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The Shiver of the Vampires
A young honeymooning couple stop for the night at an ancient castle. Unbeknownst to them, the castle is home to a horde of vampires, who have their own plans for the couple.
Release : | 1971 |
Rating : | 5.6 |
Studio : | Les Films Modernes, Les Films ABC, |
Crew : | Art Direction, Camera Operator, |
Cast : | Sandra Julien Michel Delahaye Marie-Pierre Castel Nicole Nancel |
Genre : | Horror |
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It is not deep, but it is fun to watch. It does have a bit more of an edge to it than other similar films.
Not sure how, but this is easily one of the best movies all summer. Multiple levels of funny, never takes itself seriously, super colorful, and creative.
Story: It's very simple but honestly that is fine.
A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.
Isa (a charming performance by the fetching Sandra Julien) and her husband Antoine (a likable portrayal by Jean-Marie Durand) are a recently married honeymooning couple who stop for the night at a moldy old castle. The couple discover that the castle is the home of a horde of vampires who have very special plans for Isa. Director Jean Rollin, who also co-wrote the offbeat script with Monique Natan, relates the cheerfully outré story at a hypnotically gradual pace, does his usual ace job of creating and sustaining a dreamy'n'trippy oddball atmosphere, smartly explores an intriguing theme about destiny, and makes the most out of the rundown castle and adjacent spooky cemetery locations. Moreover, Rollins not only further spices things up with a generous sprinkling of sizzling lesbianism and yummy female nudity, but also gives the picture an extra delightful lift with an amusing sense of playful humor and a few startling moments of inspired surrealism (for example, the vampiress who pops up inside of a grandfather clock). The game cast have a ball with the idiosyncratic material: Jacques Robiolles and Michael Delahaye contribute engaging work as a pair of cordial and jolly vampires, cute brunette Kuelan Herce and adorable blonde Marie-Pierre Castel are very sexy and appealing as loyal maids who work for said vampires, and Nicole Nancell cuts a marvelously wicked figure as calculating man-hating bloodsucker bitch Isabelle. Jean-Jacques Renon's striking cinematography makes impressive use of bold and vibrant color. The funky-throbbing score by the prog-rock group Acanthus hits the get-down groovy spot. A real weirded-out blast of an entertaining avant-garde item.
A newly-wed couple unwisely decide to spend their honeymoon in an old castle, wherein the frigid and not at all up-for-it bride discovers the joys of Sapphic undead love thanks to the lovely Isolde, a slightly malnourished vampiress who lives in a grandfather clock. Also participating in this feast of Gallic ghoulishness are a pair of pretentious philosophising vampire brothers, one of whom is for unstated reasons best known to himself attending this particular Halloween party dressed as Austin Powers.Not a lot else happens, to be honest, but there is much enjoyment to be had here: a gorgeous shot of a slain dove, its crimson blood spattering a coffin; the fey vampires' beautiful maids, scantily clad in diaphanous cloaks and not a lot else; interesting set dressings like a skellington fishtank; and a pounding bass-heavy jazzy score. The random ending, which finds the cuckolded and jilted for a corpse bridegroom firing his weapon uselessly into the air, could possibly have meaning read into it by those with a media studies degree and the inclination to use it, but personally i'm just in it for the sexy vampire chicks. And if you are of a like-minded persuasion, you can't go wrong with Rollin.
"Les Frissons des Vampires" can't be considered, in the strict sense, a horror film, because there are no suspense and/or scares waiting for the viewer. What the film has to offer is atmosphere, plenty of atmosphere. The plot is thin: a couple arrives in a castle, in order to pay the fiancée's two cousins, a visit (they were once brave vampire hunters, but one night they fell in battle, and became afterwards enthusiastic vampires). These cousins, together with their team (two beautiful servant maids and a solemn vampire girl that emerges out of the most unexpected places), prowl around the innocent guests. This stuff could lead to a really suspenseful film, but I guess that was not Jean Rollin's intention.The lighting effects create beautiful night colors. Every new night, bathed in a different color - the castle - a visual leitmotif. The conversations are frequently literary (especially the two philosopher vampire cousins) and a self-parody - not to be taken seriously. Delicate camera movements, strange angle shots, various colored lights flooding landscape, castle and graveyard.... the idyllic prog rock of Acanthus..... the fog grows and spreads in wonderland.We should relearn to watch films. "Les Frissons des Vampires" is slow-paced - maybe if you just relax and don't hang too much on the story, you may experience the film - enjoy its gorgeous colors effects, its poetic-humoristic dialogues (spoken in French, a very sweet language) and its bizarre atmosphere.Welcome to the fantasy world of Jean Rollin. Give free reins to your senses and imagination. Dive in.
Leave it to the French to make an artsy-fartsy vampire flick. A heavy emphasis on atmosphere, decor and sex while devoid of any substance. Pretentious acting, weak direction and a mediocre script. On the plus side, the score is kinda groovy and the naked babes (it's a French film, after all) make it easier on the eyes, though not enough to recommend.