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That was an excellent one.

Boring

It’s an especially fun movie from a director and cast who are clearly having a good time allowing themselves to let loose.

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

This is one of the films I most regret having set my interest on to decide to watch it. Four and a half hours of a story running through several generations of a small Siberian village, which just can't be less interesting, moving and appealing no matter the point of view you want to look at it: epic, sentimental, historical, or all at once, which seems to have been the pretension of the director, failing completely and pitifully in his vain attempt. A loose thread of familiar and personal stories intermingled with historical events which are unable during more than four painful hours to drag your attention into them just for five minutes. Not a single character is developed in a way that you can feel any emotion or at least some interest in his/her whereabouts. But there is some epic in the film: the number of senseless, histrionic scenes which make you plead "please stop this once and for all!!!". The reason why I watched this film was that other film by director Konchalovsky is actually among my all time favorites: Runaway Train. After having watched Sibiriada now I wonder if they are the same person or I mixed up names or something.

Inexplicably this is compared to "Doctor Zhivago," I suppose because there are Russian revolutionaries. Egad. The films couldn't be more different.This is inspired by "2001." Equally inexplicably, "Solaris" is called the Russian 2001 because. Heck, because it has space hardware. Jees.The structure of "2001" is its reason to be, a fight among three narrative perspectives. We never know who wins: the human, machine or divine. Each is presented in a way that could be interpreted to subsume the others, and we are never grounded. Its sublime, each level above the other in a sort of Escher narrative.This is the same, very deliberately so. We have the same three: we have the human story of sex, love community and how that embraces everything, Miss Marplewise. We have the "machine" or the revolution and its apparatus, some figurative and some literal. And we have the mystical energy and laws of nature, which are deliberate, clear, pervasive here. (If there is something particularly skillful in this project cinematically, it is how this mystical mist pervades.)Its not at all as deft in the balance as Kubric's masterpiece. But you can see the three climbing over each other, and the standoff presented at the end.Its a long slog, and you'll have to wade through overly optimistic celebrations of revolutionary purpose. But its rewarding in a sort of Polish (meaning dreamy) way.On a second viewing, I have to remark on how the fundamental nature of this is different from most else that I watch. I'm particularly sensitive to the fact that most every element that I see in every film project is a matter of market forces. An artist can modulate within that pull, but never really escape the sender-receiver dynamic. This film differs in the way that some monumental architecture does from what surrounds it. In the soviet system, you pay your dues and prove that you are a worthy artist. That means of course that you have to satisfy the artistic bureaucracy, the nature of which one can only imagine. But once you achieve some level of power, you become a dilettante, with amazing reach. Everything we see here is because it was envisioned to be so, quite apart from what we normally have to deal with in the "free" world. Its the inversion that is striking. This film really is perfect in many ways. You can see that every frame and nuance is the way the filmmaker wants it regardless of whether he thinks people care. I didn't care much, because the thing is as soulless as most other Soviet art. But its very clean, and big and sentimental. And its different, and that's a welcome shower.Ted's Evaluation -- 3 of 3: Worth watching.

I was young film student in 1979 when the Union of the Soviet Filmmakers came to Sofia Bulgaria and premiered Konchalovsky's "Siberiade"; Tarkosvky's "Stalker" and Danelia'a "Autumn marathon". I was stunned by the cosmopolitan dimension of the art form. Then and only then, I saw "Siberiade" 4 and 1/2 hours epic and was speechless. Way better then Bertolucci's "1900". By far!Hope Andron will somehow get to the negative and make "director's restored version full lenght " someday! On DVD of course! Also I fiercely fought in defense of this Cinema against most of my colleagues who were equating Soviet film with bad taste! Time is on my side.

This is just one of these rare cinema experiences. I've seen this film twice in cinema about 15 years ago. The first time in a stonecold auditorium (they ran out of heating oil) we all just sat there with gloves, jackets and other stuff to keep you warm. The film made such an impact with its beautifull images and its rare story. Russian cinema has a couple of these slow and long movies. Siberiade is a long (over 4 and a half hour) and slow movie. Long shots of man wading through cold swamps in search of oil. I like it!!!! It is a shame there was no videorelease in Europe, and now lets wait for the DVD!! Martin