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Fantastic!

Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.

At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.

For many Alexander McQueen fans, including myself, McQueen's work was more than stunning fashion: it was a powerful statement about rising above abuse, the burdens of beauty, defying gender norms, death, humanity, and empowerment. The filmmakers did a spectacular job of capturing these themes in McQueen's work through interviews and photo/video montages. Every moment of the film is thought provoking. The visuals are haunting. We must treasure this rare look into the private world of fashion's most elusive, misunderstood genius. The film succeeds most of all by presenting a heartrending timeline of McQueen not only as an infamous designer, but as a person ravaged by the industry. Alexander's life was triumphant and tragic in equal measures; he quite literally lost himself to his genius, pouring so much emotion into the McQueen brand that it became an extension of himself. Ultimately, as the film tells us, fusing his identity with the brand resulted in brilliant, theatrical shows...and the loss of his sanity.I wish that certain runway shows [namely, the Horn of Plenty] were examined a bit more, but McQueen was such a powerhouse that the film would have spanned 3+ hours if they had discussed all his work in depth. I also wish that we could have heard from Sarah Burton, who now directs the house of McQueen. Despite its small missed opportunities, this film will stick with you long after you've left the theatre.

Many years ago I liked watching a TV show in Toronto, called FT Fashion Television. It was not just about fashion, but more about creators and the creative process. The host Jeanne Beker often interviewed Alexander McQueen and I found the shows tremendous. Several years ago I also read a book about McQueen, and I found it interesting as well, although a bit voyeuristic. I found this documentary very illuminating in revealing McQueen's incredible artistic talent, creativity, vision and drive. Not to mention an uncanny business sense and leadership ability to inspire and motivate so many talented and creative collaborators. It was done in a way to explore the powerful factors that combined to shape McQueen but not in an intrusive or tabloid way. All the friends and family spoke honestly with conviction and empathy. I learned so much. Just think how a few talented people can create whole industries and revitalize nations!

Fashion designer Alexander McQueen was no doubt a generational talent, one of those burn too bright and die too soon sensations that make great material for a documentary.In turn, the problem for documentarians is trying to create a piece of work that lives up to the real-life hype. Co-directors Ian Bonhôte and Peter Ettedgui have done an admirable job at capturing the light-and-dark duality of the designer's extraordinary career. However, the first half of the documentary was so zoomed in on everything they were featuring on screen that it actually burdens one's eyes, and the rest of the film, while certainly worth the price of admission, is far less groundbreaking than the man they set out to memorialize.

PipAndSqueak makes some strong points, but I'm not sure what he's saying about people's (lack of) grief at McQueen's passing -- that McQueen was a control freak and therefore not cared about in the end?I don't know what PipAndSqueak is referring to with "LAM" - does anyone know? I was actually wondering if PipAndSqueak might be Detmar Blow - but no evidence for that.PipAndSqueak titled his (?) essay "Sacrificial LAM" - that's what I was just thinking -- that Alexander McQueen functioned in his life, and functions now, as an 'Art Christ' similar to van Gogh - but for the 21st century. Considering the disposability of males to most species including the human species, it's disturbing to contemplate that McQueen may actually serve as a type of human sacrifice for the art and beauty craving masses, during this era of ugliness and chaos. Perhaps his extreme creative honesty and ability to transmute ugliness into beauty filled the massive cultural chasm we are currently suffering.This documentary is pretty much on par with the documentary put out about Alexander McQueen in 2011. It offers us a lot of new information, for which I am grateful, and it is entertaining.I've found just as much value in watching interviews with McQueen on YouTube. But this movie presents a concise - if not complete - picture of his career and art. I greatly appreciate that this film was made, and I hope we can learn from it and advance ourselves further given the knowledge it affords to us.