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The Adventures of the American Rabbit

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The Adventures of the American Rabbit

To fight evil, a young rabbit can transform into a star spangled superhero.

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Release : 1986
Rating : 5.3
Studio : Toei Animation,  Murakami-Wolf Productions,  Atlantic Releasing Corporation, 
Crew : Art Direction,  Creator, 
Cast : Barry Gordon Laurie O'Brien Kenneth Mars Lorenzo Music Pat Fraley
Genre : Fantasy Animation Science Fiction Family

Cast List

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Reviews

Laikals
2018/08/30

The greatest movie ever made..!

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Colibel
2018/08/30

Terrible acting, screenplay and direction.

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GazerRise
2018/08/30

Fantastic!

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Sexyloutak
2018/08/30

Absolutely the worst movie.

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loraleejessome
2016/12/12

This was a reminder how most 80's cartoons that weren't by Disney or Don Bluth were just hilariously awful. A lot of things don't get resolved in this movie. Why do we never see or hear from Rob's parents after he leaves? Why didn't Rob turn into the American Rabbit so he could save Panda-Monium when he had the chance? Do the protagonists ever rebuild Panda-Monium? What happened to the Jackals? Why does the Statue of Liberty look human in a world full of talking animals? Maybe it's the Animal-pocalypse, I don't know. Rob Rabbit is a real wimpy character which is understandable because he's basically Clark Kent in rabbit form, but he's just as pathetic as a superhero. There's racism (species-ism?)in the movie in the movie as well because although it's said several times that not all jackals are bad, we never see any good ones at all. I guess 5-year-old kids might enjoy seeing Rob's flashy transformations into the American Rabbit. But then again this movie must have been written by 5-year-old kids.

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jt21995
2011/08/15

This movie is so bad, I registered at this site to review it. "The Adventures of the American Rabbit" is a film so devoid of any sort of human qualities, it is impossible to conclude that it was made by our species. The film contains no intelligence whatsoever. There is not a shred of anything that resembles an actual movie in this film. It's unspeakably awful. The film starts with Rob the rabbit being raised in some weird European place, even though he's the American rabbit. These first few scenes play like something like I wrote when I was ten, having very little exposition, awkward and jarring pacing, and making almost no sense. Then, suddenly, out of nowhere, Rob turns into the American Rabbit during a picnic. An old rabbit shows up and tells him that he is part of a "legacy" and then Rob walks away and does something to go to San Francisco, where he meets these Jackals who shout nonsense and ride motorcycles. This first act of the film made me want to turn it off immediately. But I kept watching. And it just got stupider and stupider. Like when the villain kidnaps a chocolate making moose and claims that he now controls all chocolate. Or how Rob the Rabbit stops the water at Niagara Falls with lightening, shutting off the power grid for the entire country. The whole thing was just awful. While the plot was nonsensical, the dialogue was something else. It made no sense what so ever. Not one shred of sense. And yes, the film was made in Japan, but it was written by Americans, which nulls that excuse. In addition to the nonsense that the characters said, there was the fact that the voice actors were just bad. They spoke in monotonous dull voices that sapped away any sense of emotion. The only possible scenario I can imagine where one would pull enjoyment from this film is from a purely nostalgic perspective. Other than that, there is not one shred of entertainment to be found.

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mk723
2003/04/19

This was definitely one of my favorite Saturday morning cartoon movies when I was a child. The characters were extremely fun, the storyline was relatively complex, and the tone was not that of most condescending animated movies that caused me, even as a very young child, to feel as if the movies were talking down to me.I haven't seen the movie in quite a few years, but I do remember watching it in late middle school or early high school and noting some of the political ideas that it seemed to be expressing. (By this time, I had realized how the media had affected my mind and opinion about political issues. For example, my once inexplicable cautious attitude towards Eastern Europeans [which have since been eradicated] could probably be trace to such propaganda films as Rocky IV.)However, I do think this film is pretty harmless and actually delivers some good lessons that a child of any age needs to learn. It's definitely still on my favorites list.

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adam1117
2001/06/12

No one watching this film casually is going to find anything political about this movie. They'll just see it as a fun little superhero cartoon. But, after reading some reviews here, I decided to watch it again. I didn't see anything that would suggest putting the National Anthem into a cartoon, as one review suggested, or anything all that patriotic, for that matter. Surprisingly, this isn't anti-Marxist at all. If anything, it's pro-Marxist.There's an early scene in which the characters organize a rally against the bad guys, and the scene, in a not-so-subtle way, suggests unionizing workers. The bad guys, led by a dude in a business suit, take over the city's supply of chocolate (controlling the means of production and what have you). I thought my idea that the shoe was Marxist was falling apart when one of the good guys said "I know people who can help us. Big, corporation guys!" Then, however, it turned out that the corporations were working for the bad guys!My favorite Marxist moment comes early on, when the bad guys ask an "intellectual" for directions to the library. Her reply: "Turn left on McCarthy." It's a bit of a stretch, I know, but it's fun, and may even be intentional.Of course, non-Marxists should still enjoy this movie, and there's no danger that it's going to make your kids into commies. While I for one found it to be, well, more pro-marxist than anti-marxist, it still isn't a political movie at all. An unfortunately overlooked picture. Not a masterpiece, but a fun movie for kids.

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