Watch Pearl of the South Pacific For Free

hyped garbage

Pretty good movie overall. First half was nothing special but it got better as it went along.

It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

It’s sentimental, ridiculously long and only occasionally funny

PEARL OF THE SOUTH PACIFIC is your usual Pacific island adventure yarn from the mid-1950s. It was directed by stalwart Canadian Allan Dwan, who had previously made SANDS OF IWO JIMA so had some idea about making films set in that part of the world. Indeed, Dwan's brisk and efficient direction is the best thing about this otherwise undistinguished movie.The plot sees a trio of Americans masquerading as missionaries when in reality they're fortune-seekers looking for a hidden treasure of black pearls. First and foremost of these is blonde starlet Virginia Mayo, who the cameraman seems to be in love with; most of the focus is on her and her alone as she wears a succession of skimpy outfits and appears to be little more than a clothes horse at times. Mayo more than holds her own amid a largely undistinguished cast.There's a little plot and a little intrigue with the locals although hardly anything in the way of real action. The usual dodgy ethics of the era abound, particularly in the depiction of backwards islanders who are Americans browned up with liberal fake sun tan. At least the Hawaiian locations give this an authentic look. The best part of the film is the inclusion of a real giant squid that also showed up in Ed Wood's BRIDE OF THE MONSTER.

It's correct to note that when actresses of a certain age get to a point in their career, they might be asked to go down Maria Montez territory to put on a sarong and/or go to an exotic location for an Indiana Jones like adventure. Yvonne De Carlo returned to these types of roles with Republic's "Flame of the Islands" and Jane Russell dove for pearls to Perez Prado music in RKO's "Underwater". Even Barbara Stanwyck did this (minus the sarong fortunately) in the same year's "Escape to Burma" which this Virginia Mayo epic seems to take place on the same set.Filmed in Super Silly Scope, this adventure yarn is another case of "Uh oh, there goes the neighborhood", occurring in the south seas when a ship containing men searching for black pearls arrives near an uncharted island where one was discovered. "Bad girl" Virginia Mayo disguises herself as a missionary in order to fool the islanders who are being ruled by Basil Ruysdael, an Englishman who doesn't want outsiders ruining the island, and who could blame him? The islanders, unlike those in such south sea movies as "The Hurricane" or anything else starring Jon Hall and Dorothy Lamour, aren't too kean on it either, greeting them with spears while Ruysdael voices threats. With her sensuous looks, it's obvious to Ruysdael that Mayo ain't no missionary, and when she makes a play for his scantily clad son (Lance Fuller), war between the islanders and white men is inevitable.While Mayo has surface beauty, there's also something cold which can't be explained by simply watching her on film. This made her perfect for film noir, hence classics like "White Heat" and "Kiss Tomorrow Goodbye", but in musicals, she can't compare to Grable or Day. She does get a bit of an opportunity to sing, introducing native children to the nursery rhyme song "Ten Little Indians", and that is the one moment where her warmth briefly comes out. But here, she's involved with three men: old lover Dennis Morgan (looking much aged from his Warner Brothers days), new lover David Farrar (quite sinister) and innocent but deadly serious Lance Fuller, and that makes her a total floozy. Then, there's the obviously rubber octopus, perhaps the same one that made infamy in the same year's "Bride of the Monster", guarding the hidden cavern which can only be found through a pond in the middle of the island that contains the hidden stash of black pearls. This brings on more unintentional laughs that might have your chest in pain.This is a reflection of the fun but schlocky films of the 1940's and 50's that kids used to rush to on Saturday afternoons that if they were to see today, they'd probably roll their eyes and declare how stupid it all seems in retrospective. Still, it's all innocent fun, as far-fetched and fantastic the plot is, a reminder of what films used to be made to do. In a sense, this could be almost a variation of a Greek tragedy, sort of an Aesop's fable, as if transfered into a screenplay and a modern era, and definitely a lesson in how greed can destroy the soul.

One of the most important Rules of Life is said to be "Never play cards with a man named Doc", and there should perhaps be another one reading "Never go into partnership with a man whose nickname is Bully". Dan Merrill and Bully Hague are adventurers who go into partnership in the pearl fishing business. Their plan is to exploit the waters around an unnamed South Sea island which are believed to be a particularly rich source of valuable black pearls. Although the film has a contemporary setting in the 1950s the island is a curiously old-fashioned place. It has never been colonised by any Western power and is virtually unknown to outsiders. Moreover, the islanders know equally little about the outside world. The only white men on the island are an old man named Michael and his son George. Michael has managed to get himself elected High Priest of the islanders' religion and the unofficial king of the island, largely because he has taught them a few useful things such as how to fish with nets instead of spears. For the most part, however, Michael's main aim is to preserve his subjects from the pernicious influence of the outside world which he sees as a place of evil and corruption. He does not welcome the arrival of Dan and Bully and their crew, but is wise enough not to try and drive them away by force. The plot also includes a love-triangle involving Bully, Dan and an attractive blonde named Rita, who is not only Bully's current girlfriend but also Dan's ex. In the course of their voyage, however, Rita decides that she really prefers Dan after all, much to Bully's fury. The triangle develops into a love-pentagon when George also falls for Rita, even though he already has a beautiful Polynesian fiancée. A further development involves Dan and Bully trying to smuggle Rita onto the island disguised as a missionary; exactly why they think this will assist their schemes is never made clear. Nor is it explained why they believe it is incumbent upon female missionaries to dress in Edwardian costume; the clothes worn by the supposed "missionary" Rita were several decades out-of-date even by the standards of 1955. "Pearl of the South Pacific" is in some ways a typical action/adventure film of its era, only not a very good one. The story of the search for the pearls never generates much excitement, and those scenes involving the giant octopus, supposedly the main source of danger to the characters, are feeble in the extreme. None of the acting rises above the barely adequate, and in some cases falls well below that level. In other ways, however, there is something offensive, even borderline racist, about the storyline, with its stereotyped portrayal of South Sea islands as untouched, unspoilt societies inhabited by simple, unsophisticated people who need the wise guidance of a white guru to keep themselves simple and unsophisticated (for which read ignorant). This is the sort of film they don't make any more. For which we can all be thankful. 4/10 A goof. The islanders refer to Michael as "Tuan", which is a Malay or Indonesian honorific equivalent to the English "sir". Polynesian islanders do not speak Malay or Indonesian, to which their own languages are only distantly related.

Virginia Mayo is the only reason why you would feel like watching this naive story which looks like a very average comic strip.She sails to an island with her two pals to latch on to the black pearls (check the title).Best scenes are when she claims to be a missionary (sic) talking about the "true" God to a priest who has other fish to fry:celebrating a wedding for instance.Although in love with one of the beachcombers ,Rita (Mayo) falls (or pretends to) in love with a native who knows where the treasure is hidden.But a giant octopus (is it the monster Cecil B.De Mille used in "reap the wild wind"(1942) and Ed Wood hired for "Bride of the monster" (1956)?)keeps a close watch on it.