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To me, this movie is perfection.

This is a tender, generous movie that likes its characters and presents them as real people, full of flaws and strengths.

At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.

Lee Tracy very often played snappy talking reporters and the like in the 1930s and he was the best at it. So, I wasn't surprised to see him playing a roving reporter in this one. And, I wasn't all that surprised to see him constantly getting the scoop on the other reporters. But what surprised me was the character Mary (Diana Gibson). She was one of many reporters who were out-reported by Eddie (Tracy) so she would deliberately sabotage Eddie and helped to effectively ruin his career. This did not make her cute or funny...just a nasty spiteful girl pretending to be a lady. Eventually, her nasty ways got the better of her when she sabotaged one of his scoops--only to get herself kidnapped in the process. And guess who has to come save her? Yep, Eddie.The bottom line is that I liked Eddie--he had initiative and spunk. But Mary was a hateful character--and made this about my least favorite reporter film with Lee Tracy. Not a terrible film but her character sure detracts from it...as I kept hoping the kidnappers would just kill her!

For an hour-long B-movie, BEHIND THE HEADLINES (1937) has a lot going for it. Reporter Lee Tracy, wired for radio transmission, brings news right into people's living rooms, without the necessary delay of printed newspapers. He's always on the front lines, broadcasting live from the scene. His up-close reporting from inside a burning building not only thrills the public, but saves several lives as well. Diana Gibson, Tracy's ex-flame, and the other newspaper reporters are tired of being scooped by the man with the microphone.The radio reporting is an interesting angle for a reporter vs. reporter flick, and adds excitement to the plot, which involves a gold bullion heist. Tracy is in top form as the cocky newshound who knows all the angles. Gibson is feisty and very pretty as his competition, calling to mind perhaps Eleanor Parker by way of Binnie Barnes. Tom Kennedy, the lovable Gahagan in the "Torchy Blane" series, plays Tracy's lovable sidekick Tiny. The movie's got thrills and chills, crosses and double-crosses, a fire rescue, an armored car robbery, a blimp, a kidnapping, a fried chicken stand in Kentucky, and the rare opportunity to see amiable character actor Donald Meek play a villain. All this with the historical backdrop of the establishment of the U.S. Bullion Depository at Fort Knox.Not your usual second feature.

Last month, TCM showed about a dozen Lee Tracy films, largely forgotten today (I managed to tape most of them), and I'm now working my way through them. Tracy's patented persona at the time--wisecracking newspaper man who gets by on his wits more than his brawn--is put to good use in this bottom-of-the-bill 1937 programmer from RK0. Tracy is an ex-newspaperman who has gotten into radio newscasting--not Winchell-style commentating, but on-the-spot live coverage of news from the scene. His assistant is the wonderful comic Tom Kennedy (see my review of FREE RENT, a Columbia short done with Monte Collins). His old newspaper colleagues do not appreciate being scooped by him and don't care for the exciting nature of his reporting, which makes their dry written articles seem irrelevant, so they are actively sabotaging his work. Add to that an ex-girlfriend who is a top reporter at one of the major papers (played by the little-known Diana Gibson, who seems to have been in films for four years and then vanished) and who spars with him throughout. Tracy and Gibson both stumble across a huge gold robbery about mid-way through the film, which propels everything to an exciting climax. Don't ask any questions about character motivation (Gibson's character starts off completely unsympathetic, but eventually softens up) or plot consistency--this is a b-movie that was undoubtedly just a day's work to its writers, who basically manipulated stock character types and movie conventions. Fortunately, with a colorful star like Lee Tracy, there's snappy dialogue and his ability to capture audience sympathy. In some ways, this reminded me of a slicker, more studio-bound version of the Frankie Darro-Kane Richmond action films being made across town at the Ambassador-Conn studio around the same time. BEHIND THE HEADLINES is no classic or hidden gem, but with as much reality present as in a Republic serial, and with Tracy's spirit of fun, it's an entertaining way to kill an hour.

This is a typical Lee Tracy second feature from the late '30s, no great shakes, but better than you'd expect. Lee plays his usual role, the fast-talking, slightly amoral reporter Eddie Haines, this time, however, for a radio station. He continually scoops the paper-bound journalists of the New York Star, much to the vexation of ex-girlfriend Mary Bradley, a lady reporter more than reminiscent of Lois Lane. Unlike Lois Lane, Mary Bradley, as played by Diana Gibson, does a pretty good job of looking after herself- in fact, she contributes more towards her rescue than Eddie. I was surprised how much I liked Diana Gibson- she's cool, classy and understated, without the eye-rolling dramatics of Lee Tracy's other co-stars. The scene where she's held captive in the armored car, broadcasting her location to the FBI, is quite nice. And the ending scene with Lee Tracy- where she finally gets the last word- is a real hoot. Tracy is cute and amusing, as always, but for some reason I remember Diana Gibson's performance more. It's worth checking out on TCM sometime, where they broadcast it occasionally.