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Simply Perfect

Boring

The joyful confection is coated in a sparkly gloss, bright enough to gleam from the darkest, most cynical corners.

By the time the dramatic fireworks start popping off, each one feels earned.

Thank you TCM for airing this 1953 offbeat adventure drama, no doubt filmed to showcase the exotic beauty of talented Rita Gam. Her portrayal of the outcast Moroccan girl, Saadia, is worthy of one of today's "action heroines" - she rides bareback, she brawls, she is brave, tough, resourceful, and beautiful. Part of the problem with the movie's reputation may be the early 1950s novel on which the film is based, "Checkmate to Destiny: The Story of Saadia" by French writer Francis D'Autheville - it's a multi-layered work that combines adventure, colonialism, and culture clashes in post WWII French-governed Morroco (think Lawrence Durrell meets Khaled Hosseini) and was way ahead of its time. Though the dialog is somewhat stilted, it is remarkable how respectful it is, for the 1950s, towards Arab culture, avoiding most of the obvious stereotypes. Lushly filmed in color by MGM, on location, with excellent stunt work, this film absorbed me immediately. Worth seeing!

Sometimes one is so pleasantly surprised by a film and this is one of those rare gems that surpassed my expectations.This is a deeper movie than most of the type coming out of the 1950s.I don't know if it came from the novel or the mind of Albert Lewin but there are some deep insights into the human psyche in this film.Both Rita Gam and Wanda Rotha are stunning beauties and I've always loved Cornell Wilde which is why I watched the film rather than turning it off as I had intended. Mel Ferrer has a weak moment or two, especially in one scene he merely is reciting his lines not ACTING them. Yet Ferrer is quite good and I can see, now, why he was so popular and a heartthrob.This film has action, quite well done I might add, really capable horsemanship, great scenery and costumes, as well as one of the more mature approaches to primitive superstition that one will come across.Just a delight and I have to say, yet again, THANK GOD for TCM.All in all a MOST delightful 80 some odd minutes of entertainment.I full intend to purchase the DVD of this film and if the book is in print that also.The film is either 82 or 87 minutes depending on who is right, IMDb or TCM

It is hard to believe that this movie was released in 1953. It feels more like 1933, except that it was filmed in color. The story fits 1933 better than 1953--in fact, if it had been released in 1933 but set 50 years earlier, it would be a perfect fit.Somehow, a story involving witchcraft in 1953 just doesn't fly.Saadia is supposed to be mysterious. Mostly she seems tongue-tied. She seems more capable of heroics than the menfolk in the movie, however.There must have been a solid budget behind this movie, and it shows, but the story is so peculiar that the production values don't help.Watch it as a curiosity.

Rita Gam was an exotic looking beauty who shot from a bit part in her first movie (as "The Girl") to the female lead in this, her second film. How does one rise so rapidly through the Hollywood ranks? Perhaps being married to director Sidney Lumet had something to do with it? "Saadia" is fairly wooden at parts, but it's not Rita's fault. She gives a spirited performance as the object of two men's love. The only other life in this movie is provided by Wanda Rotha, as a voodoo wielding rival to Rita. Cornel Wilde & Mel Ferrer, who are friends in the film & act as if they're afraid to hurt each other's feelings, have hurt the audiences feelings by being almost too dull to watch. I rate it 5/10.