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Very very predictable, including the post credit scene !!!

Wonderful character development!

Perfect cast and a good story

The biggest problem with this movie is it’s a little better than you think it might be, which somehow makes it worse. As in, it takes itself a bit too seriously, which makes most of the movie feel kind of dull.

Anne Jeffreys, Pat OBrien, and Walter Slezak star in the search for a missing passenger. The passenger had a map of valuable oil reserves, but didn't land with the plane in Panama. Of course they question the only other passenger, who claims he knows nothing about it. Then they bring in the private eye (OBrien) to figure out what's going on. Expert viewers will recognize Percy Kilbride as "Pop", the taxi driver, who knows more than he should. He was Pa Kettle for MANY years. It's a decent plot, but everyone keeps getting knocked off, and now Dan, the P.I. is running out of clues. The rest of the story is very typical noir... private eye against thugs, private eye against the authorities. Keeps getting into trouble, keeps getting out of it. Obrien pretty much carries the show.

This typical film noir production has an unusual setting in Panama, although the fact that it's an RKO production means there aren't any exotic visuals or location shooting here. Instead this is a simply-plotted movie about the hunt for a missing map which has the location of oil highlighted on it. A private eye by the name of Dan Hammer (Mike's brother?) gets involved in the hunt and finds himself up against a criminal gang.RIFF-RAFF boasts a memorable opening sequence on board an in-flight aircraft in which a guy goes missing. However, it soon descends into your typical mystery thriller, with a few hard-knuckle fights here and there but little to distinguish it from literally hundreds of others. While Pat O'Brien was a great character actor (such as when he played the priest in ANGELS WITH DIRTY FACES) he's an odd choice for lead and doesn't exactly seem to be the sort of guy able to handle himself. However, Walter Slezak is better as the sleazy villain and Anne Jefferys as the youthful love interest.

In Panama, a private detective is hired to find a missing oil well map.I expect this little gem got lost in the 1947 crowd. Too bad, because the opening scene is a wordless tour-de-force. Catch that ominous looking lizard in the first shot, indicating the sinister events to follow. Then there's the rainstorm that sounds like the sky is exploding around the airfield. And finally, scope out the open cargo hatch at 20,000 feet, where you see three people but no parachutes. It's a tough act to follow, and truth be told, the story then settles into an entertaining, if unremarkable, private-eye adventure.Nonetheless, there are so many nice touches lifting the narrative—the lazy guard dog, the down-and-outers needing help, Pop's belching old cab. But most of all, there's the stylish visuals, courtesy director Tetzlaff and cameraman Diskant. The compositions are especially impressive since they're artistic without being showy. And, of course, there's the great RKO team of D'Agostino and Silvera collaborating on the noirish sets.I also like O'Brien in the lead. He sure doesn't look like the standard Hollywood dick. He's about 20-years too old, 20-pounds too heavy, and more than a little balding. Still and all, he can fire off the tough-guy banter with the best and make you believe it. Of course, having the lovely Maxine (Jeffries) fall headlong for him remains something of a stretch, but that's just Hollywood being Hollywood.Talk about hiding in plain sight-- the map trick has stayed with me over the years. Speaking of the unusual, catch that brawl at movie's end. One thing for sure, I want Jeffries in my corner from now on. She doesn't just stand around while the hero gets bashed, even when a tricky bookcase bounces back at her.Anyhow, it's a really good little RKO programmer and a good reason to keep prospecting these unheralded oldies for their hidden gold.

Riffraff finds Pat O'Brien as Dan Hammer, hardboiled private eye, operating in the Canal Zone which when the USA was operating the Panama Canal had a kind of hybrid sovereignty between America and Panama. Of course other than an aerial shot at the beginning of the film, no one got closer to Panama than the backlot of RKO Studios.I'm not sure if Mickey Spillane had already created his character of Mike Hammer, but O'Brien's portrayal sure could have been the model for it.O'Brien is hired by someone to locate a missing map of some undiscovered South American oil fields. His client is later murdered and that starts the ball rolling. A lot of the plot elements of Riffraff are found in that other private eye classic Murder, My Sweet and though Riffraff is entertaining, it doesn't hold a candle to that classic noir.Anne Jeffreys does well as the singer/moll who actually proves to be quite a bit of help to him in that last encounter with the bad guys. Walter Slezak is as always one charming, but dangerous villain. Jerome Cowan does well as the feckless and luckless oil executive and the best performance in the supporting cast is that of Percy Kilbride as a laconic cabdriver.In fact Percy's the one who gets the best of Slezak. You should see Riffraff just to see how he does it.