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hyped garbage

It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

The film never slows down or bores, plunging from one harrowing sequence to the next.

It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.

As a lurid melodrama I suppose that this is OK,provided that you do not take it seriously.It may seem'realistic" because it is so grim and gritty, but it will not stand up to close examination.The producers were shamelessly trading on the reputation of one of the greatest books about the sea for a contrived soap opera. It would have been far more honest to make up their own title.Virtually nothing about the movie bears the slightest resemblance to the book. I saw the movie,and have read the book several times. It is a great account full of details, very well written which deserves repeated readings, to get the most out of it.Seeing the movie once was quite enough.The only real characters were Captain Thompson, and Dana himself, who is of course the narrator of the book which is the true account of his own experiences.The real Dana actually was more like the fictitious Stewart than the ordinary seaman he is in the movie. He was from an upper class family, and a student at Harvard who was making this trip to "toughen up" and repair his health.The part about his brother dying from abuse as a seaman was total fiction.The real Captain Thompson was a hard and sometimes brutal man, who abused his authority by flogging two seamen without just cause,although apparently it was a case of loosing his temper. Apparently he secretly regretted it, because later he controlled his temper under much more trying circumstances,and even refrained from flogging the carpenter after he had urged the mate to seize command from the captain.Flogging was apparently much rarer than legend has it;when the ship arrived in California, and word of the flogging spread among the other ships in the hider trade,the seamen on the other ships at first thought it was a joke, and then were very shocked and surprised when they found out that it actually happened, indicating that it was far from normal.Thompson and the "Pilgrim" rapidly got a very bad reputation.The scurvy incident, intended to show the callousness of the captain, actually, if it had happened, would indicate that he was insane.No captain would have done that.Regardless of his lack of humanity, he needed the crew to work the ship,and scurvy would render them helpless.In fact, scurvy did strike during the trip home, and the captain desperately sought out any ship that had fresh provisions, which he found.Actually, Dana was not trying to lessen the authority of the captain in law.He didn't even want to remove his right to flog disobedient seamen;he said that if he ever went to see as a captain, he would want to have the authority to flog,though he would hope that he would never have to use it, because of the unruly elements represented among common seamen.He felt that it was essential as a constant threat to maintain discipline He did say that captains should be held accountable for abuse of their authority,and that courts were far too lenient on ones convicted of abuse.In the book he said that at the time of the floggings he swore to bring Thompson to justice;whether he actually did or not is unclear.His family was friendly with the senior partner of the firm that operated the ships he sailed on in the California hide trade.

The press gang of the "Pilgrim" recruits a crew and the ship sets sail. Captain Thompson (Howard Da Silva) is only concerned with breaking speed records and has First Mate Amazeen (William Bendix) and Second Mate Foster (Luis Van Rooten) as his side-kicks to run discipline with a rod of iron. There are floggings, rations, neglect and heartless sea burials on his journey. The crew who suffer include Charles Stewart (Alan Ladd), Henry Dana (Brian Donlevy) and Brown (Albert Dekker). Dana keeps an incident log which will change merchant sea law forever. It becomes published and is called "Two Years Before The Mast" This is a true-life account of conditions at the time and is based upon a book that introduced maritime law. The cast are all good - Howard Da Silva makes an excellent bad guy. I don't usually like children in films but the stowaway Sam Hooper (Daryl Hickman) isn't as annoying as I feared he might be, and his inclusion in the story has relevance in how the crew relate to Charles. Indeed, he also brings out a human side to Mr Amazeen. However, I am not sure what the point of having the 2 passengers was - the film dragged whenever Maria (Esther Fernandez) was on screen. It was good to watch Charles's transformation from a dislikeable oik to a man with a conscience. There were also some humorous moments thrown in, eg, when Charles goes back to eat the chicken he has stolen in front of the crew that hate him. It's a good film but I never understand the point in scrubbing the decks. What's that about?

By several respects ,some kind of updated "Captain courageous" (Victor Fleming ,1937).The rich kid (Alan Ladd) has grown up and he is still frivolous ,part of the young jet set ,drinking and picking up girls in the low dives of the harbor.When dad learns that his boy is on his own ship,in the clutch of a -rather sadistic- captain ,he does not panic and wisely mumbles something like " it 'll make a man of him" ;which is not entirely false.Not only ,the boy born silver spoon in hand will learn the harsh realities of life ,but he'll also feel for his unfortunate shipmates (many of them poor press-ganged aboard victims like himself ).Although the movie is centered on Ladd's misadventures ,it actually depicts "Henry Dana's crusade to expose mistreatment of men at sea" (Maltin).But the reviewer is wrong when he writes that it is a "badly scripted story":in fact only the female character gets in the way and the ending is botched.All that remains is absorbing ,the standout being for me the ship's boy.Farrow was better at film noir ,but his attempt at an adventures movies is recommendable.Like this ? try these ...."Mutiny on the Bounty" (Frank Lloyd's 1935 version is still the best) "Captain Courageous" (Fleming,1937) "Down to the sea in ships" (Henry Hathaway,1949) "Ghost Ship" (Mark Robson/Val Lewton,1943) "White squall" (Ridley Scott,1996)

I am disappointed to see the sparsity of votes for this very-of-guys movie. This box-office smash of 1946 which is a sly attempt to invoke the more academy award favored Mutiny on the Bounty. Obviously, this movie was made to win awards and to give prestige to the studio, producer and actors involved. It did not garner a single nomination. Based on a true story and a best-selling non-fiction book from the 19th Century, it details the kind of cruelty and inhumanity that was used back then to run a ship. The stand-out of many fine performances is Howard da Silva as the captain Thompson who is more interested in breaking arrival records than in keeping the health, morality or moue of his crew in a flush of pink. Alan Ladd is the somewhat lead for make no mistake, this is no Ladd piece but an ensemble of Paramount's finest and great character actors. William Bendix, an actor who puts to shame the theory that real acting began with those "method" actors of the fifties with everything he does, is perfect as the first mate Amanzine. Shot strictly on studio sets, it does have the necessary realism of the open seas and azure skies that could give it the needed extra texture but it tries and works all the same. Unexpected events happen and formula is avoided until a rushed third act and ending that feels to hurried to resonate. That is why I voted it an 8/10. It is just too flat, as if the producers were late for dinner or something and slapped something together. Surely, events you want to see resolved is giving the sleight of hand and the picture is only 98 mins, so why the hurry? A good guy's movie with fine performances. It could have been a classic but it's just a good movie. P.S. I cannot believe Da Silva was not nominated for his performance. That is just a plain travesty.