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P.J.
Reluctant New York City private eye P.J. Detweiler is hired as a bodyguard to protect Maureen Preble, the mistress of shady millionaire William Orbison. In truth, Orbison plans a deadly intrigue in which P.J. is to play a central part. Meanwhile, complications ensue as P.J. gradually falls in love with Maureen. (Wikipedia)
Release : | 1968 |
Rating : | 6.4 |
Studio : | Universal Pictures, |
Crew : | Art Direction, Art Direction, |
Cast : | George Peppard Raymond Burr Gayle Hunnicutt Brock Peters Wilfrid Hyde-White |
Genre : | Drama Action Mystery |
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That was an excellent one.
This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.
Ok... Let's be honest. It cannot be the best movie but is quite enjoyable. The movie has the potential to develop a great plot for future movies
The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.
This is an excellent PI film of the late 60's. George Peppard is perfect in the lead as the classic Private Eye, world weary but basically honest. A Korean War vet who describes that conflict as World War II&1/2. He takes on a job for a ruthless tycoon played by Raymond Burr to protect his truly gorgeous mistress, the ravishing Gayle Hunnicutt, and of course the plot thickens. Great scenes of the old somewhat seedy New York that I grew up in. I loved the description of Red Hook, "by the river, in the river if you're not careful" Nice contrast with the Caribbean locales later on. Well cast with a tight yet witty script and no nonsense direction. I'm surprised that there were no sequels or TV spinoffs. Maybe not so good as the classic " Maddigan" , which deals with New York around the same time, but well worth a look.
I would like to see P.J. again. I need one more time to make sense of the ending. I saw it twice when it first came out. The second of these two times was on a U.S. Navy ship, and the gay leather bar scene had been removed, presumably to protect sensitive sailors; in the edited version P. J. suddenly appeared beaten up with no explanation. (The irony is that a gay leather bar is a very subdued place, where the only fights are non-physical disagreements over china patterns and over recipes.)What I remember forty years later are several scenes: the bad guy dragged by the departing subway train; the gay bar scene, of course; and P.J.'s paying hubcap thieves to protect his car. Yes, I'd call it gritty.
I saw this film as New Face In Hell when it was first released and enjoyed it, in fact I saw it over 10 times I thought it was that good. I remember it was very realistic especially in it's depiction of violence. The scene were he gets beaten up in a gay bar and manages to get to the juke box and play an all American record was very daring particularly here in Britain. I thought that George Peppard made an excellent private eye, cleaning up someone else's crap, I think he compares very well with Humphrey Bogart. I haven't seen the film for years and doubt very much if it will ever be shown in it's original release form here in the UK.
I saw this movie many years ago and it has stuck in my mind. I have always felt that someone made a huge mistake by not having George Peppard reprise this role for a TV series...it was classic George Peppard...definitely at his best. It is my understanding that it has never been released on video, DVD, etc. If someone knows otherwise, I would certainly like to know, too. After all, we don't have George Peppard or Raymond Burr anymore and they were both excellent in this film. The character seemed to be created just for George Peppard and he was certainly up to the challenge. I have seen clips from this movie used in later films (i.e., the scene of the car coming down the mountain with no brakes and him running it along the wall on the right and into garbage cans, etc. on the left). Wish I could see the whole movie again.