Watch Any Gun Can Play For Free

one of my absolute favorites!

It's not great by any means, but it's a pretty good movie that didn't leave me filled with regret for investing time in it.

If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

I don't get why some Spaghetti Western critics and fans said that this film directed & written by Enzo G. Castellari, with some help from co-writers, Romolo Guerrieri & Tito Capri is a complete rip-off, of director, Sergio Leone's 1966's masterpiece, 'The Good, the Bad, and the Ugly'; when in truth, it's really does not mirror that film that well. Don't get me wrong, the concept of three corrupt gunmen having to team up, and double-crossing each other in a cat and mouse game, in order to find ambiguous clues of the whereabouts of a hidden treasure, does sound familiar. Plus, the way, this film was shot, with certain scenes in very extreme close up or drawn out to stage gun sequences, with hands slowly reaching the holster, might look like it came from Leone's work; but the similarities end there. For starters, this movie doesn't have anti-war message, like the others, as the film isn't set during any period of historical wartime. Also it doesn't focus, too much on military supporting characters and their sense of morality. They barely made appearances after the first half. Instead, the movie focus on a group of bankers, and their morality bankrupt ways in getting the gold; along with Mexican gang members who willing to betray, one another for the chance to get near it; as surrounding characters. Another big different is that this movie doesn't do a good job, deconstruction the old west romanticism like Leone, did with his gritty, over violent action sequences. This film somewhat lost some realistic ground, with it's over the top cheesy fake-looking gymnastic trampoline style stunt work & pulp adventure style sound effects during fist fights. There are even comedy sequences where people fight in their underwear, in a bathhouse, and in a saloon with a midget helping out the protagonists. It's all quite ridiculous. Plus, these scenes practically derail the main story, as it adds to the runtime, as mindless filler. Because of that, it made the movie, so badly paced. Nevertheless, my main beef with this movie; is that the director doesn't seem to know exactly how he wants to approach the subject manner. It's felt like a hodgepodge of childish comedies and adult driven dramatics. The direction was all over the place; making it, very jarring to watch. Regardless of that, the movie is very well shot. I like, how the director & his crew aren't unafraid to try different new things with their camera. A great example of that, was the reflection in the spilled wine scene; with one of the main character's entrance being shown in a vivid reddish background; like dip in blood. Another series of amazing shots was near the opening of the film, with the train chuffing along the railway tracks in goldish dusk with distant mountain peaks rearing up dramatically in the background. It was spectacular. It gave the audience, a sense of foreshadowing, on what would happen, next. The ambush action sequence, that follow it, was truly, the best scene in the film. Sadly, the climatic Mexican standoff scene toward the end was not so memorable. It was highly buffoonery. Still, I have to give, props to the main trios of actors. You never know what their characters were going to do or say. George Hilton's wry and scuffed turn is solid as the ambiguous stranger was decent. Italian's Gilbert Roland adds presence and weight to the film and is effectively sly and dangerous as Montero. Not only that, but Roland also brings class and intelligence to his role. He look & felt like sophistical, Clark Gable-like villain. By far, the best performer in the film. While, Byrnes's boyish hair look quite ridiculous, the actor gives a poised performance as Clayton. It still holds up well for somebody that started his career in soaps. As for the rest of the supporting cast. Gerard Herter, Pedro Sanchez and Ivano Staccioli provide able support. While, Stefania Careddu AKA Kareen O'Hara doesn't get much to do. She truly was nice eye candy. In the end, the film had very excellent performances, overall. As for the music. The composition by composer, Francesco De Masi was a mixed bag. The opening song was catchy with it simple lyrics and loud guitar riffs. Yet, the circus like music that played during the fistfights felt bizarre and highly dopy. As for the rest of the music, it felt very average & somewhat forgettable. Not as iconic, as composer, Ennio Morricone's music from 'the Good, the Bad, and the Ugly'. That's for sure. Still, I kinda dig how this movie opens up with three minor caricature of characters from that movie getting gunned down by 'the Stranger'. While, this scene was indeed pointless, as the rest of the film has nothing to do with it. It was a really well-done moment that tries to show, that there is a new badass in the Wild West, even if this later movie isn't as well known. After all, this film did it, a lot better, than the awful opening to 1967's 'Little Rita of the West', which really lampoon, the genre, by having a pop singer kill the well-known harden criminals. It's just sad that there isn't much, good picture & audio quality copies of this film, out there. A lot of the lower priced DVDs will have distinct audio hissing & poor color saturation. Some of them, like the cheap box set collections from Mill Creek and St. Claire are really in bad shape, as they're not presented in widescreen nor great dubbing. Then, there are those foreign DVD copies, under the film's alternatives titles 'Blood River', 'Glory, Glory Hallelujah', '300.000', 'For a Few Bullet More', 'Go Kill and Come Back', that impossible to watch, due to how out of sync, the languages are. Regardless, if you can find yourself, a good copy. This movie is still worth the watch, even if some of the action scenes & jokes don't leave you with a bang.

