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Very very predictable, including the post credit scene !!!

Good movie, but best of all time? Hardly . . .

If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

This movie reminded me the Taxi Driver Class of movies , this is a nonstop road-trip to real life without lies , it is an honest creation that passes from "why to me?" to "happened to us too".It jumps from the ego and falls to the person next to you.This is not an easy trip as it looks.The reward about understanding this, is "happiness" real happiness without lies the happiness of living.I really liked this film to say the truth there's been a long time to see such an honest film .Dont miss this it worths your time.People on this film worked hard to achieve the purpose and it is obvious not like other garbages that circulating on the market today.Also there's a question "Can i ?" and the answer is "Why not?".Think about it.

I follow film websites and picked up a film festival buzz about this movie. I spotted it on Fios pay-per-view and said "what the heck." I like micro-budget films if they are original (being from Baltimore, check out our home boy Matthew Porterfield).That said, this movie enthralled me. In my youth in the 60s and 70s, I spent a certain amount of time on the road. I hitchhiked from Boston to Provincetown almost effortlessly in 1972. I traveled all around the Baltimore/D.C. area on my thumb. I fear those days are over. Not sure why. But I met a lot of interesting people along the way.Anyway, a lot of those reminiscences came back watching "Bass Ackwards." Linas, our hero, has basically gotten kicked out of Seattle. No one there who he thought he was tight with wants him around anymore. He ends up on an alpaca farm to make a few bucks and the owner is glad to give Linas his rattletrap VW microbus, a ridiculous vehicle in any man's motor pool. Linas hits the road.Linas' parents are glad to hear he's on the way home to where they live in Boston. But you can tell they are dubious over what he's up to. They definitely do not want him as a permanent boarder.Bottom line, Linas is leaving nowhere and headed nowhere. All that matters is what happens to him along the way. And interesting things happen. He picks up and befriends a guy with heavy marital baggage. He flirts with a girl he does not know is married and ends up in a punch-out. He runs out of gas and has to do a Christopher Walken imitation in Lithuanian to get the gas he needs (I kid you not).It's not much of a spoiler to say Linas lands in an intriguing place in NYC and we see the beginnings of his new life. In fact, the movie ends abruptly where you are really curious what come next. Nevermind. He'll be OK.This is wonderful independent American cinema. And, one of the best American road movies ever made.

Saw Bass Ackwards this weekend at the Waterfront Film Festival, but ended up leaving about 15 minutes before the movie was done due to boredom. I watch a lot of films and this is the first time I've walked out early.There were way too many scenes of the Vw Microbus getting passed by semi-trucks on the highway. It was funny for the first few times and then just became insulting. I think a three year old would have understood the point that it was a slow and frustrating vehicle well before using the same gag about 10 or 15 times.There were a couple entertaining moments he had with the service station guy "no speak English" and Linas' Christopher Walken impersonation.

Bass Ackwards is a film that as of right now seems to be going under everybody's radar. I found it by chance while researching released films from this year that I have not yet seen, and man, am I glad I found it. At times it reminded me of Last year's Wendy and Lucy, but without the added drama I found came along with that film. Other times it reminded me of Sean Penn's Into the Wild as the story follows one man on the road always searching with an open heart.What this film has however, that both these other excellent films do not is a soul that Hollywood rarely touches upon and an acutely fitted soundtrack reminiscent of Neil Young's score to Dead Man. All these things, plus a foreign language Christopher Walken impression make this little gem of a film shine like a newly unearthed diamond