a dishonest judge, Sonny Tufts and Bob Steele as Condor's vigilantes, Jeanne Cagney as café owner Mary Donley, Donald Barry and Robert Ivers as Texas cowboys and James Brown and Richard Webb as railway workers. Veteran stuntman Dale Van Sickel, who plays a bartender, can clearly be seen doubling for Dana Andrews in the fight scenes.There's plenty of action including fights, bushwhacking and gun play to satisfy the viewer. It's better than most of the similar films of the period due in large part to the veteran director and the large cast of seasoned veterans.

Producer A.C. Lyles made a spate of westerns in the mid-'60s that employed a lot of veteran actors who were, frankly, too old to get work anywhere else. While it was nice of him to give them jobs, the least he could have done was to not embarrass them, and I'm afraid that's what most of these movies do, especially this one. It's about a marshal hired to clean up a town, and the troubles he has and some long-ago secrets he's afraid might come out. Dana Andrews, like pretty much everyone else in this picture, is too old for the part; he was almost 60 when he made this, and age and a lifetime of drinking problems (which he has freely admitted to) had taken a toll on his physical appearance. He's just not even remotely believable as the kind of fast gun you'd hire to clean up your town. Although the cast is filled with old veterans, only a few of them, notably Lyle Bettger, can muster up the energy to turn in good performances. It's not their fault, of course, and the hack script and limp direction by Lesley Selander (who himself was 65 years old by then and had been making B westerns for more than 30 years) doesn't help either. The film has the look of someone who got some old friends together and said, "Let's make a western." While that may be a nice gesture, it doesn't make for a good movie. This one isn't. Avoid it.