Bounty killer George Hilton, smooth Mexican bandit Gilbert Roland (who's great), and bank representative Edd Byrnes each try to outwit one-another while searching for a large amount of gold from one of Roland's train robberies that was hidden by a treacherous member of his gang.Though not the greatest that the genre has to offer, It's still breezy enough with a lot of light-hearted, action-filled fun and a satisfying finale.Any Gun Can Play is mainly remembered for it's opening gag where George Hilton easily guns down three outlaws resembling Clint Eastwood, Lee Van Cleef, and Django.The next year, Hilton and Roland were reunited alongside Van Heflin and Klaus Kinski in the highly recommended The Ruthless Four.

There's considerable amount of money behind this production, so the look of it is very good. It includes some interesting appearances by Gilbert Roland, Eddie Burns, and a brief cameo at the beginning by Christopher Lee. There are a few exciting gunfights, and a humorous bit or two - the satire on Django, the Man with No Name, and Sabata is amusing, especially when they are given the names of failed presidents of the Mexico revolution.The trouble is, there isn't any purpose in satirizing the Spaghetti Western as is attempted here. The key element in the Spaghettis is IRONY, which easily blends into comedy; in fact the source of all Spaghetti's is Kurosawa's Yojimbo, which is universally recognized as one of the great black comedies of all time, and most Spaghettis easily slipped over the edge into real comedy of a very sophisticated variety. Perhaps the best evidence of this is found in the Trinity films, which are both openly Spaghettis and openly slap-stick comedy. So why bother satirizing a genre that - by its very nature - satirizes itself? Consequently, I found the whole enterprise essentially unconvincing. None of these characters were people I would ever care about, the story was generically cliché, and the production values only reflected the money involved, not the passion of the director. Over all, a banal and futile effort to cash in on the phenomenon it mocks.

"Any Gun Can Play" probably has more 'vamanos' and 'andeles' than any spaghetti Western out there, while mixing in it's share of black hats, stogies, beards and ponchos. The opening scene is a blast, it will make you sit up and take notice of some familiar, yet unfamiliar characters who aren't around long enough to worry about. The film keeps you guessing as to the relationship of it's three principals, as alliances are made and broken with tenuous regularity, with bandit Monetero's lady even switching sides when it suits her.I got a kick out of the way the self proclaimed 'Stranger' (George Hilton) kept raising the ante on the reward for Montenero's (Gilbert Roland) capture, and wondered if the authorities were on the same page. Even though Edd Byrnes' 'kookie' persona kept intruding, he still managed to maintain a sufficiently duplicitous posture as banker Clayton. The slick move he pulled with the spilled drink to catch a reflection struck me as surprisingly clever. The best though was taking up the pugilistic stance to mix it up with the Stranger, that was hilarious! The movie has some outstanding cinematography purporting to be the border of Mexico and it provides a great scenic backdrop to the action. The 'tres cientos mil' dollars at the core of the story is never seen until the end of the picture when it showers the principals and even then, I had the impression that if the three hombres had it to do all over again, it might have gone an entirely different way.